Return-Path: Received: from mout.perfora.net ([74.208.4.194] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5096701 for AE-List@media-motion.tv; Wed, 05 Jun 2013 20:24:00 +0200 Received: from [10.1.1.208] (71-13-195-18.static.eucl.wi.charter.com [71.13.195.18]) by mrelay.perfora.net (node=mrus2) with ESMTP (Nemesis) id 0MFLxc-1UeqUZ0SNo-00EPEH; Wed, 05 Jun 2013 14:33:40 -0400 From: Steve Oakley Content-Type: multipart/alternative; boundary="Apple-Mail=_FE264164-A28F-4226-A58C-FF3EC2D4BED8" Message-Id: Mime-Version: 1.0 (Mac OS X Mail 6.5 \(1508\)) Subject: Re: [AE] green screen shooting tips Date: Wed, 5 Jun 2013 13:33:38 -0500 References: To: "After Effects Mail List" In-Reply-To: X-Mailer: Apple Mail (2.1508) X-Provags-ID: V02:K0:ryYtiMZQIqukamA6lWoMGNMunTfLsvDj8r9fkxoZ+TP s1WIO6i/bmsRPjUfLEQCBCu36lOdJC+FVdorqeokp3baWFTN4l lr7rC4e5/vVSoWIbxXwOcaV08+oSJpbh1kFXtgAOpJ02ieBZ0U zcJrsXCHqOOKGNYMkULbG3l0IwWFtWbOsz+L2F9/zSQa72TSGb n1QSMpes3swHF1qxCxs3/6gsuKGsrn6qENt0DYZHllDBoWUZQo UgtLkfnl7YzUksQUKmcAdQfdTIcZU6yAUQdOO9mfKX5Ov3sLj2 8YadWuOubgD1LSS3lnrQiLcjZCUjhiJWgHCG/8mCIcNnaU4+Vj JDgCCc49LJ/HXhhExxZaoEjPUOF8o58DuGuuGmVs12/amZhSSd vwfuwcNi8EVDA== --Apple-Mail=_FE264164-A28F-4226-A58C-FF3EC2D4BED8 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=windows-1252 shooting right is a given. I'm working on several green screen projects = right now and the last thing I have time to deal with is cleaning up = keying problems. so yes I got the light meter out and balanced light = levels out across the screen and interview spot.... and you don't have = to fly a shooter out. thats a real attitude I have to battle all the = time. there are local qualified DP's & crew, you have to know them :) S On Jun 5, 2013, at 1:21 PM, Brian Higgins = wrote: > I'd like to second what Tim said. You can either pay up front to = shoot greenscreen right and have it look good with a little post work, = or you can cheap out up front and spend a ton in post trying to save it = from looking horrible. If production screws up the shoot, making it look = "not horrible" is the best you can hope for. >=20 > -bH >=20 >=20 > On Wed, Jun 5, 2013 at 12:10 PM, wrote: > yeah - I alway think green screen cost about the same amount whether = you hire a pro-shooter or not - it's just where you want to spend the = money, on the shoot or in post. of course paying more for the shoot may = improve the overall look easier than than getting "good enough" in post. = but all this seem fairly obvious, green screen shooting is becoming the = desktop publishing revolution - I mean if you've got a camera and a = green surface, viola. >=20 > and thanks Todd for the helpful answers I'll have to pass those off to = our post manager - he's always looking for info to pass on to our = directors/DPs. >=20 > tt --Apple-Mail=_FE264164-A28F-4226-A58C-FF3EC2D4BED8 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=windows-1252 higgins@soldesignfx.com> = wrote:
I'd like to second what Tim said. =  You can either pay up front to shoot greenscreen right and have it = look good with a little post work, or you can cheap out up front and = spend a ton in post trying to save it from looking horrible. If = production screws up the shoot, making it look "not horrible" is the = best you can hope for.

-bH


On Wed, Jun 5, = 2013 at 12:10 PM, <pixelbot@comcast.net> wrote:
yeah - I alway = think green screen cost about the same amount whether you hire a = pro-shooter or not - it's just where you want to spend the money, on the = shoot or in post. of course paying more for the shoot may improve the = overall look easier than than getting "good enough" in post. but all = this seem fairly obvious, green screen shooting is becoming the desktop = publishing revolution - I mean if you've got a camera and a green = surface, viola.

and thanks Todd for the helpful answers I'll have to pass = those off to our post manager - he's always looking for info to pass on = to our = directors/DPs.

tt
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