Return-Path: Received: from mail-ee0-f44.google.com ([74.125.83.44] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4995735 for AE-List@media-motion.tv; Wed, 06 Mar 2013 22:48:22 +0100 Received: by mail-ee0-f44.google.com with SMTP id l10so6314114eei.3 for ; Wed, 06 Mar 2013 13:55:11 -0800 (PST) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=google.com; s=20120113; h=mime-version:x-received:in-reply-to:references:date:message-id :subject:from:to:content-type:x-gm-message-state; bh=rMPliYjIsiG65U0pbeRDdDUbSwzG7FIihiMcbzlpOGE=; b=L9/+eyN+dTKRSAxJK7zxQXL+2itAh/gM5WZp4DeGwgmPHBUC4Y+dkn3XR0K+ZlG65V JC+rKvcJLUH6WbMBgBgqONNFB//8OviMsF2zTSL+Em3wse9bguOAVlAi310ffXZ94KyF v3RP7kK1TKjb/K+wrAPmif1fkZSwwUQLnDZhUyMJuFEOAl5Yzub4Ycp3pZK1EAUxpczT 3V1B4dznXb0E7VgIcq2Mhgy578LjqJPtb5I5iOHi8j/5kuDrR7fiyF8OpXib8Bm/lAwT 5PfP14tnNMGmyiGk8lS0vJGjYuNfrkZ2pPNqQYIbN2wv+Vm54MGaxy5nrgZIrrF6JpPK IVdA== MIME-Version: 1.0 X-Received: by 10.15.67.134 with SMTP id u6mr84909222eex.6.1362606910864; Wed, 06 Mar 2013 13:55:10 -0800 (PST) Received: by 10.14.117.145 with HTTP; Wed, 6 Mar 2013 13:55:10 -0800 (PST) In-Reply-To: References: Date: Wed, 6 Mar 2013 15:55:10 -0600 Message-ID: Subject: Re: [AE] What? Why? Ouch! From: Brian Higgins To: After Effects Mail List Content-Type: multipart/alternative; boundary=089e0160c796e4368a04d748a4a0 X-Gm-Message-State: ALoCoQlH9zPRBwoDx1PsQUy3efNoPMv6BHeUHkp7Rk3KjccoVx0ye+x5/Hol+c3cXxOLId9z5yuB --089e0160c796e4368a04d748a4a0 Content-Type: text/plain; charset=ISO-8859-1 Top-end commercial post houses don't generally use Premiere or SpeedGrade. Nor do they usually use AE for heavy CG/live action compositing. It has less to do with the capabilities of the toolset and more to do with artist/editor preference. -bH On Wed, Mar 6, 2013 at 3:33 PM, Jim Curtis wrote: > I cut a boat load of videos for IBM on a Mac-based Avid, back when EMC was > the only IBM-based NLE. > > But, I know for damn sure that IBM would have frowned on us bragging about > it in PR blurbs. > > This is a huge embarrassment, I would think, for Adobe. > > > > On Mar 6, 2013, at 3:25 PM, Michael Powers wrote: > > > Many years ago, when we were a linear post house, we cut a "very big NLE > company's" NAB videos on Sony...I always thought that funny. > > > > -----Original Message----- > > From: After Effects Mail List [mailto:AE-List@media-motion.tv] On > Behalf Of Jim Curtis > > Sent: Wednesday, March 06, 2013 4:19 PM > > To: After Effects Mail List > > Subject: [AE] What? Why? Ouch! > > > > In this month's Digital Video magazine. Article titled "Brickyard Helps > Animals Talk Business for Adobe" > > > > "...color corrected the spot in Autodesk Lustre and composited ... using > Autodesk Flame." > > > > I repeat, what? > > > > > > Also, in the same issue, Editor C. Clapp waxes poetic on a artsy fartsy > video, Called Projector Snow, by one "Brian Maffit." > > +---End of message---+ > > To unsubscribe send any message to > > > > +---End of message---+ > > To unsubscribe send any message to > > > +---End of message---+ > To unsubscribe send any message to > -- *brian higgins | creative director Sol Design 312.706.5500 higgins@soldesignfx.com soldesignfx.com * --089e0160c796e4368a04d748a4a0 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Top-end commercial post houses don't generally use Premiere or SpeedGra= de. =A0Nor do they usually use AE for heavy CG/live action compositing. =A0= =A0It has less to do with the capabilities of the toolset and more to do w= ith artist/editor preference.

-bH

On Wed, Mar 6, 2013 = at 3:33 PM, Jim Curtis <jpcurtis@me.com> wrote:
I cut a boat load of videos for IBM on a Mac-based Avid, back when EMC was = the only IBM-based NLE.

But, I know for damn sure that IBM would have frowned on us bragging about = it in PR blurbs.

This is a huge embarrassment, I would think, for Adobe.



On Mar 6, 2013, at 3:25 PM, Michael Powers wrote:

> Many years ago, when we were a linear post house, we cut a "very = big NLE company's" NAB videos on =A0Sony...I always thought that f= unny.
>
> -----Original Message-----
> From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Jim Curtis
> Sent: Wednesday, March 06, 2013 4:19 PM
> To: After Effects Mail List
> Subject: [AE] What? Why? Ouch!
>
> In this month's Digital Video magazine. =A0Article titled "Br= ickyard Helps Animals Talk Business for Adobe"
>
> "...color corrected the spot in Autodesk Lustre and composited ..= . using Autodesk Flame."
>
> I repeat, what?
>
>
> Also, in the same issue, Editor C. Clapp waxes poetic on a artsy farts= y video, Called Projector Snow, by one "Brian Maffit."
> +---End of message---+
> To unsubscribe send any message to <ae-list-off@media-motion.tv>
>
> +---End of message---+
> To unsubscribe send any message to <ae-list-off@media-motion.tv>


+---End of message---+
To unsubscribe send any message to <ae-list-off@media-motion.tv>



--
=
bri= an higgins | creative director
Sol =A0Design
312.706.5500
higgins@soldesignfx.com
soldesignfx.com


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