Return-Path: Received: from mail-pa0-f41.google.com ([209.85.220.41] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4873419 for AE-List@media-motion.tv; Tue, 16 Oct 2012 01:35:19 +0200 Received: by mail-pa0-f41.google.com with SMTP id fa10so4921656pad.28 for ; Mon, 15 Oct 2012 16:37:37 -0700 (PDT) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=google.com; s=20120113; h=from:mime-version:content-type:subject:date:in-reply-to:to :references:message-id:x-mailer:x-gm-message-state; bh=fMiPOFm1m8TeUtMwXiZyCXSJmR5nrobtp9Nh0oWXLHE=; b=KtrbrE93h98bQ9Ow632VpsnZ0miFjUGpSdp58EE13lPMXKUOJXJarB2Vy20pTSIfTA 7HIsN9ucbIlU4dF/DTyKalHFQYcunhaUodsxM4jpDJHX+8bWAlUuqJf5Re2gxj/RsAmZ ZCjR6tciFj3QrOWNGg21ckNbHkgWRxX6gAEI6ggJrmnFAvJSTm/bi+mJN/9d6sr9aq6u qLgZMcPKU1J6FiWT73eqLZe99G54pLS6l3IpFtEDL7UfjM6vZ9QQINzChPPD/ViXaPY4 CJSVZOqGejtNrvIsA5mGz7ZsAjqAz5nOPIhO9WEaBmpSGUA98GBCrea7uREevaDW6OwF tgvw== Received: by 10.68.130.201 with SMTP id og9mr41678827pbb.12.1350344257488; Mon, 15 Oct 2012 16:37:37 -0700 (PDT) Return-Path: Received: from [10.0.0.137] ([65.223.58.66]) by mx.google.com with ESMTPS id n7sm9776917pav.26.2012.10.15.16.37.24 (version=TLSv1/SSLv3 cipher=OTHER); Mon, 15 Oct 2012 16:37:35 -0700 (PDT) From: Phil Spitler Mime-Version: 1.0 (Apple Message framework v1283) Content-Type: multipart/alternative; boundary="Apple-Mail=_7DFB800B-332F-4169-96CF-E4BF4FCE92BD" Subject: Re: [AE] RED Workflow Date: Mon, 15 Oct 2012 16:37:54 -0700 In-Reply-To: To: "After Effects Mail List" References: Message-Id: <41720A0B-6206-43F0-A295-821F49047272@bonfirelabs.com> X-Mailer: Apple Mail (2.1283) X-Gm-Message-State: ALoCoQnzZAkafRn3CxzfYprmGFxeRiZN+l5gCE8Wxg9uf+CWeNHuvNOov8upEMqAMqEuMdA5PV1Y --Apple-Mail=_7DFB800B-332F-4169-96CF-E4BF4FCE92BD Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=us-ascii RedCineX works great at fixing the xml files ready for AE. Thanks, Phil Phil Spitler | Creative Technologist | Bonfire Labs | t : = 415.394.8200 m : 415.571.3139 Website | Facebook | LinkedIn On Oct 15, 2012, at 1:54 PM, Alex Czetwertynski wrote: > Even if you in your replace action you point to the first file in the = folder? The RED file segmentation seems to not cause problems opening = the entire file as long as you point to the first one..Could be wrong, = haven't done this in a while >=20 > Alex >=20 > On Oct 15, 2012, at 4:52 PM, Phil Spitler wrote: >=20 >> Hi Alex, that is the workflow is what I usually do but it only works = if clips aren't segmented. >>=20 >> Phil >>=20 >>=20 >>=20 >> Phil Spitler | Creative Technologist | Bonfire Labs | t : = 415.394.8200 m : 415.571.3139 >>=20 >> Website | Facebook | LinkedIn >>=20 >> On Oct 15, 2012, at 1:40 PM, Alex Czetwertynski wrote: >>=20 >>> A workflow previously mentioned here was to export the XML from FCP, = then find and replace using a text editor from all the proxies to the = actual source footage. >>> Then import that into AE. You might have to re-fit all your media = in your comps as they will probably come in at the size of the = proxies... >>>=20 >>> HTH >>> Alex >>>=20 >>> On Oct 15, 2012, at 4:31 PM, Jack Tunnicliffe wrote: >>>=20 >>>> Phil: >>>>=20 >>>> I guess there isn't a simple answer to this. It sometimes depend on = how deep the directory structure is. We know here we sometimes end up = with 35 days of shooting, so the tree can be rather complex.=20 >>>>=20 >>>> My one editor said that after the Automatic Duck export if the = option doesn't connect to the R3D footage, he said reconnect the footage = manually navigating to the R3D file. Connect to the first one in the = list, as you know often R3D files can be multi segment, so pick the = first one. >>>>=20 >>>> Others may connect in that directory once you do that but you may = have to manually reconnect the other R3D's as well. I guess they are = accustomed to doing this all the time so don't find it onerous but it = doesn't sound like fun to me. >>>>=20 >>>> Hope this helps.=20 >>>>=20 >>>> Jack Tunnicliffe >>>> Java Post Production >>>> 402, 2206 Dewdney ave. >>>> Regina, SK >>>> Canada >>>> S4R 1H3 >>>> P. 306-777-0150 >>>> cell. 306-536-4321 >>>> www.javapost.ca >>>> ______________ >>>>=20 >>>>=20 >>>>=20 >>>> On Oct 15, 2012, at 1:55 PM, Phil Spitler = wrote: >>>>=20 >>>>> Wow... I never spotted that option... >>>>>=20 >>>>> I just tried it though and it didn't work swap out (or through up = an errors). >>>>>=20 >>>>> Does the media need to be in specific locations? >>>>>=20 >>>>> Thanks Jack. >>>>>=20 >>>>> Phil >>>>=20 >>>=20 >>=20 >=20 --Apple-Mail=_7DFB800B-332F-4169-96CF-E4BF4FCE92BD Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=us-ascii signature1 Phil = Spitler  |  Creative Technologist   |  Bonfire Labs  |  t : 415.394.8200  m : = 415.571.3139

