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From: J Bills <jbillsnews@flickfx.com>
Date: Fri, 19 Apr 2013 13:10:39 -0700
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Subject: Re: [AE] uggh - format question - PAL FHA
To: After Effects Mail List <AE-List@media-motion.tv>
Content-Type: multipart/alternative; boundary=001a11c222c847903304dabc51af

--001a11c222c847903304dabc51af
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ah - when they say "anamorphic" is it common to be just "widescreen" (16:9)
or is it true anamorphic (2:1)?  I assumed the more literal 2:1 anamorphic
but if they're just referring loosely to that as the process of unsqueezing
then I should redo this at 16:9

the more I think about it, it does seem silly to slap it into a 2:1 PAR
when it's HD content, so yeah squeezing down the 16:9 and not 2:1 is
sounding right.

sound correct?



On Fri, Apr 19, 2013 at 12:53 PM, Robert Kjettrup <robert@stvmayday.dk>wrote:

>
>> On an international spot and it's been a while since I've done this, but
>> they want the HD master to be delivered as Full Height animorphic PAL.
>>  must be some sort of broadcast standard in one of the delivering
>> countries.
>>
>> Soooo, the AE template for that is 1050x576
>>
>> But I'm assuming I take this and drop it into a regular pal comp and then
>> squeeze the sides to fit the frame, keeping the "full height" and deliver
>> it squeezed into this regular PAL format.
>>
>> Is that correct or am I missing something?
>>
>> Thanks
>>
>
> Use the "PAL D1/DV Widescreen" comp preset and drop you HD format into
> this and use "Fit to Comp Height" to make it fit, or just use "Fit to Comp"
> if you don't care for a bit stretched footage, i do this regularly just to
> avoid the small black pillarboxes in the sides
>
> - Robert
>
>

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<div dir=3D"ltr">ah - when they say &quot;anamorphic&quot; is it common to =
be just &quot;widescreen&quot; (16:9) or is it true anamorphic (2:1)? =A0I =
assumed the more literal 2:1 anamorphic but if they&#39;re just referring l=
oosely to that as the process of unsqueezing then I should redo this at 16:=
9<div>

<br></div><div style>the more I think about it, it does seem silly to slap =
it into a 2:1 PAR when it&#39;s HD content, so yeah squeezing down the 16:9=
 and not 2:1 is sounding right.</div><div style><br></div><div style>sound =
correct?</div>

<div style><br></div></div><div class=3D"gmail_extra"><br><br><div class=3D=
"gmail_quote">On Fri, Apr 19, 2013 at 12:53 PM, Robert Kjettrup <span dir=
=3D"ltr">&lt;<a href=3D"mailto:robert@stvmayday.dk" target=3D"_blank">rober=
t@stvmayday.dk</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div dir=3D"ltr"><div class=3D"im"><div clas=
s=3D"gmail_extra"><div class=3D"gmail_quote"><blockquote class=3D"gmail_quo=
te" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"=
>

<div dir=3D"ltr"><br>On an international spot and it&#39;s been a while sin=
ce I&#39;ve done this, but they want the HD master to be delivered as Full =
Height animorphic PAL. =A0must be some sort of broadcast standard in one of=
 the delivering countries.=A0<div>





<br></div><div>Soooo, the AE template for that is 1050x576</div><div><br></=
div><div>But I&#39;m assuming I take this and drop it into a regular pal co=
mp and then squeeze the sides to fit the frame, keeping the &quot;full heig=
ht&quot; and deliver it squeezed into this regular PAL format.</div>





<div><br></div><div>Is that correct or am I missing something?</div><div><b=
r></div><div>Thanks</div></div>
</blockquote></div><br></div></div><div class=3D"gmail_extra">Use the &quot=
;PAL D1/DV Widescreen&quot; comp preset and drop you HD format into this an=
d use &quot;Fit to Comp Height&quot; to make it fit, or just use &quot;Fit =
to Comp&quot; if you don&#39;t care for a bit stretched footage, i do this =
regularly just to avoid the small black pillarboxes in the sides</div>

<span class=3D"HOEnZb"><font color=3D"#888888">

<div class=3D"gmail_extra">=A0</div><div class=3D"gmail_extra">- Robert</di=
v><div class=3D"gmail_extra"><br></div></font></span></div>
</blockquote></div><br></div>

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