4k runs over HDMI right? what graphics card do you have driving it? Do you have to use rec 709 color display management in AE?

On Mon, May 6, 2013 at 12:35 PM, Byron Nash <byronnash@gmail.com> wrote:

Only Stephen would add a 4k display to a desk with a 24" and 30" already on it. ;-)

...green with envy.

On Mon, May 6, 2013 at 12:30 PM, Robert Houghton <gfxguy74@gmail.com> wrote:

You could go the way of a traditional edit bay and have that large monitor mounted on the wall behind the desk. I think I would go blind with that much monitor that close to my eyes.

    -Rob

On 5/6/2013 7:47 AM, Stephen van Vuuren wrote:

Well, I got one of the cheap  ($1200) Chinese Seiki 50" UHD TVs - first unit
was bad. Little tricky to get it to work as a desktop monitor but
replacement is up and running. Let me just say, I think 4K, both as a
display and as a TV is underrated. I'm much more blown away then I expected
to be. Since much of what I work on is 4K and greater, it makes a dramatic
difference in evaluating frames and shots.

This link should be viewable for non-FB users:
https://www.facebook.com/photo.php?fbid=186471358172912&set=a.13547872327217
6.29929.135474616605920&type=1&theater

This photo is clipped but also surprisingly, color and contrast are decent,
actually pretty good for a cheap LCD (10-bit panel) and there is an
accessible service menu if you have color probes and skilled calibrator. But
even a pass with a WOW disk and blue filter gives decent results. Not a
grading monitor for critical client grades but not a piece of crap either.
Cost savings seem to come from basic Chinese TV build quality, crappy audio,
bare bones menus, no feature set beyond TV, tuner and standard inputs.

stephen van vuuren
336.202.4777

http://www.insaturnsrings.com/
http://www.sv2dcp.com/
http://www.sv2studios.com/

A film is - or should be - more like music than like fiction. It should be a
progression of moods and feelings. The theme, what's behind the emotion, the
meaning, all that comes later.
-Stanley Kubrick



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