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From: Teddy Gage <teddygage@gmail.com>
Date: Wed, 1 May 2013 15:06:59 -0400
Message-ID: <CAPdXPWdwJoXxKZ8pwryz16=bFQ5JdasC8e-gPGJ=rcuK5rOwmw@mail.gmail.com>
Subject: Re: [AE] Workflow question - AE <-> Premiere
To: After Effects Mail List <AE-List@media-motion.tv>
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Good suggestions, thanks. The frustration level has more to do with how
poorly organized the project is and less to do with the workflow.


On Wed, May 1, 2013 at 2:20 PM, Rendernyc <rendernyc@gmail.com> wrote:

> If you want them to be linked I'd copy the footage to a new layer and then
> replace that with the ae comp. this way the orig edit still exists.
>
> If you just want to move to ae you can replace in premiere and then undo
> and you will have the timeline in ae. You can also just copy and paste the
> clips from prem to an ae comp and get the timeline as well in one swoop.
>
> Any way you choose none of them should be painstaking.
>
>
>
> On May 1, 2013, at 2:08 PM, Teddy Gage <teddygage@gmail.com> wrote:
>
> So I just got handed off a drive with an edit in premiere and maybe 30
> clips in the timeline that need to be keyed and color corrected. I'm going
> to do the "replace clip with AE comp" so the projects are linked for the
> editor. Supposedly it is picture locked with "possible minor edits to
> come". I've seen how "minor" some of those edits can be, so I'm a bit wary
> of assuming lock at this point.
>
> Now logistically, I can either select every clip that needs keying, and
> import the whole thing at once as a single AE comp running underneath the
> rest of the clips, or I can painstakingly create a new AE comp for all 30
> clips individually, inside a master project. If there is a massive edit
> this would make things a bit easier.
>
> I'm leaning towards importing the whole chunk of footage as a single comp,
> because then all the keying settings and color correct setting are in the
> same place. It's also much faster. Any reason I should go the other route?
> Or gotchas I should look out for?
> Thanks
> TG
>
> --
> Animator & Editor
> www.teddygage.com
> Brooklyn
>
>


-- 
Animator & Editor
www.teddygage.com
Brooklyn

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<div dir=3D"ltr">Good suggestions, thanks. The frustration level has more t=
o do with how poorly organized the project is and less to do with the workf=
low.</div><div class=3D"gmail_extra"><br><br><div class=3D"gmail_quote">On =
Wed, May 1, 2013 at 2:20 PM, Rendernyc <span dir=3D"ltr">&lt;<a href=3D"mai=
lto:rendernyc@gmail.com" target=3D"_blank">rendernyc@gmail.com</a>&gt;</spa=
n> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"><div dir=3D"auto"><div>If you want them to b=
e linked I&#39;d copy the footage to a new layer and then replace that with=
 the ae comp. this way the orig edit still exists.=A0</div>

<div><br></div><div>If you just want to move to ae you can replace in premi=
ere and then undo and you will have the timeline in ae. You can also just c=
opy and paste the clips from prem to an ae comp and get the timeline as wel=
l in one swoop.=A0</div>

<div><br></div><div>Any way you choose none of them should be painstaking.=
=A0</div><div><div class=3D"h5"><div><br></div><div><br></div><div><br>On M=
ay 1, 2013, at 2:08 PM, Teddy Gage &lt;<a href=3D"mailto:teddygage@gmail.co=
m" target=3D"_blank">teddygage@gmail.com</a>&gt; wrote:<br>

<br></div><blockquote type=3D"cite"><div><div dir=3D"ltr">So I just got han=
ded off a drive with an edit in premiere and maybe 30 clips in the timeline=
 that need to be keyed and color corrected. I&#39;m going to do the &quot;r=
eplace clip with AE comp&quot; so the projects are linked for the editor. S=
upposedly it is picture locked with &quot;possible minor edits to come&quot=
;. I&#39;ve seen how &quot;minor&quot; some of those edits can be, so I&#39=
;m a bit wary of assuming lock at this point.<div>



<br></div><div>Now logistically, I can either select every clip that needs =
keying, and import the whole thing at once as a single AE comp running unde=
rneath the rest of the clips, or I can painstakingly create a new AE comp f=
or all 30 clips individually, inside a master project. If there is a massiv=
e edit this would make things a bit easier.</div>



<div><br></div><div>I&#39;m leaning towards importing the whole chunk of fo=
otage as a single comp, because then all the keying settings and color corr=
ect setting are in the same place. It&#39;s also much faster. Any reason I =
should go the other route? Or gotchas I should look out for?</div>



<div>Thanks</div><div>TG<br clear=3D"all"><div><br></div>-- <br><span style=
>Animator &amp; Editor</span><br style><span style><a href=3D"http://www.te=
ddygage.com" target=3D"_blank">www.teddygage.com</a></span><br style>

<span style>Brooklyn</span><br>
</div></div>
</div></blockquote></div></div></div></blockquote></div><br><br clear=3D"al=
l"><div><br></div>-- <br><span style=3D"color:rgb(0,0,0)">Animator &amp; Ed=
itor</span><br style=3D"color:rgb(0,0,0)"><span style=3D"color:rgb(0,0,0)">=
<a href=3D"http://www.teddygage.com" target=3D"_blank">www.teddygage.com</a=
></span><br style=3D"color:rgb(0,0,0)">

<span style=3D"color:rgb(0,0,0)">Brooklyn</span><br>
</div>

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