Return-Path: Received: from mail-la0-f41.google.com ([209.85.215.41] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4890881 for AE-List@media-motion.tv; Mon, 05 Nov 2012 02:31:21 +0100 Received: by mail-la0-f41.google.com with SMTP id p5so3449519lag.28 for ; Sun, 04 Nov 2012 17:34:19 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:from:date:message-id:subject:to :content-type; bh=+NASSABieW9ryaR0DRcnx97mThCmzXwmex9+9CyntyQ=; b=PZ0POhb3ZSWKws8DJxn8aEgG7yYF3YZnlK67c8poUNw5R4iV5Iyppj2d59iG1pOF69 InHzfUiwy8KZAxw3fmMRir0Dh0seDjT01LGL+6OOWUnZllFx1/PUidPMXeDsfdS2dTYd H6ULrCJNJRVBX6rd4lmsem7LlX+SHVBsQ/B7wsFtPblkTmYIZNFAljOrTbM1A4GyQhxz UYDkcQmsp8wQ/rN8XFp/NV6kQsZTPLHFCZ0j/6nj2DyRn17ju3Bwb61JjC+M+vusBcLl QqQKdKJsf9YqtlrZJ1R6d+v83YnYyeuNUgYN9nbUTRRMUbO6Ntxj5Bf4xnDfgPuWgOUM 1Uhw== Received: by 10.152.106.162 with SMTP id gv2mr7634873lab.14.1352079259283; Sun, 04 Nov 2012 17:34:19 -0800 (PST) MIME-Version: 1.0 Received: by 10.112.44.67 with HTTP; Sun, 4 Nov 2012 17:33:39 -0800 (PST) In-Reply-To: References: From: Teddy Gage Date: Sun, 4 Nov 2012 20:33:39 -0500 Message-ID: Subject: Re: [AE] pulling a better difference matte? To: After Effects Mail List , stephen@sv2studios.com Content-Type: multipart/alternative; boundary=f46d04083aa5f5320c04cdb57b69 --f46d04083aa5f5320c04cdb57b69 Content-Type: text/plain; charset=windows-1252 Content-Transfer-Encoding: quoted-printable OK, rotobrush is pretty amazing, once I turned on the refine matte / motion blur settings, I couldn't believe how well it worked. With the tablet I'm going about 5x faster than pushing splines. Adjusting levels first so there was more contrast helped a lot with the rotobrush auto-detect as well. Thanks guys, TG On Sun, Nov 4, 2012 at 6:23 PM, Stephen van Vuuren wrote: > Yeah, I had similar shots on a zero budget indie a friend did a couple of > years ago =96 except most of them were not locked off and several handhel= d. > Actors in dark clothes in night shots. Roto is pretty much it =96 wish pe= r > vertex feather was available then =96 it is your friend for motion blur o= n > rapid movement.**** > > ** ** > > I feel your pain.**** > > ** ** > > *stephen van vuuren* > > 336.202.4777**** > > * * > > *http://www.insaturnsrings.com/*** > > *http://www.sv2dcp.com/* > > *http://www.sv2studios.com/* > > * * > > *A film is =96 or should be =96 more like music than like fiction. It sho= uld > be a progression of moods and feelings. The theme, what=92s behind the > emotion, the meaning, all that comes later.* > > =96*Stanley Kubrick***** > > ** ** > --=20 Animator & Editor www.teddygage.com Brooklyn --f46d04083aa5f5320c04cdb57b69 Content-Type: text/html; charset=windows-1252 Content-Transfer-Encoding: quoted-printable OK, rotobrush is pretty amazing, once I turned on the refine matte / motion= blur settings, I couldn't believe how well it worked. With the tablet = I'm going about 5x faster than pushing splines. Adjusting levels first = so there was more contrast helped a lot with the rotobrush auto-detect as w= ell. Thanks guys,
TG

On Sun, Nov 4, 2012 at 6:23 PM, Stephe= n van Vuuren <stephen@sv2studios.com> wrote:

Yeah, I had similar shots on a zero budget i= ndie a friend did a couple of years ago =96 except most of them were not lo= cked off and several handheld. Actors in dark clothes in night shots. Roto = is pretty much it =96 wish per vertex feather was available then =96 it is = your friend for motion blur on rapid movement.

=A0<= /p>

I feel your pain.

=A0<= /p>

stephen van vuuren<= u>

336.202.4777=

=A0

http://www.insaturnsrings.com/

http://www.sv2dcp= .com/

http://www= .sv2studios.com/

=A0

A film is = =96 or should be =96 more like music than like fiction. It should be a prog= ression of moods and feelings. The theme, what=92s behind the emotion, the = meaning, all that comes later.

=96Stanley Kubrick=

=A0




--
Animator & Editor
www.teddygage.com
Brooklyn

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