Website | Facebook | LinkedIn
On Oct 15, 2012, at 1:54 PM, Alex Czetwertynski = wrote:

Even if you in your = replace action you point to the first file in the folder?  The RED = file segmentation seems to not cause problems opening the entire file as = long as you point to the first one..Could be wrong, haven't done this in = a while

Alex

On Oct 15, = 2012, at 4:52 PM, Phil Spitler wrote:

Hi Alex, that is the workflow = is what I usually do but it only works if clips aren't = segmented.

Phil



<= div> signature1 Phil = Spitler  |  Creative Technologist   |  Bonfire Labs  |  t : 415.394.8200  m : = 415.571.3139

Website | Facebook | LinkedIn

On Oct 15, 2012, at 1:40 PM, Alex Czetwertynski = wrote:

A workflow previously = mentioned here was to export the XML from FCP, then find and replace = using a text editor from all the proxies to the actual source = footage.
Then import that into AE.  You might have to re-fit = all your media in your comps as they will probably come in at the size = of the = proxies...

HTH
Alex

=
On Oct 15, 2012, at 4:31 PM, Jack Tunnicliffe wrote:

Phil:

I = guess there isn't a simple answer to this. It sometimes depend on how = deep the directory structure is. We know here we sometimes end up with = 35 days of shooting, so the tree can be rather = complex. 

My one editor said that after = the Automatic Duck export if the option doesn't connect to the R3D = footage, he said reconnect the footage manually navigating to the R3D = file. Connect to the first one in the list, as you know often R3D files = can be multi segment, so pick the first = one.

Others may connect in that directory once = you do that but you may have to manually reconnect the other R3D's as = well. I guess they are accustomed to doing this all the time so don't = find it onerous but it doesn't sound like fun to = me.

Hope this helps. 

Jack = Tunnicliffe
402, 2206 = Dewdney ave.
Regina, SK
Canada
S4R = 1H3
P. 306-777-0150
cell. 306-536-4321

On Oct 15, 2012, at 1:55 PM, Phil Spitler <phil@bonfirelabs.com> = wrote:

I just tried it though and it didn't = work swap out (or through up an errors).
Does the media need to be in specific = locations?

Thanks = Jack.