Return-Path: Received: from qmta06.emeryville.ca.mail.comcast.net ([76.96.30.56] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4998773 for ae-list@media-motion.tv; Sun, 10 Mar 2013 01:13:23 +0100 Received: from omta11.emeryville.ca.mail.comcast.net ([76.96.30.36]) by qmta06.emeryville.ca.mail.comcast.net with comcast id 9cAK1l0020mlR8UA6cLHN6; Sun, 10 Mar 2013 00:20:17 +0000 Received: from [192.168.1.4] ([98.245.75.227]) by omta11.emeryville.ca.mail.comcast.net with comcast id 9cLF1l00S4uEfTW8XcLGRq; Sun, 10 Mar 2013 00:20:16 +0000 From: David Baud Mime-Version: 1.0 (Apple Message framework v1283) Content-Type: multipart/alternative; boundary="Apple-Mail=_A9800043-0FAF-4B38-BDD8-85139EA1F231" Subject: Re: [AE] OT: [AE] match 60fps with 50fps footage Date: Sat, 9 Mar 2013 17:20:15 -0700 In-Reply-To: To: "After Effects Mail List" References: Message-Id: X-Mailer: Apple Mail (2.1283) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=comcast.net; s=q20121106; t=1362874817; bh=TlMb3Goy2pvQc8CI8RlIu4Pu9d2jwAguqyKWcz88aZo=; h=Received:Received:From:Mime-Version:Content-Type:Subject:Date:To: Message-Id; b=OCC2WQFQ5hA4IXMwpqxPo5Ts/nMiEG7H8umopaMFlGOsASeYujwwQlpGwTMxCDHOA FyeAqFImQHD1fE3IgyyVBUT7rpE0F0d+xYo9O7cPY5PLdck7z4Ulq4TrBXh6nRabOW vn+c6bl5LmNrAvD91SPB79Mb7mmA7PS4HYDieaQIpKeWZg1Bsi49r9b+KWPKe7D0eT 9yXHR8XSBupuhvGm8t9z7ptlWK0wuEQ7FekcRbqUR2n15ah/SGiiNxgOelOzDs5Lm2 0ewPcZFpSVYGTeS61+BlszyZ3KZMG73pOCH8+JPSAZDnL6CNzT4ytk9H2EgaHzZhLV KR2BILu8BNcUQ== --Apple-Mail=_A9800043-0FAF-4B38-BDD8-85139EA1F231 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=us-ascii So if I understand you correctly your sequence is set @ 29.97fps = progressive? how did you conform each footage to that frame rate? which = codec are you using? David Baud K O S M O S P R O D U C T i O N S david@kosmos-productions.com www.kosmos-productions.com On Mar 9, 2013, at 11:41 AM, Evan Fotis wrote: > hello all, I've got footage from two cameras one shot at 60p and the = other at 50p as it was European model. > In a Premiiere Pro multicamera 29,97comp, trying to match both seems = impossible. > Either one is jerky or too slow and audio is out of sync. > Is this feasible? > Any ideas? --Apple-Mail=_A9800043-0FAF-4B38-BDD8-85139EA1F231 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=us-ascii So if = I understand you correctly your sequence is set @ 29.97fps progressive? = how did you conform each footage to that frame rate? which codec are you = using?

David Baud
K O S M O S     P R O = D U C T i O N = S
<= /span>
david@kosmos-productions.com<= /a>
www.kosmos-productions.com<= /span>
= hello all, I've got footage from two cameras one shot at 60p and the = other at 50p as it was European model.
In a Premiiere Pro multicamera = 29,97comp, trying to match both seems impossible.
Either one is jerky = or too slow and audio is out of sync.
Is this feasible?
Any = ideas?

= --Apple-Mail=_A9800043-0FAF-4B38-BDD8-85139EA1F231--