Return-Path: Received: from mail-qa0-f54.google.com ([209.85.216.54] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4998036 for AE-List@media-motion.tv; Fri, 08 Mar 2013 22:43:15 +0100 Received: by mail-qa0-f54.google.com with SMTP id hg5so35667qab.20 for ; Fri, 08 Mar 2013 13:50:06 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=x-received:mime-version:in-reply-to:references:from:date:message-id :subject:to:content-type; bh=H2tmHJB/HLA8UA/gb+0na2s25VEojDRMzFpfa4eZIL0=; b=vqs7TYhaVqqj/T8tVt7e7WKdQVKeNkykttmNEyaSgtdp7tDldIfazwZnU8fnPaFbL8 eMpMNuGafhjrHMDIUvfOfi/DeAFioCwdWbj5H7TKqw79ad4VDcIYXiOPb6dvgX3/Ovag deW2uwmJsyui72WnqNtCEIxeCIBqvhcl+Qe0UETgBcjRZn/Dt9qGkm6Vt1BApbXmFGnJ 8+BYHUwRL3xDqNbKu+1VEgsHTCBLn4G/v7o/xLs12l3AwXjgGJ2iPkW0U74FOowIrmRa 0SUxazuyFL+kBzNLTMloOP2W1Mswjkviif7j6GMw75xPBwEDw1gVU04kc/la9luTCXba j6bg== X-Received: by 10.224.221.145 with SMTP id ic17mr6238727qab.34.1362779406871; Fri, 08 Mar 2013 13:50:06 -0800 (PST) MIME-Version: 1.0 Received: by 10.49.127.143 with HTTP; Fri, 8 Mar 2013 13:49:26 -0800 (PST) In-Reply-To: References: From: Teddy Gage Date: Fri, 8 Mar 2013 16:49:26 -0500 Message-ID: Subject: Re: [AE] spill suppression To: After Effects Mail List Content-Type: multipart/alternative; boundary=20cf3074b458744dcc04d770ce54 --20cf3074b458744dcc04d770ce54 Content-Type: text/plain; charset=ISO-8859-1 Yeah keylight is very powerful. I have not needed to use anything else, but it's not super intuitive either. I'd suggest looking up some tuts on keylight + spill suppression. The "out of the box" keylight presets are awful and it's 100% necessary to customize it for each shot On Fri, Mar 8, 2013 at 4:42 PM, Tsassoon wrote: > Isn't Keylight also? I get RT previews. My technique, and I presume > everyone else's, is to dropper for hue, then opend the color chooser and > scrub around to get the best key point, as it RT previews underneath. > > I still like venerable old Spill Oppressor. > > :-) > > Tim Sassoon > SFD > Venice, CA > > Sent from my iPhone > > > > On Mar 8, 2013, at 12:41 PM, Steve Oakley wrote: > > I'm working on a chromakey project right now... and the real surprise is > ultrakeyer in PP. material was shot on GH3 in iframe mode, 70mbit, Rokinon > cine 35 T1.5 lens. I have no problem getting hairs to key cleanly, and > tweak a few things to clean up the spill... of course we had the green a > good 15ft back so its pretty minimal, but I think ultrakeyer is worth a > look, and did I say its realtime with CUDA ? :) > > S > > On Mar 8, 2013, at 2:21 PM, Chris Meyer wrote: > > Quick poll: What's your favorite spill suppression utility or trick? > > Since a lot of our work requires us to use what comes 'in the box' with > AE, I've been relying on old ways and using a focused range of colors in > the Hue/Saturation effect, and admit to falling behind on any new entries > (or forgotten about old standbys). > > thanks in advance - > Chris > > ________________________________________________ > Chris Meyer | Crish Design > http://www.crishdesign.com > > > -- Animator & Editor www.teddygage.com Brooklyn --20cf3074b458744dcc04d770ce54 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Yeah keylight is very powerful. I have not needed to use anything else, but= it's not super intuitive either. I'd suggest looking up some tuts = on keylight + spill suppression. The "out of the box" keylight pr= esets are awful and it's 100% necessary to customize it for each shot
On Fri, Mar 8, 2013 at 4:42 PM, Tsassoon <ts= assoon@aol.com> wrote:
Isn't Keylight also? I get RT previews. My techn= ique, and I presume everyone else's, is to dropper for hue, then opend = the color chooser and scrub around to get the best key point, as it RT prev= iews underneath.

I still like venerable old Spill Oppressor.

:-)

Ti= m Sassoon
SFD
Venice, CA

Sent from m= y iPhone



On Mar 8, 2013, at 12:41 PM, Steve Oakley <steveo@practicali.com> wrote:
<= br>
I'm wor= king on a chromakey project right now... and the real surprise is ultrakeye= r in PP. material was shot on GH3 in iframe mode, 70mbit, Rokinon cine 35 T= 1.5 lens. I have no problem getting hairs to key cleanly, and tweak a few t= hings to clean up the spill... of course we had the green a good 15ft =A0ba= ck so its pretty minimal, but I think ultrakeyer is worth a look, and did I= say its realtime with CUDA ? :)

S

On Mar 8, = 2013, at 2:21 PM, Chris Meyer <chris@crishdesign.com> wrote:

Quick poll: What'= s your favorite spill suppression utility or trick?=A0

=
Since a lot of our work requires us to use what come= s 'in the box' with AE, I've been relying on old ways and using= a focused range of colors in the Hue/Saturation effect, and admit to falli= ng behind on any new entries (or forgotten about old standbys).=A0

thanks in advance -
Chris

________________________________________________
Chris Meyer | Crish Des= ign
http://www= .crishdesign.com





--
Animator & Editor
www.teddygage.com
Brooklyn
--20cf3074b458744dcc04d770ce54--