Return-Path: Received: from mail-ie0-f170.google.com ([209.85.223.170] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4967094 for AE-List@media-motion.tv; Mon, 04 Feb 2013 18:14:31 +0100 Received: by mail-ie0-f170.google.com with SMTP id c11so6055822ieb.15 for ; Mon, 04 Feb 2013 09:20:21 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:x-received:in-reply-to:references:date:message-id :subject:from:to:content-type; bh=t96h3lIP7wny+5tviUPkV6uk6Hn174x30YfleZz1O6s=; b=yzPdLphLpLYwvYqTN7RMOZd+n33dUTOBZyLfVg1VJ7Ewn0SOMcnazx6ypxExSQncNT pcbnXzb7LOszx2ExpU7LMro13PseIKPmMJTxOopqMg1/KoNX7WU/1R8by4p4ECQBjPIW A5/YNoEsEBoq2Zt3yH+QKCxcVsMMUPiRerknhdS9A2BBYx46VP52E7EbYj3sncQ2CnTb JMVZ+uDFgWpv3FsJbXyArCZ1XA8pZfw3zNdi+ZY7Fy/wRc4VT6S5DWQsbIZ7M55pQ7oz 0yK1LZ1wJDy6HEkmFlfCI4OWqOhUCFdO4XKM+jWHeYyabPap6tzlvUvYl7ZHwoyhPxY3 Zppw== MIME-Version: 1.0 X-Received: by 10.50.169.103 with SMTP id ad7mr7645548igc.105.1359998421638; Mon, 04 Feb 2013 09:20:21 -0800 (PST) Received: by 10.50.209.5 with HTTP; Mon, 4 Feb 2013 09:20:21 -0800 (PST) Received: by 10.50.209.5 with HTTP; Mon, 4 Feb 2013 09:20:21 -0800 (PST) In-Reply-To: References: Date: Mon, 4 Feb 2013 12:20:21 -0500 Message-ID: Subject: Re: [AE] The inevitable Super-Bowl Spot discussion From: "Mr. Eric D. Kirk" To: After Effects Mail List Content-Type: multipart/alternative; boundary=e89a8f2359c5d11d3804d4e94e61 --e89a8f2359c5d11d3804d4e94e61 Content-Type: text/plain; charset=ISO-8859-1 That was awesome but what is this shatter effect? On Feb 4, 2013 11:57 AM, "Teddy Gage" wrote: > yeah, actually I thought that segment with the pop up screen and the > beyonce cloned dancers was the smartest motion graphics in the whole 4 hours > > On Mon, Feb 4, 2013 at 11:49 AM, Brian Maffitt wrote: > >> It was fun to see Shatter used in Beyonce's halftime show. :) >> >> >> I was pretty underwhelmed by most of the spots. Especially the car >> commercials (the Mercedes one was o.k.). Most of them felt like powerpoint >> presentations from the marketing department. A lot of motion graphics >> thrown around without much substance (yes, I know, that's an ironic >> statement considering they are, after all, commercials). But I didn't see >> anything specifically that blew me away, unlike in some past years. Seems >> like CG is a replacement for "writing" these days. >> >> I was way more interested in the fact they were using UAV drones to >> capture live shots during the game. Are the cameras on those things >> proprietary, and developed alongside the drones? or are there drone camera >> manufacturers? Considering how heavy most live broadcast cameras are, >> that's a pretty impressive feat of miniaturization. I can't imagine those >> things are cheap. >> >> On Mon, Feb 4, 2013 at 11:02 AM, Jim Curtis wrote: >> >>> http://www.superbowl-commercials.org/23531.html >>> >>> I think I saw Trapcode Form being used in the Mercedes spot. >>> >>> >>> >> >> >> -- >> Animator & Editor >> www.teddygage.com >> Brooklyn >> >> >> > > > -- > Animator & Editor > www.teddygage.com > Brooklyn > --e89a8f2359c5d11d3804d4e94e61 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable

That was awesome but what is this shatter effect?

On Feb 4, 2013 11:57 AM, "Teddy Gage" = <teddygage@gmail.com> wrot= e:

yeah, actually I thought that segment with the pop up screen and the beyonc= e cloned dancers was the smartest motion graphics in the whole 4 hours
<= br>
On Mon, Feb 4, 2013 at 11:49 AM, Brian Maffit= t <brian@totaltraining.com> wrote:

It was f= un to see Shatter used in Beyonce's halftime show. :)

I was pretty underwhelmed by most of= the spots. Especially the car commercials (the Mercedes one was o.k.). Mos= t of them felt like powerpoint presentations from the marketing department.= A lot of motion graphics thrown around without much substance (yes, I know= , that's an ironic statement considering they are, after all, commercia= ls). But I didn't see anything specifically that blew me away, unlike i= n some past years. Seems like CG is a replacement for "writing" t= hese days.

I was way more interested in the fact they were using UAV drones to cap= ture live shots during the game. Are the cameras on those things proprietar= y, and developed alongside the drones? or are there drone camera manufactur= ers? Considering how heavy most live broadcast cameras are, that's a pr= etty impressive feat of miniaturization. I can't imagine those things a= re cheap.

On Mon, Feb 4, 2013 at 11:02 AM, Jim Curtis = <= jpcurtis@me.com> wrote:

http://www.superbowl-commercials.org= /23531.html

I think I saw Trapcode Form being used i= n the Mercedes spot.

--
Animator & Ed= itor
www.teddygage.com
Brooklyn

--
Animator & Editor
www.teddygage= .com
Brooklyn

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