Return-Path: Received: from mail-ee0-f50.google.com ([74.125.83.50] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4999935 for AE-List@media-motion.tv; Mon, 11 Mar 2013 15:40:14 +0100 Received: by mail-ee0-f50.google.com with SMTP id e51so2272407eek.23 for ; Mon, 11 Mar 2013 07:47:11 -0700 (PDT) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=google.com; s=20120113; h=mime-version:x-received:in-reply-to:references:date:message-id :subject:from:to:content-type:x-gm-message-state; bh=eq6Uo+dkZWn7KYRkqEKAKomvT/lh9JpDA5ESoOm9lvc=; b=Ar3rFDjgPe3t57sqoy5KRq8hVjMyICmCgVvOU/WD08iJV+hlb6B0Fb28KCz5TMzt7w WmT51noRmjiXIIAfpjPGLQlt3NKgUeEuBwB/Vl8bF2sQVlsRQiO6VK/Cq7KadujHq8/a dEurWpQkK3rUp9wG6l6J17WogOZ/5/+E/D4cTlVFJytE3ztONu4k07Mc+uZc44kYGT7B zuT7G0SJO659cOOR8G7i4v2BZupufGWvoBx9YJWvKnofyoZmEUJKCbp0wEkGsz9zdQkf TgmFZgBowqkNccpX0CeuVmUvxiTs9SI2YkhdzL3+kvXET6tiicfA92cpe1DiRcLs6UFf JhAw== MIME-Version: 1.0 X-Received: by 10.14.0.135 with SMTP id 7mr36912751eeb.5.1363013231119; Mon, 11 Mar 2013 07:47:11 -0700 (PDT) Received: by 10.14.194.135 with HTTP; Mon, 11 Mar 2013 07:47:10 -0700 (PDT) In-Reply-To: References: Date: Mon, 11 Mar 2013 09:47:10 -0500 Message-ID: Subject: Re: [AE] Best 30p to 24p conversion method From: Brian Higgins To: After Effects Mail List , stephen@sv2studios.com Content-Type: multipart/alternative; boundary=047d7b6050de77484b04d7a73f96 X-Gm-Message-State: ALoCoQm/Rte0XCN45hh0stuL9A2uTPJ/5yci/ZMNI1a5muj1k3Ar7J30TY8d1/h/zGxB9ZPH/FEz --047d7b6050de77484b04d7a73f96 Content-Type: text/plain; charset=windows-1252 Content-Transfer-Encoding: quoted-printable Does it have sync sound? If not, can you just run it at 24? -b On Mon, Mar 11, 2013 at 9:33 AM, Stephen van Vuuren wrote: > Anyone want to chime on anything new for 30 frames progressive to 24 > frames progressive conversion. This is for theatrical, so artifacts are a= n > issue. I=92ve got Magic Bullet Frames, Twixtor, Premiere, AE as likely to= ols. > I=92ve done lots of 60i to 24p but my first theatrical 30p to 24p. Or mor= e > precisely (for Chris M.), 29.97p to 24.000fps J.**** > > ** ** > > I wondering if a bit of Revision Motion Blur might help with strobing > issue but it=92s a bit scary as it can artifact and this is 90 minute pro= ject. > **** > > ** ** > > *stephen van vuuren* > > 336.202.4777**** > > * * > > *http://www.insaturnsrings.com/* ** > > *http://www.sv2dcp.com/* ** > > *http://www.sv2studios.com/* ** > > * * > > *A film is =96 or should be =96 more like music than like fiction. It sho= uld > be a progression of moods and feelings. The theme, what=92s behind the > emotion, the meaning, all that comes later.* > > =96*Stanley Kubrick***** > > ** ** > --=20 *brian higgins | creative director Sol Design 312.706.5500 higgins@soldesignfx.com soldesignfx.com * --047d7b6050de77484b04d7a73f96 Content-Type: text/html; charset=windows-1252 Content-Transfer-Encoding: quoted-printable
Does it have sync sound? =A0If not, can you just run it at 24?

-b

On Mon, Mar 11, 20= 13 at 9:33 AM, Stephen van Vuuren <stephen@sv2studios.com> wrote:

Anyone want to chime on anything new for= 30 frames progressive to 24 frames progressive conversion. This is for the= atrical, so artifacts are an issue. I=92ve got Magic Bullet Frames, Twixtor= , Premiere, AE as likely tools. I=92ve done lots of 60i to 24p but my first= theatrical 30p to 24p. Or more precisely (for Chris M.), 29.97p to 24.000f= ps J.

=A0

I wonder= ing if a bit of Revision Motion Blur might help with strobing issue but it= =92s a bit scary as it can artifact and this is 90 minute project.

=A0

steph= en van vuuren

336.202.4777

=A0

<= a href=3D"http://www.insaturnsrings.com/" target=3D"_blank">http://www.insaturnsrings.com/

http://www.sv2dcp.com/<= b>

http://www.sv2studios.com/

=A0

A film is =96 or should be =96 more like music than like fictio= n. It should be a progression of moods and feelings. The theme, what=92s be= hind the emotion, the meaning, all that comes later.

=96Stanley Kubri= ck

=A0

=



--
=
brian higgins | creative director
Sol =A0Design
312.706.5500
higgins@soldesignfx.com
soldesignfx.com


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