Return-Path: Received: from mail-ia0-f179.google.com ([209.85.210.179] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4967267 for AE-List@media-motion.tv; Mon, 04 Feb 2013 20:14:41 +0100 Received: by mail-ia0-f179.google.com with SMTP id x24so8520176iak.10 for ; Mon, 04 Feb 2013 11:20:31 -0800 (PST) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=google.com; s=20120113; h=x-received:from:content-type:message-id:mime-version:subject:date :references:to:in-reply-to:x-mailer:x-gm-message-state; bh=0jovx8V70z+pspar4FpG8W1Ovt17x5qXanDHDlAX7OM=; b=GNjD8HRtkC2OGsC1C0Zl1GEj/xmqpFZXCt3zHmU8WM4rGvqY7fQYjAISgPB4jXEYwG wqASw5C9msjEvxr4qL17xYjsxzfr4O8n7vfigQt0z0VR/A4LLJ06iMtaFo0aX7JjNYau zTzrgej/lXhmnMeImu8PmosuWwEBGm6v5QZpS/Jr3pJK9ahysAQNl1wZnFQKT1OHXPOA P2PKrbyPenYFm2/ca23LSkXKJavppgTMwUWpjOdCn6C0gQ56dv9mB3eF5QjS5N27oCsn cRxFVALKxAZgwEWb622b1ueEykQRabOx3ZEie9O4QskMGL9DCgmndMVlIRUrYxlGcAYY +eKQ== X-Received: by 10.50.179.66 with SMTP id de2mr8467144igc.59.1360005631187; Mon, 04 Feb 2013 11:20:31 -0800 (PST) Return-Path: Received: from [192.168.1.244] (c-71-63-186-29.hsd1.mn.comcast.net. [71.63.186.29]) by mx.google.com with ESMTPS id xn10sm16308283igb.4.2013.02.04.11.20.29 (version=TLSv1 cipher=ECDHE-RSA-RC4-SHA bits=128/128); Mon, 04 Feb 2013 11:20:30 -0800 (PST) From: Carey Dissmore Content-Type: multipart/alternative; boundary="Apple-Mail=_A29BE911-CAFF-4872-940E-49F5D22D7FE9" Message-Id: Mime-Version: 1.0 (Mac OS X Mail 6.2 \(1499\)) Subject: Re: [AE] The inevitable Super-Bowl Spot discussion Date: Mon, 4 Feb 2013 13:20:27 -0600 References: To: "After Effects Mail List" In-Reply-To: X-Mailer: Apple Mail (2.1499) X-Gm-Message-State: ALoCoQm3BizCBjVE4lUJcGli/T84yLATrj1vDPrgYfw8lsvt8J8GDUr6cazWPJ0U74mi50ifugUp --Apple-Mail=_A29BE911-CAFF-4872-940E-49F5D22D7FE9 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=iso-8859-1 Brian is too humble to tell you that he is the original designer of the = effect. So there, I just told you. Congrats Brian! carey On Feb 4, 2013, at 11:39 AM, Mr. Eric D. Kirk = wrote: > Sorry, thought "Shatter effect" was some new thing. I'm familiar with = the built in one. :) >=20 > On Mon, Feb 4, 2013 at 12:26 PM, Brian Maffitt = wrote: > A 14-year old After Effects plug-in. :) >> That was awesome but what is this shatter effect? >>=20 >> On Feb 4, 2013 11:57 AM, "Teddy Gage" wrote: >> yeah, actually I thought that segment with the pop up screen and the = beyonce cloned dancers was the smartest motion graphics in the whole 4 = hours >>=20 >> On Mon, Feb 4, 2013 at 11:49 AM, Brian Maffitt = wrote: >> It was fun to see Shatter used in Beyonce's halftime show. :) >>=20 >>=20 >>> I was pretty underwhelmed by most of the spots. Especially the car = commercials (the Mercedes one was o.k.). Most of them felt like = powerpoint presentations from the marketing department. A lot of motion = graphics thrown around without much substance (yes, I know, that's an = ironic statement considering they are, after all, commercials). But I = didn't see anything specifically that blew me away, unlike in some past = years. Seems like CG is a replacement for "writing" these days. >>>=20 >>> I was way more interested in the fact they were using UAV drones to = capture live shots during the game. Are the cameras on those things = proprietary, and developed alongside the drones? or are there drone = camera manufacturers? Considering how heavy most live broadcast cameras = are, that's a pretty impressive feat of miniaturization. I can't imagine = those things are cheap. >>>=20 >>> On Mon, Feb 4, 2013 at 11:02 AM, Jim Curtis wrote: >>> http://www.superbowl-commercials.org/23531.html >>>=20 >>> I think I saw Trapcode Form being used in the Mercedes spot. >>>=20 >>>=20 >>>=20 >>>=20 >>>=20 >>> --=20 >>> Animator & Editor >>> www.teddygage.com >>> Brooklyn >>=20 >>=20 >>=20 >>=20 >> --=20 >> Animator & Editor >> www.teddygage.com >> Brooklyn >=20 >=20 >=20 >=20 > --=20 > Kirk Productions, Inc > www.kirkproductions.com > kirkproductions@gmail.com > IMDB: http://www.imdb.com/name/nm3351363/ > =20 --Apple-Mail=_A29BE911-CAFF-4872-940E-49F5D22D7FE9 Content-Transfer-Encoding: 7bit Content-Type: text/html; charset=iso-8859-1 Brian is too humble to tell you that he is the original designer of the effect.
So there, I just told you.

Congrats Brian!

carey

On Feb 4, 2013, at 11:39 AM, Mr. Eric D. Kirk <kirkproductions@gmail.com> wrote:

Sorry, thought "Shatter effect" was some new thing.  I'm familiar with the built in one. :)

On Mon, Feb 4, 2013 at 12:26 PM, Brian Maffitt <brian@totaltraining.com> wrote:
A 14-year old After Effects plug-in. :)

That was awesome but what is this shatter effect?

On Feb 4, 2013 11:57 AM, "Teddy Gage" <teddygage@gmail.com> wrote:
yeah, actually I thought that segment with the pop up screen and the beyonce cloned dancers was the smartest motion graphics in the whole 4 hours

On Mon, Feb 4, 2013 at 11:49 AM, Brian Maffitt <brian@totaltraining.com> wrote:
It was fun to see Shatter used in Beyonce's halftime show. :)


I was pretty underwhelmed by most of the spots. Especially the car commercials (the Mercedes one was o.k.). Most of them felt like powerpoint presentations from the marketing department. A lot of motion graphics thrown around without much substance (yes, I know, that's an ironic statement considering they are, after all, commercials). But I didn't see anything specifically that blew me away, unlike in some past years. Seems like CG is a replacement for "writing" these days.

I was way more interested in the fact they were using UAV drones to capture live shots during the game. Are the cameras on those things proprietary, and developed alongside the drones? or are there drone camera manufacturers? Considering how heavy most live broadcast cameras are, that's a pretty impressive feat of miniaturization. I can't imagine those things are cheap.

On Mon, Feb 4, 2013 at 11:02 AM, Jim Curtis <jpcurtis@me.com> wrote:
http://www.superbowl-commercials.org/23531.html

I think I saw Trapcode Form being used in the Mercedes spot.





--
Animator & Editor
www.teddygage.com
Brooklyn




--
Animator & Editor
www.teddygage.com
Brooklyn




--
 

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