Return-Path: Received: from mail-ie0-f169.google.com ([209.85.223.169] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4910548 for AE-List@media-motion.tv; Wed, 28 Nov 2012 10:03:06 +0100 Received: by mail-ie0-f169.google.com with SMTP id c14so5603848ieb.28 for ; Wed, 28 Nov 2012 01:06:47 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; bh=uslWAvKXWOG8AXs/jixjQKQfDMIdTe6ZcFx7T1eCOFo=; b=nd3STwiHaQ92ZS1G6ynmTlvRy4TdpAZ0NOddmjy0rCSOQfvYlT7TU87W9Vsfh91KHy oe6dl5QeI/GYPOzdh+/XOcq8HTBVNlJgxlLuGOc1SdzgdZ9K78ZOYagCxDVx8K5O3aXn OS3uwhKdeq9ariizlE6EC3L8iXze15zyCJYYalxxemO+ud587wFTPaor3BsUDekLpMhx Psx6YlxzlNYKPUTPLvrVGx4Xsw/Ny2GBQgO2uMxCrCDVOENRe5dtZxraTJwRqFewzK3u +P2Nc9i5SakoAo46MVdlp0BS1Dr7qU1iGoNyzpfA5UIdm7ZXUmKn7epZ9eTem4a6RZVB ppbg== MIME-Version: 1.0 Received: by 10.50.150.167 with SMTP id uj7mr21096357igb.33.1354093607636; Wed, 28 Nov 2012 01:06:47 -0800 (PST) Received: by 10.43.96.199 with HTTP; Wed, 28 Nov 2012 01:06:47 -0800 (PST) In-Reply-To: References: Date: Wed, 28 Nov 2012 10:06:47 +0100 Message-ID: Subject: Re: [AE] Arri flat From: =?ISO-8859-1?Q?Simon_Bj=F6rk?= To: After Effects Mail List Content-Type: multipart/alternative; boundary=f46d04339d4079cec404cf8a7c83 --f46d04339d4079cec404cf8a7c83 Content-Type: text/plain; charset=ISO-8859-1 Have a look at OpenColorIO ( http://fnordware.blogspot.se/2012/05/opencolorio-for-after-effects.html) if you need to convert footage between different color-spaces. It will perfectly round-trip Alexa LogC for example. Best regards, Simon 2012/11/27 > you could also make that adjustment layer a guide layer so that it never > accidentally renders > > tt > > ------------------------------ > *From: *"Byron Nash" > > * > *I normally put the Alexa LUT on an adjustment layer and do all my VFX > under that. That way I know what I'm adding is going to look balanced with > the shot when the look is applied. Before rendering I turn off the > adjustment layer and render to ProRes 4444. The colorist here is using > resolve so he can grade the shot from the same point that every other shot > starts at. All of my work should travel correctly with it. I often deliver > mattes to the colorist as well to allow them greater control over grading > the VFX. I always keep the AE file in 16bits as a minimum and often work in > 32bit linear. > > --f46d04339d4079cec404cf8a7c83 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Have a look at OpenColorIO (http://fnordware.blogspot.se/2012/05/o= pencolorio-for-after-effects.html) if you need to convert footage betwe= en=A0different=A0color-spaces. It will perfectly round-trip Alexa LogC for = example.

Best regards,

Simon

2012/11/27 <pixelbot@comcast.net>

you could also make th= at adjustment layer a guide layer so that it never accidentally renders

From: "Byron Nash" <byronnash@gmail.com= >

I normally put the Alexa LUT on an adjustment layer and do a= ll my VFX under that. That way I know what I'm adding is going to look = balanced with the shot when the look is applied. Before rendering I turn of= f the adjustment layer and render to ProRes 4444. The colorist here is usin= g resolve so he can grade the shot from the same point that every other sho= t starts at. All of my work should travel correctly with it. I often delive= r mattes to the colorist as well to allow them greater control over grading= the VFX. I always keep the AE file in 16bits as a minimum and often work i= n 32bit linear.

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