Mailing List AE-List@media-motion.tv ? Message #47772
From: Bruce Wainer <brwainer@gmail.com>
Subject: Re: [AE] OT: Premiere Pro Question
Date: Mon, 11 Feb 2013 17:57:29 -0500
To: After Effects Mail List <AE-List@media-motion.tv>
Well maybe do both: start editing immediately in PP, and at the same time transcode into something that will export quicker. Any shot that doesn't specifically need the color latitude and/or raw resolution can then be swapped out right before export.

Bruce Wainer


On Mon, Feb 11, 2013 at 5:54 PM, Phil Spitler <phil@bonfirelabs.com> wrote:
We usually use REdCineX to transcode all our footage before editing in FCP but we are trying to avoid that step as it takes a long time and usually after we shoot, we want to start editing.

So far, PP CS6 seems pretty solid except for this issue of taking a while to export the footage. 

Phil






Phil Spitler  |  Creative Technologist   |  Bonfire Labs  |  t : 415.394.8200  m : 415.571.3139

Website | Facebook | LinkedIn

On Feb 11, 2013, at 2:31 PM, Jim Curtis wrote:


On Feb 11, 2013, at 4:08 PM, John Morgan wrote:

The “wicked” in Jim’s reply depends on the RAM and number of processors on your machine.  J
 
John
 



True.  I have an 8x3GHz with CUDA card, 32G RAM, and the aforementioned RAID.  

In 1/1 mode, my CPU meters maxed and spiked (Same experience in the REDCINE X app).  Far less so at ¼.   So, my weak link for smooth playback was CPU, not io.

I did a series of web videos several months ago.  I edited in 1280x720, since that was the destination spec.  So, the REDRAW footage was scaled down in the Sequences.  There was only a layer or two of supers, a fair amount of Ultra Keying, and my GFX were Dynamically Linked to Ae Comps.

The five minute videos exported to H.264 in around three minutes each.  So, I'm comparing the RED exports to other projects with say XDCam HD or EX or P2 seemed pretty favorable, just based on expectations and experience with other codecs.  I expected that a codec that weighed the CPU down as much as RED footage would have taken much longer.

Overall, I enjoyed editing RED RAW in Pr w/o having to use proxies.  Source side color correction is great.



From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Jim Curtis
Sent: Monday, February 11, 2013 3:03 PM
To: After Effects Mail List
Subject: Re: [AE] OT: Premiere Pro Question
 
I've had the reverse experience.  I can't play 3 and 4K and not drop frames without going to ¼ or less resolution.  I have a >1.8 GB/s RAID.
 
But, exporting small low res sequences using AME is wicked fast.  I use H.264 for reviews.
 
 
 
 
On Feb 11, 2013, at 3:48 PM, Phil Spitler wrote:


We can playback RED footage no problem but rendering it or exporting it takes forever. How can we export a low quality version for client approval without a huge render?
 
Any ideas?
 
 
Phil
 
 
 
Phil Spitler  |  Creative Technologist   |  Bonfire Labs  |  t : 415.394.8200  m : 415.571.3139

Website | Facebook | LinkedIn
 
 

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