Return-Path: Received: from mail-ie0-f178.google.com ([209.85.223.178] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5096709 for AE-List@media-motion.tv; Wed, 05 Jun 2013 20:35:49 +0200 Received: by mail-ie0-f178.google.com with SMTP id at1so693207iec.9 for ; Wed, 05 Jun 2013 11:45:30 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:from:date:message-id:subject:to :content-type; bh=B3XQ/KLGwxlWHWld1IqIgRHtG7ezciHnzixHSYgddH8=; b=NQ3eA4+CeWmSdsiFNq7R1yj8+Zyvmiz5BNWXr6fmCbKU3LgFV9dc9nPK1fkYdVOxeO fbJ3L0Ea0zpZpvWLe0bgWCrYT4/iQrhbeJTnO2K0kUmK6LpHFlqh/6zj+LDOY8GbqAbZ 6HZ8/5P7yWxiGsvHZ+VzboyFX08OkGofzFKcstIRW+IcHsl1ZwFtpkdGq4A1N4ryV/NY EtOvm+ItpzxMPdxjS+TquWlb5oS6dw2PIt8arjvK5YYYPbCektPwGyvAsnB3bGCwHmG/ ajdBBCFFFpWu4q+O0r5YZFkgaNlF9zyiMrf4s8r1yHuR8/DfyutR0k99/9BCqYbrlHOx lk7w== X-Received: by 10.50.141.161 with SMTP id rp1mr3910342igb.11.1370457930060; Wed, 05 Jun 2013 11:45:30 -0700 (PDT) MIME-Version: 1.0 Received: by 10.50.155.229 with HTTP; Wed, 5 Jun 2013 11:45:10 -0700 (PDT) In-Reply-To: References: From: "Mr. Eric D. Kirk" Date: Wed, 5 Jun 2013 14:45:10 -0400 Message-ID: Subject: Re: [AE] green screen shooting tips To: After Effects Mail List Content-Type: multipart/alternative; boundary=089e013cbdca1a295104de6c9a1b --089e013cbdca1a295104de6c9a1b Content-Type: text/plain; charset=windows-1252 Content-Transfer-Encoding: quoted-printable That is great. I had heard about the 90 degree tilt a couple years back and that is fantastic! If it doesn't make sense, basically it gives you more real estate and is going to pretty much always be scaled down providing an exceptional key. I actually used that in the center of this clip with the young girl. This was just an unfinished tilt/shift Campbells Soup thing that went unfinished= . The girl was shot on green screen, comped in to a still image of a house. https://www.youtube.com/watch?v=3DMB51XUSaDXk Eric On Wed, Jun 5, 2013 at 12:20 PM, Todd Kopriva wrote: > Jonas Hummelstrand has an excellent resource on his site:**** > > http://generalspecialist.com/greenscreen-and-bluescreen-checklist/**** > > ** ** > > That resource and some other good ones are linked to from the =93Shooting > and acquiring footage for keying=94 section of After Effects Help:**** > > http://adobe.ly/RNe3pz**** > > ** ** > > ** ** > > Can anybody suggest a link that has the most authoritative, comprehensive > tip sheet for green screen shooting that I can send to this particular > client the next time they consider doing it? > > **** > > ** ** > --=20 *Eric D. Kirk | **Kirk Productions* *The Night Visitor | VFX* *443.206.1347 www.kirkproductions.com kirkproductions@gmail.com* *IMDB: http://www.imdb.com/name/nm3351363/* * * --089e013cbdca1a295104de6c9a1b Content-Type: text/html; charset=windows-1252 Content-Transfer-Encoding: quoted-printable
That is great.=A0 I had heard about the 90 degree tilt a couple years = back and that is fantastic!=A0 If it doesn't make sense, basically it g= ives you more real estate and is going to pretty much always be scaled down= providing an exceptional key.
=A0
I actually used that in the center of this clip with the= young girl.=A0 This was just an unfinished tilt/shift Campbells Soup thing= that went unfinished.
=A0
The girl was shot on green s= creen, comped in to a still image of a house.
=A0
=A0
=A0
=A0Eric
=A0


=A0
On Wed, Jun 5, 2013 at 12:20 PM, Todd Kopriva <<= a href=3D"mailto:kopriva@adobe.com" target=3D"_blank">kopriva@adobe.com= > wrote:

Jonas Hummelstrand has an excellent res= ource on his site:

http://generalspecialist.com/g= reenscreen-and-bluescreen-checklist/

=A0

That resource and some other go= od ones are linked to from the =93Shooting and acquiring footage for keying= =94 section of After Effects Help:

= http://adobe.ly/RNe3pz

=A0

=A0

Can anybody suggest a link that has the most authoritative, comprehensive t= ip sheet for green screen shooting that I can send to this particular clien= t the next time they consider doing it?

=A0




--
Eric = D. Kirk |=A0Kirk Productions
The Night Visitor | VF= X
=A0
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