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| Here in Salt Lake City, our Utah Jazz arena features a radio-controlled helium blimp (approx. 10' in length) that can be maneuvered to all elevations to drop promotional goodies into the crowd. Given the shot angles and live nature of drone-like shots, my guess would be that a similar sort of blimp (though larger and with gyro/steerable cam) was in use, flying above the cablecam system. John -----Original Message----- From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Jim Feeley Sent: Monday, February 04, 2013 10:23 AM To: After Effects Mail List Subject: Re: [AE] The inevitable Super-Bowl Spot discussion The subtle moves on the stills and/or video in the Paul Harvey truck/farmer spot were pretty nice. Not art, but good craft and wise advertising use of "quiet is the new loud." So that kind of stood out. And was completely surprised to see a spot featuring The Flaming Lips. Ya, they're an old band. But still... Teddy, I don't think they had any UAV drones inside the superdome. They were using Cablecam or a competing system. Totally cool, but absolutely fly (and suspend) by wire: http://www.cablecam.com/ Jim Feeley jfeeley@gmail.com +---End of message---+ To unsubscribe send any message to <ae-list-off@media-motion.tv> This message, and any attachments, is intended only for the use of the addressee and may contain information that is privileged and confidential or otherwise exempt from disclosure under applicable law. If the reader of this e-mail is not the intended recipient, you are hereby notified that any unauthorized use, dissemination, distribution or reproduction of this message is prohibited. If you have received this communication in error, please notify the sender by return e-mail and delete this e-mail and any attachments from your system. |
