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| I don't have a lot of experience with this, but I recently did a project in Pr that had footage that was both 24 and 25p. I worked in a 24p sequence (actually 23.976), and Pr took care of the 25 footage without any apparent jerkiness, sync issues, etc. Nobody was the wiser on the viewing end.
And again, not having experience, and throwing this out there because of the dearth of replies, you could try turning on frame blending per clip in the Pr timeline, and see if that helps things.
On Mar 10, 2013, at 11:06 AM, Teddy Gage wrote: If possible, I'd suggest rendering both with pulldown to 29.97 in AE then bring the clips back to PP pre-conformed. Watch out for audio drift
On Sun, Mar 10, 2013 at 6:46 AM, Evan Fotis <evan.fotis@gmail.com> wrote:
Yes. Both footage are AVCHD.
On 10-Mar-13 02:20, David Baud wrote:
So
if I understand you correctly your sequence is set @ 29.97fps
progressive? how did you conform each footage to that frame rate?
which codec are you using?
On Mar 9, 2013, at 11:41 AM, Evan Fotis wrote:
hello all, I've got footage from two cameras one
shot at 60p and the other at 50p as it was European
model.
In a Premiiere Pro multicamera 29,97comp, trying to
match both seems impossible.
Either one is jerky or too slow and audio is out of
sync.
Is this feasible?
Any ideas?
-- Animator & Editor www.teddygage.com
Brooklyn
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