Return-Path: Received: from na3sys009aog112.obsmtp.com ([74.125.149.207] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with SMTP id 4967107 for AE-List@media-motion.tv; Mon, 04 Feb 2013 18:20:43 +0100 Received: from mail-vb0-f71.google.com ([209.85.212.71]) (using TLSv1) by na3sys009aob112.postini.com ([74.125.148.12]) with SMTP ID DSNKUQ/vSYC18UjW41iZvTwsQb48YxvsaDCA@postini.com; Mon, 04 Feb 2013 09:26:34 PST Received: by mail-vb0-f71.google.com with SMTP id p1so9216167vbi.10 for ; Mon, 04 Feb 2013 09:26:31 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=totaltraining.com; s=google; h=x-received:x-received:from:content-type:message-id:mime-version :subject:date:references:to:in-reply-to:x-mailer; bh=0LUEhFwxSncHWvJGprP2NaBgMfv8gIoznfFJ3RuL9lM=; b=whEju6/TSyVOaxwMQOb1pRHiMgcVR9v/uOm2KgsYVTjLqOUd3RAKkPbAdrUiJOCIWL t73B7f3sfBwKNwqfwyILOAM97EQ8c+SvZ026ZI3mKOsKQfkyl5AhVHLakgugMB4Pf4jR 9d9HpRX3w5/Q9fAAa0CyzKCgLZhoUXnAZ/D1A= X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=google.com; s=20120113; h=x-received:x-received:from:content-type:message-id:mime-version :subject:date:references:to:in-reply-to:x-mailer:x-gm-message-state; bh=0LUEhFwxSncHWvJGprP2NaBgMfv8gIoznfFJ3RuL9lM=; b=RBDNY5hX8QovSl4CeaWl5z7s1tMH9VK9+wQh1y27lc4kyDxELapSsBditZz0jYtWX5 f5qBpy7e7bQT5kbUyk26GP62j2JZbKUctDXf0xVY2bo6f3BTkWy+FeWZJ+oAGYTmvxEA uMMd3psAS28ImEew7jDgaflksH+SUdYN7Av6vCO0hA35YVmlzd1wCbatAICD19hHJgsn Ps6Q8OkYvGJCQDfBUsP9LnbY6aHyfKCxo5kHSffBCK1w4Alo0gEOO4LYUhw25KWar3PO BEbE+K3Yvh+1btJcNe7XcryooFNYfqJp4UyC6Gc+QNwwfs+JeinmS0GQS6Tm4ZpreyF4 0Pyw== X-Received: by 10.220.142.71 with SMTP id p7mr15296287vcu.3.1359998791398; Mon, 04 Feb 2013 09:26:31 -0800 (PST) X-Received: by 10.220.142.71 with SMTP id p7mr15296267vcu.3.1359998791103; Mon, 04 Feb 2013 09:26:31 -0800 (PST) Return-Path: Received: from macintosh-5.home (pool-108-29-120-46.nycmny.fios.verizon.net. [108.29.120.46]) by mx.google.com with ESMTPS id yu12sm6295244vec.6.2013.02.04.09.26.26 (version=TLSv1 cipher=ECDHE-RSA-RC4-SHA bits=128/128); Mon, 04 Feb 2013 09:26:29 -0800 (PST) From: Brian Maffitt Content-Type: multipart/alternative; boundary="Apple-Mail=_E8C5137D-F75A-4A1A-BD19-72F5E9A9B364" Message-Id: <4F16838B-5C3E-40CB-B537-878848848D99@totaltraining.com> Mime-Version: 1.0 (Mac OS X Mail 6.2 \(1499\)) Subject: Re: [AE] The inevitable Super-Bowl Spot discussion Date: Mon, 4 Feb 2013 12:26:25 -0500 References: To: "After Effects Mail List" In-Reply-To: X-Mailer: Apple Mail (2.1499) X-Gm-Message-State: ALoCoQlQDAxmB1LhiC3r5h0Js4hhQ8NUbuidyw8ew4pk+MhHrOjRL6oe3sM3hhqelETvbn5DRuimVYjtPoxA6lFN7Mbis2RO+GgNXSe1+yxYQI1Q8w5klch8kXcRV8vWeKIKjf5ISPcocm1I5yD4DCYuHHHGa0LINJc8WJBoe4btIujdWJqNBl4= --Apple-Mail=_E8C5137D-F75A-4A1A-BD19-72F5E9A9B364 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=iso-8859-1 A 14-year old After Effects plug-in. :) > That was awesome but what is this shatter effect? >=20 > On Feb 4, 2013 11:57 AM, "Teddy Gage" wrote: > yeah, actually I thought that segment with the pop up screen and the = beyonce cloned dancers was the smartest motion graphics in the whole 4 = hours >=20 > On Mon, Feb 4, 2013 at 11:49 AM, Brian Maffitt = wrote: > It was fun to see Shatter used in Beyonce's halftime show. :) >=20 >=20 >> I was pretty underwhelmed by most of the spots. Especially the car = commercials (the Mercedes one was o.k.). Most of them felt like = powerpoint presentations from the marketing department. A lot of motion = graphics thrown around without much substance (yes, I know, that's an = ironic statement considering they are, after all, commercials). But I = didn't see anything specifically that blew me away, unlike in some past = years. Seems like CG is a replacement for "writing" these days. >>=20 >> I was way more interested in the fact they were using UAV drones to = capture live shots during the game. Are the cameras on those things = proprietary, and developed alongside the drones? or are there drone = camera manufacturers? Considering how heavy most live broadcast cameras = are, that's a pretty impressive feat of miniaturization. I can't imagine = those things are cheap. >>=20 >> On Mon, Feb 4, 2013 at 11:02 AM, Jim Curtis wrote: >> http://www.superbowl-commercials.org/23531.html >>=20 >> I think I saw Trapcode Form being used in the Mercedes spot. >>=20 >>=20 >>=20 >>=20 >>=20 >> --=20 >> Animator & Editor >> www.teddygage.com >> Brooklyn >=20 >=20 >=20 >=20 > --=20 > Animator & Editor > www.teddygage.com > Brooklyn --Apple-Mail=_E8C5137D-F75A-4A1A-BD19-72F5E9A9B364 Content-Transfer-Encoding: 7bit Content-Type: text/html; charset=iso-8859-1 A 14-year old After Effects plug-in. :)

