Return-Path: Received: from mail-ee0-f54.google.com ([74.125.83.54] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4932734 for AE-List@media-motion.tv; Sun, 23 Dec 2012 17:20:42 +0100 Received: by mail-ee0-f54.google.com with SMTP id c13so3301668eek.13 for ; Sun, 23 Dec 2012 08:25:10 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=x-received:message-id:disposition-notification-to:date:from :user-agent:mime-version:to:subject:references:in-reply-to :x-tagtoolbar-keys:content-type:content-transfer-encoding; bh=6qTfcCBx1VIYtd89GX9b2ItA7nqxRH3kOfniIxjiUQY=; b=X/NKTK/RXlgy0sDS0xZkPsAvETDY/vTQ4TYXYR/6fgQsYV1kz4X4ifBu4Bm2ulbJyt lYKXI8BBRBIDs6qKLzHJ8135VUsjGGTLZyZpr5xxBG2+2GaPavvP+pd6ZWNJgyt/YXbN N5Hh1X4nJUHqMyI347yxxiQVEYjmQafQsxRwaHiub+k7C0+TOAyXIib9dTLa29socXjU TKLFSKzdeNyAc0XkNUSyKTvzFtV4oM5yis/vm36hJ5/nunOFw/+k+FMaI1QVKMNOIRs0 Q1/wNumPJtQx6bSo5sDnb93lvn6mM22N/fneyf2lfocMngUTipCs+Pl5FCbh0YeYDrkR 0XIw== X-Received: by 10.14.194.195 with SMTP id m43mr49267268een.44.1356279910313; Sun, 23 Dec 2012 08:25:10 -0800 (PST) Return-Path: Received: from [192.168.1.4] (cust-233-240.on4.ontelecoms.gr. [92.118.233.240]) by mx.google.com with ESMTPS id e2sm35693979eeo.8.2012.12.23.08.25.08 (version=SSLv3 cipher=OTHER); Sun, 23 Dec 2012 08:25:09 -0800 (PST) Message-ID: <50D730B8.8000609@gmail.com> Disposition-Notification-To: Evan Fotis Date: Sun, 23 Dec 2012 18:26:32 +0200 From: Evan Fotis User-Agent: Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.8.1.17) Gecko/20080914 Lightning/0.9 Thunderbird/2.0.0.17 Mnenhy/0.7.5.666 MIME-Version: 1.0 To: After Effects Mail List Subject: Re: [AE] vanishing point as tracking space in AE References: In-Reply-To: X-TagToolbar-Keys: D20121223182632328 Content-Type: text/plain; charset=UTF-8; format=flowed Content-Transfer-Encoding: 7bit Thank you! I shall try that On 22-Dec-12 21:05, Rendernyc wrote: > When footage was shot with a wide angle lens you should use optics compensation to remove the lens distortion before you do the camera track. Then comp against the plate with the distortion removed and you can reintroduce the lensing by reversing the optics compensation and applying that over the comp as an adjustment layer > > On Dec 22, 2012, at 1:27 PM, Evan Fotis wrote: > >> hello all, >> I have some DSLR footage in a scene that needs 3D text with reflection in a pool. >> The trouble is that there is a weird camera move and pan on a crane combined with wide angle lens. >> I had a quick go by eye with the client over the shoulder, and the results where pretty good but the beginning and end parts couldn't match.. I used the VCP reflect so I didn't have extrusioneither >> >> I thought to do it "properly" by creating a 3D environment camera matching and using 3D text raytraced. >> >> The new 3d camera tracker gets the perspectives wrong, (apart from having a hard time solving &failing when detail analysis was off). >> I thought I could create 3D cordinates as in PS vanishing point, but after applying the fx on the layer I get no options? >> Am I missing something? >> also the online help and pdf send me dead links. >> >> +---End of message---+ >> To unsubscribe send any message to > +---End of message---+ > To unsubscribe send any message to >