Return-Path: Received: from nk11p03mm-asmtp002.mac.com ([17.158.232.237] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4999141 for AE-List@media-motion.tv; Sun, 10 Mar 2013 17:07:31 +0100 Received: from [192.168.1.68] ([99.152.153.100]) by nk11p03mm-asmtp002.mac.com (Oracle Communications Messaging Server 7u4-26.01(7.0.4.26.0) 64bit (built Jul 13 2012)) with ESMTPSA id <0MJG00CX3D40JF50@nk11p03mm-asmtp002.mac.com> for AE-List@media-motion.tv; Sun, 10 Mar 2013 16:14:25 +0000 (GMT) X-Proofpoint-Virus-Version: vendor=fsecure engine=2.50.10432:5.9.8327,1.0.431,0.0.0000 definitions=2013-03-10_06:2013-03-08,2013-03-10,1970-01-01 signatures=0 X-Proofpoint-Spam-Details: rule=notspam policy=default score=0 spamscore=0 ipscore=0 suspectscore=0 phishscore=0 bulkscore=0 adultscore=0 classifier=spam adjust=0 reason=mlx scancount=1 engine=6.0.2-1302030000 definitions=main-1303100130 From: Jim Curtis MIME-version: 1.0 (Apple Message framework v1283) Content-type: multipart/alternative; boundary="Apple-Mail=_E19E51C0-3EFB-4C1B-B791-515979B50EF1" Subject: Re: [AE] OT: [AE] match 60fps with 50fps footage Date: Sun, 10 Mar 2013 11:14:23 -0500 In-reply-to: To: After Effects Mail List References: Message-id: X-Mailer: Apple Mail (2.1283) --Apple-Mail=_E19E51C0-3EFB-4C1B-B791-515979B50EF1 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=iso-8859-1 I don't have a lot of experience with this, but I recently did a project = in Pr that had footage that was both 24 and 25p. I worked in a 24p = sequence (actually 23.976), and Pr took care of the 25 footage without = any apparent jerkiness, sync issues, etc. Nobody was the wiser on the = viewing end. And again, not having experience, and throwing this out there because of = the dearth of replies, you could try turning on frame blending per clip = in the Pr timeline, and see if that helps things. On Mar 10, 2013, at 11:06 AM, Teddy Gage wrote: > If possible, I'd suggest rendering both with pulldown to 29.97 in AE = then bring the clips back to PP pre-conformed. Watch out for audio drift >=20 > On Sun, Mar 10, 2013 at 6:46 AM, Evan Fotis = wrote: > Yes. Both footage are AVCHD. >=20 > On 10-Mar-13 02:20, David Baud wrote: >> So if I understand you correctly your sequence is set @ 29.97fps = progressive? how did you conform each footage to that frame rate? which = codec are you using? >>=20 >> David Baud >> K O S M O S P R O D U C T i O N S >> david@kosmos-productions.com >> www.kosmos-productions.com >>=20 >> On Mar 9, 2013, at 11:41 AM, Evan Fotis wrote: >>=20 >>> hello all, I've got footage from two cameras one shot at 60p and the = other at 50p as it was European model. >>> In a Premiiere Pro multicamera 29,97comp, trying to match both seems = impossible. >>> Either one is jerky or too slow and audio is out of sync. >>> Is this feasible? >>> Any ideas? >>=20 >=20 >=20 >=20 >=20 > --=20 > Animator & Editor > www.teddygage.com > Brooklyn --Apple-Mail=_E19E51C0-3EFB-4C1B-B791-515979B50EF1 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=iso-8859-1 I = don't have a lot of experience with this, but I recently did a project = in Pr that had footage that was both 24 and 25p.  I worked in a 24p = sequence (actually 23.976), and Pr took care of the 25 footage without = any apparent jerkiness, sync issues, etc.  Nobody was the wiser on = the viewing end.

And again, not having = experience, and throwing this out there because of the dearth of = replies, you could try turning on frame blending per clip in the Pr = timeline, and see if that helps = things.



On Mar 10, = 2013, at 11:06 AM, Teddy Gage wrote:

If = possible, I'd suggest rendering both with pulldown to 29.97 in AE then = bring the clips back to PP pre-conformed. Watch out for audio = drift

On Sun, Mar 10, 2013 at 6:46 AM, = Evan Fotis <evan.fotis@gmail.com> wrote:
=20 =20 =20
Yes. Both footage are AVCHD.

On 10-Mar-13 02:20, David Baud wrote:
So if I understand you correctly your sequence is set @ 29.97fps progressive? how did you conform each footage to that frame rate? which codec are you using?

David Baud
K O S M O S     P R O = D U C T i O N S
david@kosmos-productions.com
On Mar 9, 2013, at 11:41 AM, Evan Fotis = wrote:

hello all, I've got footage from two cameras one shot at 60p and the other at 50p as it was European model.
In a Premiiere Pro multicamera 29,97comp, trying to match both seems impossible.
Either one is jerky or too slow and audio is out of sync.
Is this feasible?
Any ideas?





--
Animator & Editor
www.teddygage.com
Brooklyn

= --Apple-Mail=_E19E51C0-3EFB-4C1B-B791-515979B50EF1--