Return-Path: Received: from mail-ie0-f171.google.com ([209.85.223.171] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4967118 for AE-List@media-motion.tv; Mon, 04 Feb 2013 18:33:59 +0100 Received: by mail-ie0-f171.google.com with SMTP id 10so6063616ied.16 for ; Mon, 04 Feb 2013 09:39:49 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=x-received:mime-version:in-reply-to:references:from:date:message-id :subject:to:content-type; bh=0k05XwDoL/wJSRL+UC9dP3miAcHExkc35kaW2PHLBcg=; b=sM0HFudp8QBbGwT2gIs7vVx40PG9+8aBTfejEUEdeHDU1+tMqqYidOS8EjaYv5JZRE DaSZolPNVi7qLwjC0ep6K5wRekleFm6UIuF30lQn7K+zsmhHus3GL5A+bOhoAouQUuad V0E9nkxa1520NEucgaS3XeZHQOx8WWYYtWP09gEgR4IN7b1s1N8JuAtO7T39YaKNm0PP cBNRsVpjbUv0515WPPR6w6rcghViAdpBthWP5nbnW/7ligL+CVvmRyGvQUHgC5DkTGG0 7h+I9aqqlegz1mD46eQK0PkAqnK8zDNtsjSDOb4QQCGnlk0PuCHyvtdEg+Kzo1uwW3eq d2Iw== X-Received: by 10.50.88.226 with SMTP id bj2mr7765780igb.105.1359999589580; Mon, 04 Feb 2013 09:39:49 -0800 (PST) MIME-Version: 1.0 Received: by 10.50.209.5 with HTTP; Mon, 4 Feb 2013 09:39:29 -0800 (PST) In-Reply-To: References: From: "Mr. Eric D. Kirk" Date: Mon, 4 Feb 2013 12:39:29 -0500 Message-ID: Subject: Re: [AE] The inevitable Super-Bowl Spot discussion To: After Effects Mail List Content-Type: multipart/alternative; boundary=e89a8f3bb01f6e7de004d4e994a4 --e89a8f3bb01f6e7de004d4e994a4 Content-Type: text/plain; charset=ISO-8859-1 Sorry, thought "Shatter effect" was some new thing. I'm familiar with the built in one. :) On Mon, Feb 4, 2013 at 12:26 PM, Brian Maffitt wrote: > A 14-year old After Effects plug-in. :) > > That was awesome but what is this shatter effect? > On Feb 4, 2013 11:57 AM, "Teddy Gage" wrote: > >> yeah, actually I thought that segment with the pop up screen and the >> beyonce cloned dancers was the smartest motion graphics in the whole 4 hours >> >> On Mon, Feb 4, 2013 at 11:49 AM, Brian Maffitt wrote: >> >>> It was fun to see Shatter used in Beyonce's halftime show. :) >>> >>> >>> I was pretty underwhelmed by most of the spots. Especially the car >>> commercials (the Mercedes one was o.k.). Most of them felt like powerpoint >>> presentations from the marketing department. A lot of motion graphics >>> thrown around without much substance (yes, I know, that's an ironic >>> statement considering they are, after all, commercials). But I didn't see >>> anything specifically that blew me away, unlike in some past years. Seems >>> like CG is a replacement for "writing" these days. >>> >>> I was way more interested in the fact they were using UAV drones to >>> capture live shots during the game. Are the cameras on those things >>> proprietary, and developed alongside the drones? or are there drone camera >>> manufacturers? Considering how heavy most live broadcast cameras are, >>> that's a pretty impressive feat of miniaturization. I can't imagine those >>> things are cheap. >>> >>> On Mon, Feb 4, 2013 at 11:02 AM, Jim Curtis wrote: >>> >>>> http://www.superbowl-commercials.org/23531.html >>>> >>>> I think I saw Trapcode Form being used in the Mercedes spot. >>>> >>>> >>>> >>> >>> >>> -- >>> Animator & Editor >>> www.teddygage.com >>> Brooklyn >>> >>> >>> >> >> >> -- >> Animator & Editor >> www.teddygage.com >> Brooklyn >> > > -- Kirk Productions, Inc www.kirkproductions.com kirkproductions@gmail.com IMDB: http://www.imdb.com/name/nm3351363/ --e89a8f3bb01f6e7de004d4e994a4 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Sorry, thought "Shatter effect" was some new thing.=A0 I'm fa= miliar with the built in one. :)

On Mon, = Feb 4, 2013 at 12:26 PM, Brian Maffitt <brian@totaltraining.com&= gt; wrote:
A 14-year old After Ef= fects plug-in. :)

That was awesome but wh= at is this shatter effect?

On Feb 4, 2013 11:57 AM, "Teddy Gage" = <teddygage@gmai= l.com> wrote:
yeah, actually I thought that segment with the pop up screen and the beyonc= e cloned dancers was the smartest motion graphics in the whole 4 hours
<= br>
On Mon, Feb 4, 2013 at 11:49 AM, Brian Maffit= t <brian@totaltraining.com> wrote:
It was fun to see Shat= ter used in Beyonce's halftime show. :)


I was pretty underwhelmed by most of= the spots. Especially the car commercials (the Mercedes one was o.k.). Mos= t of them felt like powerpoint presentations from the marketing department.= A lot of motion graphics thrown around without much substance (yes, I know= , that's an ironic statement considering they are, after all, commercia= ls). But I didn't see anything specifically that blew me away, unlike i= n some past years. Seems like CG is a replacement for "writing" t= hese days.

I was way more interested in the fact they were using UAV drones to cap= ture live shots during the game. Are the cameras on those things proprietar= y, and developed alongside the drones? or are there drone camera manufactur= ers? Considering how heavy most live broadcast cameras are, that's a pr= etty impressive feat of miniaturization. I can't imagine those things a= re cheap.

On Mon, Feb 4, 2013 at 11:02 AM, Jim Curtis = <= jpcurtis@me.com> wrote:
http://www.superbowl-commercials.org= /23531.html

I think I saw Trapcode Form being used i= n the Mercedes spot.





--
Animator & Ed= itor
www.teddygage.com
Brooklyn




--
Animator & Editor
www.teddygage.com
Brooklyn




--
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