That was awesome but what is this shatter effect?

On Feb 4, 2013 11:57 AM, "Teddy Gage" <teddygage@gmail.com> wrote:
yeah, actually I thought that segment with the pop up screen and the beyonce cloned dancers was the smartest motion graphics in the whole 4 hours

On Mon, Feb 4, 2013 at 11:49 AM, Brian Maffitt <brian@totaltraining.com> wrote:
It was fun to see Shatter used in Beyonce's halftime show. :)


I was pretty underwhelmed by most of the spots. Especially the car commercials (the Mercedes one was o.k.). Most of them felt like powerpoint presentations from the marketing department. A lot of motion graphics thrown around without much substance (yes, I know, that's an ironic statement considering they are, after all, commercials). But I didn't see anything specifically that blew me away, unlike in some past years. Seems like CG is a replacement for "writing" these days.

I was way more interested in the fact they were using UAV drones to capture live shots during the game. Are the cameras on those things proprietary, and developed alongside the drones? or are there drone camera manufacturers? Considering how heavy most live broadcast cameras are, that's a pretty impressive feat of miniaturization. I can't imagine those things are cheap.

On Mon, Feb 4, 2013 at 11:02 AM, Jim Curtis <jpcurtis@me.com> wrote:
http://www.superbowl-commercials.org/23531.html

I think I saw Trapcode Form being used in the Mercedes spot.





--
Animator & Editor
www.teddygage.com
Brooklyn




--
Animator & Editor
www.teddygage.com
Brooklyn

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