Return-Path: Received: from atl4mhob07.myregisteredsite.com ([209.17.115.45] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4997954 for AE-List@media-motion.tv; Fri, 08 Mar 2013 21:54:44 +0100 Received: from mailpod.hostingplatform.com (mail.networksolutionsemail.com [205.178.146.50]) by atl4mhob07.myregisteredsite.com (8.14.4/8.14.4) with ESMTP id r28L1ZU2009989 for ; Fri, 8 Mar 2013 16:01:35 -0500 Received: (qmail 32294 invoked by uid 0); 8 Mar 2013 21:01:35 -0000 Received: from unknown (HELO ?192.168.0.7?) (chris@chriszwar.com@60.225.197.206) by 0 with ESMTPA; 8 Mar 2013 21:01:35 -0000 Content-Type: text/plain; charset=windows-1252 Mime-Version: 1.0 (Mac OS X Mail 6.2 \(1499\)) Subject: Re: [AE] spill suppression From: Chris Zwar In-Reply-To: Date: Sat, 9 Mar 2013 08:01:32 +1100 Content-Transfer-Encoding: quoted-printable Message-Id: <16E3496B-EA2D-4FDD-B201-5C1D088BE0E8@chriszwar.com> References: To: "After Effects Mail List" X-Mailer: Apple Mail (2.1499) On 09/03/2013, at 7:21 AM, Chris Meyer wrote: > Quick poll: What's your favorite spill suppression utility or trick?=20= Most of the time I simply use the AE spill suppressor. I used to have = the Key Correct plugins and I don't think I ever found a case where its = spill suppressor - which is more fiddly to use than the standard AE one = - did a better job. I don't know if it's technically 'spill', but motion blur is the tricky = thing to deal with when keying. If the key isn't set up well then you = can end up with footage that looks like it has a spill problem in moving = areas - actually the screen is showing through semi-transparent regions. = This is where you need to adjust the 'screen balance' in Keylight, and = if I can't get a good result then I'll use the Keylight edge colour = correction, and reduce the saturation. Otherwise I don't normally use = the Keylight colour correction options. The other technique I use if spill is bad is to create an edge matte and = use it as an adjustment layer with the levels filter combined. The edge = matte is created in a precomp by having the keyed layer alpha matte a = blurred version of itself (ie. drag the keyed layer into a new comp, = duplicate it, blur the top layer, set it as an inverted alpha track = matte). When applied as an adjustment layer you can use the levels = filter (or your favourite colour correction plugin) to compensate for = the spill. -Chris=