Return-Path: Received: from mrs2.tnib.de ([81.92.164.174] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4901028 for AE-List@media-motion.tv; Thu, 15 Nov 2012 23:38:17 +0100 Received: from [2.160.103.68] (tmo-107-165.customers.d1-online.com [80.187.107.165]) by mrs2.tnib.de (Postfix) with ESMTPA id 3BA9D16425 for ; Thu, 15 Nov 2012 23:41:30 +0100 (CET) Subject: Re: [AE] New product, RE:Match References: From: Akira Endo Content-Type: multipart/alternative; boundary=Apple-Mail-B9BBFD01-07FC-4505-8DC2-AB5DA8FDF0F8 X-Mailer: iPhone Mail (10A523) In-Reply-To: Message-Id: Date: Thu, 15 Nov 2012 23:41:28 +0100 To: After Effects Mail List Content-Transfer-Encoding: 7bit Mime-Version: 1.0 (1.0) --Apple-Mail-B9BBFD01-07FC-4505-8DC2-AB5DA8FDF0F8 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: quoted-printable Awesome! Akira Endo Am 15.11.2012 um 22:42 schrieb Peter Litwinowicz : > Hey all, >=20 > We just released a new product for After Effects and Premiere Pro (CS5 and= up). RE:Match is a set of plugins to match one view of video or film to an= other so that it looks as if it was shot with the same camera and settings. R= E:Match assumes that both image sequences are taken roughly at the same loca= tion but perhaps were not shot at the same time or from the same point-of-vi= ew. >=20 > For general multicam shoots RE:Match matches, as best it can, one sequence= 's overall color appearance to match that of another. For stereo pairs, RE:= Match can further refine the overall color match by taking into account that= the two views are captured at the same time with a relatively small distanc= e between the views. In addition, RE:Match is also able to propagate color c= hanges into areas that are present in only one view. RE:Match can also make o= ther details, such as reflections, specular highlights, and lens flares be c= onsistent between the two views. >=20 > To see what RE:Match can do, see this overview movie: https://vimeo.com/51= 934700 >=20 > See more here: http://www.revisionfx.com/products/ > Features: http://www.revisionfx.com/products/rematch/features/ > And of course we supply a demo version (it puts a watermark on the images)= . http://www.revisionfx.com/products/rematch/downloads/ >=20 > RE:Match is priced at $329.95, but has an introductory price of $249.95 th= rough December 31, 2012. >=20 > Cheers! > Pete Litwinowicz > RE:Vision Effections, Inc. >=20 >=20 --Apple-Mail-B9BBFD01-07FC-4505-8DC2-AB5DA8FDF0F8 Content-Type: text/html; charset=utf-8 Content-Transfer-Encoding: quoted-printable
Awesome!

Akira Endo

Am 15.11.2012 u= m 22:42 schrieb Peter Litwinowicz <pete@revisionfx.com>:

Hey all,

We just released a new pro= duct for After Effects and Premiere Pro (CS5 and up).  RE:Match is a set of plugins t= o match one view of video or film to another so that it looks as if it was s= hot with the same camera and settings. RE:Match assumes that both image sequ= ences are taken roughly at the same location but perhaps were not shot at th= e same time or from the same point-of-view.

For general multicam s= hoots RE:Match matches, as best it can, one sequence's overall color appeara= nce to match that of another.  For stereo pairs, RE:Match can fur= ther refine the overall color match by taking into account that the two view= s are captured at the same time with a relatively small distance between the= views. In addition, RE:Match is also able to propagate color changes into a= reas that are present in only one view. RE:Match can also make other details= , such as reflections, specular highlights, and lens flares be consistent be= tween the two views.

To see what RE:Match can do, see this overview mov= ie: https://vimeo.com/51934700



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