Return-Path: Received: from [69.93.136.19] (HELO gateway01.websitewelcome.com) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4879039 for AE-List@media-motion.tv; Tue, 23 Oct 2012 02:08:17 +0200 Received: by gateway01.websitewelcome.com (Postfix, from userid 5007) id 42A3F54305E26; Mon, 22 Oct 2012 19:10:49 -0500 (CDT) Received: from gator1184.hostgator.com (gator1184.hostgator.com [174.121.151.98]) by gateway01.websitewelcome.com (Postfix) with ESMTP id 387D854305E06 for ; Mon, 22 Oct 2012 19:10:49 -0500 (CDT) Received: from [24.167.166.243] (port=49369 helo=Neptune) by gator1184.hostgator.com with esmtpa (Exim 4.80) (envelope-from ) id 1TQS51-0007Jn-VP; Mon, 22 Oct 2012 19:10:48 -0500 Reply-To: From: "Stephen van Vuuren" To: "'Steve Oakley'" , "'After Effects Mail List'" References: In-Reply-To: Subject: RE: [AE] Tracking point suggestions for CRTs Date: Mon, 22 Oct 2012 20:10:25 -0400 Organization: SV2 Studios Message-ID: <02d501cdb0b2$cd9ba7d0$68d2f770$@sv2studios.com> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Mailer: Microsoft Outlook 14.0 Thread-Index: AQGNVDQGjVgwIFoSEj7gNfHh9HPMCwHL7DhMmDhdIrA= Content-Language: en-us X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - gator1184.hostgator.com X-AntiAbuse: Original Domain - media-motion.tv X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - sv2studios.com X-BWhitelist: no X-Source: X-Source-Args: X-Source-Dir: X-Source-Sender: (Neptune) [24.167.166.243]:49369 X-Source-Auth: stephen@sv2studios.com X-Email-Count: 4 X-Source-Cap: c3RlcGhlbnY7c3RlcGhlbnY7Z2F0b3IxMTg0Lmhvc3RnYXRvci5jb20= Good point Steve - thanks. stephen van vuuren 336.202.4777 http://www.insaturnsrings.com/ http://www.sv2dcp.com/ http://www.sv2studios.com/ A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later. -Stanley Kubrick -----Original Message----- From: Steve Oakley [mailto:steveo@practicali.com] Sent: Monday, October 22, 2012 7:35 PM To: After Effects Mail List; stephen@sv2studios.com Subject: Re: [AE] Tracking point suggestions for CRTs you can rig the power lights on ... LED + 9V battery + about a 550ohm resistor if I recall :) S On Oct 22, 2012, at 6:29 PM, Stephen van Vuuren wrote: > Thanks to all for the excellent feedback. I was leaning to going no > tracker monitors and leaving the screens off, and I think unless the > monitor has obvious other lighting effects in power/status that I > don't want to fool with, will we do that. > >> Assuming the screen, when off, is a nice deep black instead of green >> or > some other color. > > I've confirmed with Art that all are deep black, so we should be good. > > stephen van vuuren > 336.202.4777 > > http://www.insaturnsrings.com/ > http://www.sv2dcp.com/ > http://www.sv2studios.com/ > > A film is - or should be - more like music than like fiction. It > should be a progression of moods and feelings. The theme, what's > behind the emotion, the meaning, all that comes later. > -Stanley Kubrick > > > -----Original Message----- > From: After Effects Mail List [mailto:AE-List@media-motion.tv] On > Behalf Of Chris Meyer > Sent: Monday, October 22, 2012 7:15 PM > To: After Effects Mail List > Subject: Re: [AE] Tracking point suggestions for CRTs > > Assuming the screen, when off, is a nice deep black instead of green > or some other color. > > On Oct 22, 2012, at 4:36 PM, Brian Maffitt wrote: > >> Brendon's 100% percent right that you should use "Add" for a >> reflection--a > true reflection will only make the screen lighter, not darker. Add is > your best bet for this, or maybe screen, but in either case you'll > want to add a levels effect to the layer to control the reflection strength and contrast. >> >> Brian >> >>> On Oct 22, 2012, at 2:22 PM, Chris Meyer wrote: >>> >>>> And if you want to get good screen reflections and shows, if >>>> possible > place a flat 50% graphic on the monitors during the shoot, then use a > mode such as Overlay or Hard Light to composite your new screen over > the monitor face. >>> >>> >>> In linear color space, the reflections on the screen should be a >>> pure Add > operation. I'd just leave the screen off and then Add the new > material on top. >>> >>> Of course, that would be pure realism, which is probably more >>> reflection > than you want. Use Levels on the reflections to dial them in, but I'd > still stick with Adding in linear space. You can use the color > profile converter to do this on just the Add operation if you don't > want to set your entire project to linear. >>> >>> >>> Brendan >>> >>> >>> +---End of message---+ >>> To unsubscribe send any message to >> >> >> +---End of message---+ >> To unsubscribe send any message to > > > +---End of message---+ > To unsubscribe send any message to > > > > +---End of message---+ > To unsubscribe send any message to