Return-Path: Received: from mail-pb0-f41.google.com ([209.85.160.41] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4873255 for AE-List@media-motion.tv; Mon, 15 Oct 2012 22:50:12 +0200 Received: by mail-pb0-f41.google.com with SMTP id rq2so4882450pbb.28 for ; Mon, 15 Oct 2012 13:52:30 -0700 (PDT) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=google.com; s=20120113; h=from:mime-version:content-type:subject:date:in-reply-to:to :references:message-id:x-mailer:x-gm-message-state; bh=Oz/Td4q3Fo6cEzSD7W+3VQq9DVDw+1vSEEj0qgxI3/s=; b=D0XCx4+zV/TTfDGQMpm85e+/iJCIL2UPhdu0V6y84YS2HgTlP2UqsG6M4svIt5VUBk ovjncAE+93fCixn5OMJXdPr3JqpBCzjFlEzOk9bA2ZUkFAi3esiskUTMkApBT4Eg4VI3 1Csc/vaZbIFjs9oiNEldOTXLfedKsl4yGzyhphmdXfHQvKsb2p5kzE3xIGaNVOXtM6bE rCRg2q4UdhMlP3sM2WjR9Geaa1xXyOGALrA3w8fsuydpcPut9Bpw0thYW05sAyqjyZdD ED9sPx0Wmo8RavNp55xL7W+gpBABAbpFfXiBuLZQcgP0MyvAtGAN+gpTLtcO55yG0tZ3 VXPg== Received: by 10.68.202.6 with SMTP id ke6mr40114509pbc.82.1350334350059; Mon, 15 Oct 2012 13:52:30 -0700 (PDT) Return-Path: Received: from [10.0.0.137] ([65.223.58.66]) by mx.google.com with ESMTPS id no1sm7935062pbc.21.2012.10.15.13.52.22 (version=TLSv1/SSLv3 cipher=OTHER); Mon, 15 Oct 2012 13:52:27 -0700 (PDT) From: Phil Spitler Mime-Version: 1.0 (Apple Message framework v1283) Content-Type: multipart/alternative; boundary="Apple-Mail=_3D35D1BF-D487-4F08-BEC0-2A6534DF964E" Subject: Re: [AE] RED Workflow Date: Mon, 15 Oct 2012 13:52:47 -0700 In-Reply-To: To: "After Effects Mail List" References: Message-Id: <8FE28DAA-02DE-41A1-81D8-7DC6E2762D80@bonfirelabs.com> X-Mailer: Apple Mail (2.1283) X-Gm-Message-State: ALoCoQkzVjoVdfJcvTRRxrfG2oEWhp+h8jh9r2l09BFgyfenWyjVin20lfM3dQiOuP2Prhyp9G1Y --Apple-Mail=_3D35D1BF-D487-4F08-BEC0-2A6534DF964E Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=us-ascii Hi Alex, that is the workflow is what I usually do but it only works if = clips aren't segmented. Phil Phil Spitler | Creative Technologist | Bonfire Labs | t : = 415.394.8200 m : 415.571.3139 Website | Facebook | LinkedIn On Oct 15, 2012, at 1:40 PM, Alex Czetwertynski wrote: > A workflow previously mentioned here was to export the XML from FCP, = then find and replace using a text editor from all the proxies to the = actual source footage. > Then import that into AE. You might have to re-fit all your media in = your comps as they will probably come in at the size of the proxies... >=20 > HTH > Alex >=20 > On Oct 15, 2012, at 4:31 PM, Jack Tunnicliffe wrote: >=20 >> Phil: >>=20 >> I guess there isn't a simple answer to this. It sometimes depend on = how deep the directory structure is. We know here we sometimes end up = with 35 days of shooting, so the tree can be rather complex.=20 >>=20 >> My one editor said that after the Automatic Duck export if the option = doesn't connect to the R3D footage, he said reconnect the footage = manually navigating to the R3D file. Connect to the first one in the = list, as you know often R3D files can be multi segment, so pick the = first one. >>=20 >> Others may connect in that directory once you do that but you may = have to manually reconnect the other R3D's as well. I guess they are = accustomed to doing this all the time so don't find it onerous but it = doesn't sound like fun to me. >>=20 >> Hope this helps.=20 >>=20 >> Jack Tunnicliffe >> Java Post Production >> 402, 2206 Dewdney ave. >> Regina, SK >> Canada >> S4R 1H3 >> P. 306-777-0150 >> cell. 306-536-4321 >> www.javapost.ca >> ______________ >>=20 >>=20 >>=20 >> On Oct 15, 2012, at 1:55 PM, Phil Spitler = wrote: >>=20 >>> Wow... I never spotted that option... >>>=20 >>> I just tried it though and it didn't work swap out (or through up an = errors). >>>=20 >>> Does the media need to be in specific locations? >>>=20 >>> Thanks Jack. >>>=20 >>> Phil >>=20 >=20 --Apple-Mail=_3D35D1BF-D487-4F08-BEC0-2A6534DF964E Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=us-ascii Hi = Alex, that is the workflow is what I usually do but it only works if = clips aren't = segmented.

Phil



<= div> signature1 Phil = Spitler  |  Creative Technologist   |  Bonfire Labs  |  t : 415.394.8200  m : = 415.571.3139

Website | Facebook | LinkedIn

On Oct 15, 2012, at 1:40 PM, Alex Czetwertynski = wrote:

A workflow previously = mentioned here was to export the XML from FCP, then find and replace = using a text editor from all the proxies to the actual source = footage.
Then import that into AE.  You might have to re-fit = all your media in your comps as they will probably come in at the size = of the = proxies...

HTH
Alex

=
On Oct 15, 2012, at 4:31 PM, Jack Tunnicliffe wrote:

Phil:

I = guess there isn't a simple answer to this. It sometimes depend on how = deep the directory structure is. We know here we sometimes end up with = 35 days of shooting, so the tree can be rather = complex. 

My one editor said that after = the Automatic Duck export if the option doesn't connect to the R3D = footage, he said reconnect the footage manually navigating to the R3D = file. Connect to the first one in the list, as you know often R3D files = can be multi segment, so pick the first = one.

Others may connect in that directory once = you do that but you may have to manually reconnect the other R3D's as = well. I guess they are accustomed to doing this all the time so don't = find it onerous but it doesn't sound like fun to = me.

Hope this helps. 

Jack = Tunnicliffe
402, 2206 = Dewdney ave.
Regina, SK
Canada
S4R = 1H3
P. 306-777-0150
cell. 306-536-4321

On Oct 15, 2012, at 1:55 PM, Phil Spitler <phil@bonfirelabs.com> = wrote:

I just tried it though and it didn't = work swap out (or through up an errors).
Does the media need to be in specific = locations?

Thanks = Jack.