Return-Path: Received: from na3sys009aog115.obsmtp.com ([74.125.149.238] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with SMTP id 4967066 for AE-List@media-motion.tv; Mon, 04 Feb 2013 17:44:00 +0100 Received: from mail-ye0-f197.google.com ([209.85.213.197]) (using TLSv1) by na3sys009aob115.postini.com ([74.125.148.12]) with SMTP ID DSNKUQ/mrhE+R1f+oPp0o6p92tz3cryooWAl@postini.com; Mon, 04 Feb 2013 08:49:52 PST Received: by mail-ye0-f197.google.com with SMTP id q9so9353136yen.0 for ; Mon, 04 Feb 2013 08:49:50 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=totaltraining.com; s=google; h=x-received:x-received:from:content-type:message-id:mime-version :subject:date:references:to:in-reply-to:x-mailer; bh=Nx9u7N/TVPftY2Up1zd8qA5+20FBfyF4EcFI4uQVTgA=; b=LmvZ0LfAW516qdc1OyrJzxXhNgVGBN24dWhvUIS6pIS2r1VrC3F5qLV5Fqp2x+jCsX h2YNmR2nJlpPRrup76I3eFaoLSwKqvVrL10f1JI2SLcANOF7CUT3TIJEF6oMH6ypARUN RAFEp+JfMltURyI5eB3bd+Bd/9tZtQCPTSaLQ= X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=google.com; s=20120113; h=x-received:x-received:from:content-type:message-id:mime-version :subject:date:references:to:in-reply-to:x-mailer:x-gm-message-state; bh=Nx9u7N/TVPftY2Up1zd8qA5+20FBfyF4EcFI4uQVTgA=; b=O4+p07d55mhVxMESXXaTREmoPkBl9WENrh3SlgjI7b5kyW822Edw3t7432ib27xq+s KFK00Wg4YVxHw67ZEWNnrFFen/BKxeAt6+LYa1/Cch5n/SCwWGfUF5gDoyYDwXpovtgJ lHu0jm2AePpuHLZkLpqbqqqOkn7BNHtSx/+TeOmXKfkiw+khYto5lOiePetd8n8Bs/eX noWhcnFOxDOkEJoRu3XppX/RAFWgwy/Vi29vOYYdXWY1janpMXptRt5uEfHwVJ46+yct ZoHTZVTKle1mhOFbQXAyd375W9GiGgJuc4G3cUoc/EMty5gQPCdbTbYzNwQvAE6+sWFM Ylzw== X-Received: by 10.220.205.134 with SMTP id fq6mr22943237vcb.24.1359996590388; Mon, 04 Feb 2013 08:49:50 -0800 (PST) X-Received: by 10.220.205.134 with SMTP id fq6mr22943211vcb.24.1359996590087; Mon, 04 Feb 2013 08:49:50 -0800 (PST) Return-Path: Received: from macintosh-5.home (pool-108-29-120-46.nycmny.fios.verizon.net. [108.29.120.46]) by mx.google.com with ESMTPS id x17sm22515995vdi.1.2013.02.04.08.49.45 (version=TLSv1 cipher=ECDHE-RSA-RC4-SHA bits=128/128); Mon, 04 Feb 2013 08:49:48 -0800 (PST) From: Brian Maffitt Content-Type: multipart/alternative; boundary="Apple-Mail=_B2886E67-8EE1-4E07-9933-226F3F6B86E6" Message-Id: <3D429EF5-1B99-4808-B115-154923652FBB@totaltraining.com> Mime-Version: 1.0 (Mac OS X Mail 6.2 \(1499\)) Subject: Re: [AE] The inevitable Super-Bowl Spot discussion Date: Mon, 4 Feb 2013 11:49:44 -0500 References: To: "After Effects Mail List" In-Reply-To: X-Mailer: Apple Mail (2.1499) X-Gm-Message-State: ALoCoQmQBbgezv+ZHYu7gb33E67qRO9dTTNUN6hhnPK4BRnUrIW2gdiHtRlxFIJdpL9ohzVymrctBeAbMjoBNXq/QWXWthesx6vPVRC6u6IlDzeIGtf3XFiTGbOYGkeJx4M4HabVT5z6W0gR3zLaUNT9fvqkCTohDPtyE1IT1yUBkeucrAioma4= --Apple-Mail=_B2886E67-8EE1-4E07-9933-226F3F6B86E6 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=iso-8859-1 It was fun to see Shatter used in Beyonce's halftime show. :) > I was pretty underwhelmed by most of the spots. Especially the car = commercials (the Mercedes one was o.k.). Most of them felt like = powerpoint presentations from the marketing department. A lot of motion = graphics thrown around without much substance (yes, I know, that's an = ironic statement considering they are, after all, commercials). But I = didn't see anything specifically that blew me away, unlike in some past = years. Seems like CG is a replacement for "writing" these days. >=20 > I was way more interested in the fact they were using UAV drones to = capture live shots during the game. Are the cameras on those things = proprietary, and developed alongside the drones? or are there drone = camera manufacturers? Considering how heavy most live broadcast cameras = are, that's a pretty impressive feat of miniaturization. I can't imagine = those things are cheap. >=20 > On Mon, Feb 4, 2013 at 11:02 AM, Jim Curtis wrote: > http://www.superbowl-commercials.org/23531.html >=20 > I think I saw Trapcode Form being used in the Mercedes spot. >=20 >=20 >=20 >=20 >=20 > --=20 > Animator & Editor > www.teddygage.com > Brooklyn --Apple-Mail=_B2886E67-8EE1-4E07-9933-226F3F6B86E6 Content-Transfer-Encoding: 7bit Content-Type: text/html; charset=iso-8859-1 It was fun to see Shatter used in Beyonce's halftime show. :)

I was pretty underwhelmed by most of the spots. Especially the car commercials (the Mercedes one was o.k.). Most of them felt like powerpoint presentations from the marketing department. A lot of motion graphics thrown around without much substance (yes, I know, that's an ironic statement considering they are, after all, commercials). But I didn't see anything specifically that blew me away, unlike in some past years. Seems like CG is a replacement for "writing" these days.

I was way more interested in the fact they were using UAV drones to capture live shots during the game. Are the cameras on those things proprietary, and developed alongside the drones? or are there drone camera manufacturers? Considering how heavy most live broadcast cameras are, that's a pretty impressive feat of miniaturization. I can't imagine those things are cheap.

On Mon, Feb 4, 2013 at 11:02 AM, Jim Curtis <jpcurtis@me.com> wrote:
http://www.superbowl-commercials.org/23531.html

I think I saw Trapcode Form being used in the Mercedes spot.





--
Animator & Editor
www.teddygage.com
Brooklyn

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