Return-Path: Received: from atl4mhob11.myregisteredsite.com ([209.17.115.49] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4979508 for AE-List@media-motion.tv; Tue, 19 Feb 2013 04:53:24 +0100 Received: from webmail110 (mail.networksolutionsemail.com [205.178.146.50]) by atl4mhob11.myregisteredsite.com (8.14.4/8.14.4) with ESMTP id r1J3xgVd029960 for ; Mon, 18 Feb 2013 22:59:42 -0500 Received: from 202.147.134.151 (chris@chriszwar.com [202.147.134.151]) by webmail110 (Netsol 11.2.30) with WEBMAIL id 15145; Tue, 19 Feb 2013 03:59:42 +0000 From: "Chris Zwar" To: "After Effects Mail List" Importance: Normal Sensitivity: Normal Message-ID: X-Mailer: Network Solutions Webmail, Build 11.2.30 X-Originating-IP: [202.147.134.151] X-Forwarded-For: [(null)] X-Authenticated-UID: chris@chriszwar.com Date: Tue, 19 Feb 2013 03:59:42 +0000 Subject: Re: [AE] Match v1.1 MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Hi Peter, I remember when this was released I was interested but had email issues a= t the time and couldn't ask any questions... How would you say this compares to the Ocula plug-in for Nuke? Is it not= the same thing, or is there some overlap? We worked on a stereo project last year and all of the footage keying and= pre-processing was done in Nuke. The cost of the Ocula plugin to proces= s and align the stereo rushes was astonishing (tens of thousands of dolla= rs just to rent it) - so if this is a low cost alternative for AE that do= es the same thing then it's very exciting indeed, even if it might be a n= iche product. Hope it's a success for you! -Chris -----Original Message----- From: Peter Litwinowicz [mailto:pete@revisionfx.com] Sent: Tuesday, February 19, 2013 08:46 AM To: 'After Effects Mail List' Subject: Re: [AE] Match v1.1 Hey all, Just some info on the newly released RE:Match v1.1 RE:Match v1.1 released. A lower priced $89.95 version is now available fo= r multicam shoots, or single camera shoots consisting of multiple shots wit= h different lighting or camera settings, where RE:Match matches as best it = can one sequence's overall color appearance to match that of another. RE:Matc= h Pro is $329.95 and adds the support for matching for stereo pairs. For mo= re info: http://www.revisionfx.com/products/rematch/ In this way you can get the automatic color matching plug-in without havi= ng to pay for the stereo features. RE:Match has the RE:Match Color plug-in and performs it's color matching = by many methods: > Matcing global gain and offsets of the two images > Matching the global mean of the two images > 2 differing histogram methods > Can use a subwindow to calculate the match (presumably to cordon off ar= eas > that should match, excluding areas that are different in the two images= ), but > then apply the transformation to all the pixels > Can cut and paste a stored transformation from one clip to another > More important features listed here: > http://revisionfx.com/products/rematch/features/ RE:Match Pro includes the stereo plug-in which I've posted about before. Demo here: http://www.revisionfx.com/products/rematch/ Tutorial for RE:Match: http://help.revisionfx.com/tutorial/151/ Tutorial for RE:Match Pro additional stereo plug-in: http://help.revisionfx.com/tutorial/153/ > Pete Litwinowicz RE:Vision Effects, Inc.