Return-Path: Received: from qmta12.emeryville.ca.mail.comcast.net ([76.96.27.227] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 5025148 for ae-list@media-motion.tv; Thu, 04 Apr 2013 07:05:52 +0200 Received: from omta02.emeryville.ca.mail.comcast.net ([76.96.30.19]) by qmta12.emeryville.ca.mail.comcast.net with comcast id Kghm1l0020QkzPwAChDZb6; Thu, 04 Apr 2013 05:13:33 +0000 Received: from sz0119.ev.mail.comcast.net ([76.96.40.138]) by omta02.emeryville.ca.mail.comcast.net with comcast id KhDZ1l00C2yr1eL8NhDZLl; Thu, 04 Apr 2013 05:13:33 +0000 Date: Thu, 4 Apr 2013 05:13:33 +0000 (UTC) From: pixelbot@comcast.net To: After Effects Mail List Message-ID: <524082897.393676.1365052413394.JavaMail.root@sz0119a.emeryville.ca.mail.comcast.net> In-Reply-To: Subject: Re: [AE] After Effects Technology Preview MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_393675_1960401124.1365052413392" X-Originating-IP: [::ffff:67.171.142.191] X-Mailer: Zimbra 6.0.13_GA_2944 (ZimbraWebClient - SAF3 (Mac)/6.0.13_GA_2944) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=comcast.net; s=q20121106; t=1365052413; bh=KGzvSapFza9MDf49XhoyG0P5/+Zfg2O6CVuOi87QNkM=; h=Received:Received:Date:From:To:Message-ID:Subject:MIME-Version: Content-Type; b=IGCbN88suVZCUhkxr2qkjkbRXt3k1GIx3mT3aaihq4k14bTESjnzUHhS4wAwIbcME knYgtV+bHcxSGola2k3pH7aV3RbcE4U/6dvdvq4BMjBJwnOIlr1wFxvtzB04pIuJ4f 2yW8mBAbI7jKWIrfoi5G7Hjru2eVbyIifMstjITHHy6oeEVuvayY0bhWhBcrAhEFQw YiJml4aPN2KkEKHI1DL+u9U5pbclMxgZUsLKRKS4GHe4jXkfSGet+Shn7Iy/dF/JnU 3LyIYI7YtqvaFtMYgYolwnmryErKP0UtvinQFXFQG60SiJx2LffLQV70V+2RWRpg+1 UXq+fDh+MX5Bw== ------=_Part_393675_1960401124.1365052413392 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: 7bit INCLUDED CINEMA 4D LITE!!!!!!!!!! WWOOOOOTTTT!!!! ADOBE - TAKE MY MONEY PLEASE!!!!!! TT (caps locks intended) ----- Original Message ----- From: "Chris Meyer" To: "After Effects Mail List" Sent: Wednesday, April 3, 2013 9:17:08 PM Subject: [AE] After Effects Technology Preview Adobe has just gone "live" with a series of NAB sneak peeks for their audio and video tools: http://www.adobe.com/go/nab_reveal We discuss some of our favorite new features in the pipeline for After Effects: http://provideocoalition.com/cmg_keyframes/story/after-effects-technology-preview enjoy - Chris ________________________________________________ Chris Meyer | Crish Design http://www.crishdesign.com On Apr 3, 2013, at 10:49 AM, Chris Meyer wrote: In addition to a mic's off-axis rejection, I can't put enough emphasis on the usefulness of a good "voice channel" mic preamp that, among other things, has a downward expander/noise gate to kill sound in between sentences. It takes a little bit of fiddling to set up, to make sure it's not truncating trailing-off words or bouncing along on the noise floor, but otherwise I consider it a secret weapon. But back to the original request: Are you looking at a portable sound booth because the environment is just too noisy? Or do you merely need to tame a not-too-bad environment, which can be done by moving equipment on the other sides of walls or putting them in enclosures, a few sound deadening panels to knock down the liveliness of a room, and maybe a mic screen like the Mud Guard to cut down further on off-axis noise and reflections? - Chris ________________________________________________ Chris Meyer | Crish Design http://www.crishdesign.com On Apr 3, 2013, at 8:11 AM, Jim Curtis wrote:
The iso booths are good solutions for noisy environments, but not always necessary. What are your VO needs, and in what kind of environment will you be recording? You might not need anything any more complicated than something like this: http://voiceoveressentials.com/content/portaboothArticle.htm There are several versions of this concept available. And there are also several microphones that record voice very well, and reject off-axis sounds, so that you don't need a perfect environment to record in. Shure SM7 and an Electro Voice RE20 are de facto standards in radio stations throughout the world in rooms with computer monitors and less than perfect acoustics. They're also dynamic mics, which mean they don't need phantom power, and are less prone to plosive overloads. +---End of message---+ To unsubscribe send any message to < ae-list-off@media-motion.tv >
------=_Part_393675_1960401124.1365052413392 Content-Type: text/html; charset=utf-8 Content-Transfer-Encoding: quoted-printable <= div style=3D'font-family: Arial; font-size: 12pt; color: #000000'>INCLUDED = CINEMA 4D LITE!!!!!!!!!! WWOOOOOTTTT!!!!


= ADOBE - TAKE MY MONEY PLEASE!!!!!!

TT
(caps locks intended)

From: "Ch= ris Meyer" <chris@crishdesign.com>
To: "After Effects Mail = List" <AE-List@media-motion.tv>
Sent: Wednesday, April 3, 2= 013 9:17:08 PM
Subject: [AE] After Effects Technology Preview
=
Adobe has just gone "live" with a series of NAB sneak peeks for their a= udio and video tools:

=

We discuss some of our favorite new features in the pip= eline for After Effects:


enjoy -
Chris

_= _______________________________________________
Chris Meyer | Crish Desi= gn
http://www.c= rishdesign.com


On Apr 3, 2013, at 10:49 AM, Chris Meyer wrote:

In= addition to a mic's off-axis rejection, I can't put enough emphasis on the= usefulness of a good "voice channel" mic preamp that, among other things, = has a downward expander/noise gate to kill sound in between sentences. It t= akes a little bit of fiddling to set up, to make sure it's not truncating t= railing-off words or bouncing along on the noise floor, but otherwise I con= sider it a secret weapon.

But back to the original reque= st: Are you looking at a portable sound booth because the environment is ju= st too noisy? Or do you merely need to tame a not-too-bad environment, whic= h can be done by moving equipment on the other sides of walls or putting th= em in enclosures, a few sound deadening panels to knock down the liveliness= of a room, and maybe a mic screen like the Mud Guard to cut down further o= n off-axis noise and reflections?

 - Chris

_________________________= _______________________
Chris Meyer | Crish Design
http://www.crishdesign.com
<= br>

On Apr 3, 2013, at 8:11 AM, Jim Curtis wrote:

The iso booths are good sol= utions for noisy environments, but not always necessary.

What are yo= ur VO needs, and in what kind of environment will you be recording?  &= nbsp;You might not need anything any more complicated than something like t= his:

http://voiceoveressentials.com/content/portaboo= thArticle.htm

There are several versions of this concept availab= le.

And there are also several microphones that record voice very we= ll, and reject off-axis sounds, so that you don't need a perfect environmen= t to record in.  Shure SM7 and an Electro Voice RE20 are de facto stan= dards in radio stations throughout the world in rooms with computer monitor= s and less than perfect acoustics.  They're also dynamic mics, which m= ean they don't need phantom power, and are less prone to plosive overloads.=



+---End of message---+
To unsubscribe send any message t= o <ae-l= ist-off@media-motion.tv>


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