Return-Path: Received: from mail-ia0-f173.google.com ([209.85.210.173] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4946876 for AE-List@media-motion.tv; Fri, 11 Jan 2013 04:54:46 +0100 Received: by mail-ia0-f173.google.com with SMTP id w21so1188509iac.4 for ; Thu, 10 Jan 2013 19:59:49 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; bh=ShFplm0BGfcK/5KcHcC160kuLU31OEmKxiOHbrRKRHg=; b=m2xNRKh59uX2TqwOpFgfnC3asEFi/CmEjYrMZt+vW0wLCe718eyW6WUYFRL2LEPCfv PxXvCycsEjhIR8oRRUYR6Xw24Z8k54SP3VznyIlbQHgFfx8zFgcQGeTtABdRVkJ0IlCf UsA0gMqqUuLAyraDTvIWVhYKoJ/GK8jLDiPgeUV7LBBn8NYCzw01d8lKMFR0bN/tZwXK aHbrUUFkvLIllqJkoMCwXsIARt51nnjqVh2GWqy/JTJKngZI4mkIroynSZamjcs5jSd3 CpT/Aq/SP8BtxnDSOrKNieSm6XN6xU2aVpJhIIwN0vvmapA0phetOfsp9W5zabdE95UU P7Yg== MIME-Version: 1.0 Received: by 10.50.16.235 with SMTP id j11mr7984568igd.78.1357876789524; Thu, 10 Jan 2013 19:59:49 -0800 (PST) Received: by 10.64.49.75 with HTTP; Thu, 10 Jan 2013 19:59:49 -0800 (PST) Received: by 10.64.49.75 with HTTP; Thu, 10 Jan 2013 19:59:49 -0800 (PST) In-Reply-To: References: Date: Thu, 10 Jan 2013 22:59:49 -0500 Message-ID: Subject: Re: [AE] Real life lens flares From: "Mr. Eric D. Kirk" To: After Effects Mail List Content-Type: multipart/alternative; boundary=f46d0442813ab038c804d2fb5361 --f46d0442813ab038c804d2fb5361 Content-Type: text/plain; charset=windows-1252 Content-Transfer-Encoding: quoted-printable I love JJ Abrams films! Especially his flares. On Jan 10, 2013 10:58 PM, "Enrique Gamez" wrote= : > U should give it another chance. Having watched Super 8 about 30x now, i= t > gets better with repetition. Loved that train carnage! It exercises my > sub-woofer something fierce. > -e > > From: Stephen van Vuuren > Reply-To: After Effects Mail List > Date: Thursday, January 10, 2013 7:12 PM > To: After Effects Mail List > Subject: Re: [AE] Real life lens flares > > > The JJ Abrams stuff isn't half bad, really.**** > > ** ** > > That=92s a matter of taste really =96 in Super 8, I really want to take h= im > outside the theater for a beating. Of course, it was not a very good movi= e > either.**** > > ** ** > > If you find someone has made this about your work: > http://youtu.be/bHqjmlM3kxs - you=92re likely overdoing it.**** > > ** ** > > *stephen van vuuren* > > 336.202.4777**** > > * * > > *http://www.insaturnsrings.com/*** > > *http://www.sv2dcp.com/* > > *http://www.sv2studios.com/* > > * * > > *A film is =96 or should be =96 more like music than like fiction. It sho= uld > be a progression of moods and feelings. The theme, what=92s behind the > emotion, the meaning, all that comes later.* > > =96*Stanley Kubrick***** > > **** > --f46d0442813ab038c804d2fb5361 Content-Type: text/html; charset=windows-1252 Content-Transfer-Encoding: quoted-printable

I love JJ Abrams films!=A0 Especially his flares.

On Jan 10, 2013 10:58 PM, "Enrique Gamez&qu= ot; <enrique0210@sbcglobal.= net> wrote:
U should give it another chance. =A0Having watched Super 8 abou= t 30x now, it gets better with repetition. =A0Loved that train carnage! =A0= It exercises my sub-woofer something fierce.
-e

From: Stephen van Vuuren <stephen@sv2studios.c= om>
Reply-To: After Effe= cts Mail List <AE-List@media-motion.tv>
Date: Thursday, January 10, 2013 7= :12 PM
To: After Effects Mail L= ist <AE-Lis= t@media-motion.tv>
Subject: Re: [AE] Real life lens f= lares

> The JJ Abrams s= tuff isn't half bad, really.

=A0

That=92s a matter of taste really =96 in Super 8, I really w= ant to take him outside the theater for a beating. Of course, it was not a = very good movie either.

=A0

If you find someone has made this about your work: http://youtu.be/bHqjmlM3= kxs - you=92re likely overdoing it.

=A0

stephen van vuuren

336.202.4777

=A0

http://www.insaturnsrings.com/=

http://www.sv2dcp.com/=

http://www.sv2studios.com/

=A0

A film is =96 or should be =96 more like music th= an like fiction. It should be a progression of moods and feelings. The them= e, what=92s behind the emotion, the meaning, all that comes later.

=96Stanley Kubrick

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