Return-Path: Received: from mail-vc0-f177.google.com ([209.85.220.177] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4932354 for AE-List@media-motion.tv; Sat, 22 Dec 2012 20:01:09 +0100 Received: by mail-vc0-f177.google.com with SMTP id m8so6347841vcd.36 for ; Sat, 22 Dec 2012 11:05:37 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=x-received:subject:references:from:content-type:x-mailer :in-reply-to:message-id:date:to:content-transfer-encoding :mime-version; bh=03BZJ2c4TUbXJjCEe3GVqy2Orv1JVd4lNf8AJXim6yA=; b=z+Lrv8DSrfj4rkXkF2Dvp53aop0ylKlyBmTqjOiagU6Kk944H6kEGapaOHUxR4Uzac F/ZasfIeJ9Ro+tYqU78TVd+o6u8reMcNGW0+r8sKJg9Tp5R/Ko6amkGi4j5Or1catGSE sS0X1c1El6wpmjwjd4NY6Ot46nateot9T7ZcP6IpyBw3I0RByGGXPzrQjYmBExhpFnWc oZ4r0vPMGF3vCeYqKXxJbPR0wvwhJ71UE2hF0NSG+f5xOL1KKglCsxAC8MvaqscqKnQ+ cyzqMlFnfYDm7NqPUNEGS/B70yntrynqNbj8/V1dyUYQW7OA66pKyRY4RB2iEmDgoh6G pMrw== X-Received: by 10.221.9.202 with SMTP id ox10mr25946413vcb.40.1356203137294; Sat, 22 Dec 2012 11:05:37 -0800 (PST) Return-Path: Received: from [192.168.1.35] (cpe-24-90-203-116.nyc.res.rr.com. [24.90.203.116]) by mx.google.com with ESMTPS id gl6sm12386149vec.4.2012.12.22.11.05.35 (version=SSLv3 cipher=OTHER); Sat, 22 Dec 2012 11:05:36 -0800 (PST) Subject: Re: [AE] vanishing point as tracking space in AE References: From: Rendernyc Content-Type: text/plain; charset=us-ascii X-Mailer: iPhone Mail (10A523) In-Reply-To: Message-Id: Date: Sat, 22 Dec 2012 14:05:34 -0500 To: After Effects Mail List Content-Transfer-Encoding: quoted-printable Mime-Version: 1.0 (1.0) When footage was shot with a wide angle lens you should use optics compensat= ion to remove the lens distortion before you do the camera track. Then comp a= gainst the plate with the distortion removed and you can reintroduce the len= sing by reversing the optics compensation and applying that over the comp as= an adjustment layer On Dec 22, 2012, at 1:27 PM, Evan Fotis wrote: > hello all, > I have some DSLR footage in a scene that needs 3D text with reflection in a= pool. > The trouble is that there is a weird camera move and pan on a crane combin= ed with wide angle lens. > I had a quick go by eye with the client over the shoulder, and the results= where pretty good but the beginning and end parts couldn't match.. I used t= he VCP reflect so I didn't have extrusioneither >=20 > I thought to do it "properly" by creating a 3D environment camera matching= and using 3D text raytraced. >=20 > The new 3d camera tracker gets the perspectives wrong, (apart from having= a hard time solving &failing when detail analysis was off). > I thought I could create 3D cordinates as in PS vanishing point, but after= applying the fx on the layer I get no options? > Am I missing something? > also the online help and pdf send me dead links. >=20 > +---End of message---+ > To unsubscribe send any message to