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| Unfortunately, it depends on the rest of your pipeline/workflow. Are you just delivering the sources back to editorial/online for them to color correct? In this specific situation, I would convert the Rec709 to log (or better yet convert to LogC) and work with it from there - viewing LUT, etc...
Erik -- Erik Hansen 323-316-3731 eahansen@gmail.com / error1k@me.com twitter @error1k error1k.tumblr.com On Mon, Nov 26, 2012 at 9:54 AM, Teddy Gage <teddygage@gmail.com> wrote: Awesome man, thanks. I did a ton of research last night but the metadata info is great. I've more or less figured out a good workflow, with a few things still bugging me. Looks like they shot most of the background plates for in-car greenscreen using the canon c300, and the colors don't match, so the composite looks off. What kind of workflow is needed for mixed footage comps like this? (ie mix of log and r709 footage?) |
