Return-Path: Received: from mail-qe0-f48.google.com ([209.85.128.48] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4999127 for AE-List@media-motion.tv; Sun, 10 Mar 2013 17:00:10 +0100 Received: by mail-qe0-f48.google.com with SMTP id 9so1854343qea.7 for ; Sun, 10 Mar 2013 09:07:04 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=x-received:mime-version:in-reply-to:references:from:date:message-id :subject:to:content-type; bh=z1cI8T7W8ors7QOgspIyj3SLOunafHrMGwpbTH/DZhA=; b=xUuziRCmgRpwrQ16xfbzk6wXIP+Z4aynSZdFtLcKKHbzJgD1oq5xDBUnQ+PLkRBYHN vGWP3m60I/LWO/eOLh1T5khe1Ow3OwrBpTvVICvSFCTA3Dypn3T2G5l1Y7C/bhNYSGdu OHljdLgCtziJdULC6THCPrHAu4MmKi2JaEFKq81hF663ZXyIeAxp8Lpg8EkKoN0cIbyh i/xLG/4yqo/CZDfYeWBCtE5sjqNocPm83CFFO9Xa6lqxUZA47IF785vBoSag/4Jkh9hF /I72U2zY3cIcMPULrHDZNpaYTys5hbpruwW5ZPJd8g94cHfqMXmvlYw/LwJ+fgZdClMW eCsg== X-Received: by 10.229.176.216 with SMTP id bf24mr3042488qcb.110.1362931624832; Sun, 10 Mar 2013 09:07:04 -0700 (PDT) MIME-Version: 1.0 Received: by 10.49.127.143 with HTTP; Sun, 10 Mar 2013 09:06:23 -0700 (PDT) In-Reply-To: References: From: Teddy Gage Date: Sun, 10 Mar 2013 12:06:23 -0400 Message-ID: Subject: Re: [AE] OT: [AE] match 60fps with 50fps footage To: After Effects Mail List Content-Type: multipart/alternative; boundary=0016369f9b545a200c04d7943f81 --0016369f9b545a200c04d7943f81 Content-Type: text/plain; charset=ISO-8859-1 If possible, I'd suggest rendering both with pulldown to 29.97 in AE then bring the clips back to PP pre-conformed. Watch out for audio drift On Sun, Mar 10, 2013 at 6:46 AM, Evan Fotis wrote: > Yes. Both footage are AVCHD. > > On 10-Mar-13 02:20, David Baud wrote: > > So if I understand you correctly your sequence is set @ 29.97fps > progressive? how did you conform each footage to that frame rate? which > codec are you using? > > David Baud > K O S M O S P R O D U C T i O N S > david@kosmos-productions.com > www.kosmos-productions.com > > On Mar 9, 2013, at 11:41 AM, Evan Fotis wrote: > > hello all, I've got footage from two cameras one shot at 60p and the > other at 50p as it was European model. > In a Premiiere Pro multicamera 29,97comp, trying to match both seems > impossible. > Either one is jerky or too slow and audio is out of sync. > Is this feasible? > Any ideas? > > > > -- Animator & Editor www.teddygage.com Brooklyn --0016369f9b545a200c04d7943f81 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable If possible, I'd suggest rendering both with pulldown to 29.97 in AE th= en bring the clips back to PP pre-conformed. Watch out for audio drift
<= br>
On Sun, Mar 10, 2013 at 6:46 AM, Evan Fotis <= span dir=3D"ltr"><evan.fotis@gmail.com> wrote:
=20 =20 =20
Yes. Both footage are AVCHD.

On 10-Mar-13 02:20, David Baud wrote:
So if I understand you correctly your sequence is set @ 29.97fps progressive? how did you conform each footage to that frame rate? which codec are you using?

David Baud
K O S M O S =A0 =A0 P R O D U C T i O N S
david@kosmos-productions.com<= /span>
On Mar 9, 2013, at 11:41 AM, Evan Fotis wrote:

hello all, I've got footage from two cameras on= e shot at 60p and the other at 50p as it was European model.
In a Premiiere Pro multicamera 29,97comp, trying to match both seems impossible.
Either one is jerky or too slow and audio is out of sync.
Is this feasible?
Any ideas?





--
Animator & Editor
www.teddygage.com
Brooklyn
--0016369f9b545a200c04d7943f81--