Mailing List AE-List@media-motion.tv ? Message #47476
From: Teddy Gage <teddygage@gmail.com>
Subject: Re: [AE] How did they do this?
Date: Wed, 23 Jan 2013 12:07:15 -0500
To: After Effects Mail List <AE-List@media-motion.tv>
well for the "3d" motion effect they used during the superbowl for the huge angle swings on kickoffs etc, I'm pretty sure they had multiple cameras, like over ten. For live regular NFL games I think it's a live processing effect for broadcast like twixtor on steroids. Many of the cameras are also speed about on ziplines above the action, running in hi-speed so they can pull down to slo mo for a huge angle switch

also, yeah, headache inducing. reminds me of those "3d" animated gifs



On Tue, Jan 22, 2013 at 10:41 PM, Jack Tunnicliffe <jack@javapost.ca> wrote:
How do they do it on live sports where they have only two angles and do this perfect dolly from one angle to the other. It's impressive.

Jack Tunnicliffe

Java Post Production




On Jan 22, 2013, at 9:39 PM, patrick Siemer <siemer@gmail.com> wrote:

I agree. they had two camera angles on each shot. edited the angles together all Wang Chung style, 
then ran the whole thing through Twixtor.  i would bet on it.

patrick siemer


On Jan 22, 2013, at 7:13 PM, Christopher Biggs wrote:

I think they may have morphed between the 2 cameras 
I looked frame to frame no ghosting 
Some small bits do cross fade, but the main interest doesn't 

C

Sent from Chris's iPhone

On Jan 23, 2013, at 9:25 AM, Robert Houghton <gfxguy74@gmail.com> wrote:

it's reminiscent of Wang Chung.

http://www.youtube.com/watch?v=BoXu6QmxpJE

  -Rob
On 1/22/2013 5:09 PM, Darby Edelen wrote:
If the goal is inducing nausea, as I can only assume it is, I think there are technically simpler ways to achieve the end result :)




On Tue, Jan 22, 2013 at 4:55 PM, Rick <a_pmb_fan@yahoo.com> wrote:

I'm guessing it is done with frame blending  and time remapping of still images.  Not great, but at least different.
 







--
Animator & Editor
www.teddygage.com
Brooklyn
 
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