Mailing List AE-List@media-motion.tv ? Message #46788
From: Simon Björk <bjork.simon@gmail.com>
Subject: Re: [AE] Arri flat
Date: Thu, 29 Nov 2012 10:18:42 +0100
To: After Effects Mail List <AE-List@media-motion.tv>
If you're using the Nuke-settings, which I assume you are, the AlexaLogC curve is using the same math as described in the the LogC documents. So in other words, yes it should make a correct conversion from logC -> color-space of your choice. In fact, I would trust it more than a generated lut from the Arri website.

Cheers,
Simon

2012/11/28 Byron Nash <byronnash@gmail.com>
Thanks for the tip on OpenColorIO Simon. I have it installed now and am giving it a go. Have you found the Alexa LogC profile in there pretty much the same as the one on the Alexa site?


On Wed, Nov 28, 2012 at 4:06 AM, Simon Björk <bjork.simon@gmail.com> wrote:
Have a look at OpenColorIO (http://fnordware.blogspot.se/2012/05/opencolorio-for-after-effects.html) if you need to convert footage between different color-spaces. It will perfectly round-trip Alexa LogC for example.

Best regards,
Simon

2012/11/27 <pixelbot@comcast.net>

you could also make that adjustment layer a guide layer so that it never accidentally renders

tt


From: "Byron Nash" <byronnash@gmail.com>


I normally put the Alexa LUT on an adjustment layer and do all my VFX under that. That way I know what I'm adding is going to look balanced with the shot when the look is applied. Before rendering I turn off the adjustment layer and render to ProRes 4444. The colorist here is using resolve so he can grade the shot from the same point that every other shot starts at. All of my work should travel correctly with it. I often deliver mattes to the colorist as well to allow them greater control over grading the VFX. I always keep the AE file in 16bits as a minimum and often work in 32bit linear.




 
Subscribe (FEED) Subscribe (DIGEST) Subscribe (INDEX) Unsubscribe Mail to ListMaster