Return-Path: Received: from mail-qc0-f173.google.com ([209.85.216.173] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5113856 for AE-List@media-motion.tv; Thu, 20 Jun 2013 16:54:28 +0200 Received: by mail-qc0-f173.google.com with SMTP id l10so3733833qcy.4 for ; Thu, 20 Jun 2013 08:04:38 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:from:date:message-id:subject:to :content-type; bh=yKKply2dV0s63033hKE3LlabVSlC9991ATLtiyqYv04=; b=UCmYvqwIOVF0MDFOztY1eNX/nQT7L3tuqG3mKGfqSvP4Zb8YLhVMAnaRuQJAz9xcnU eaBlNqMqJTl9Nrzav6foBzM38ue17awcPrVjSiVzYBECsIwA5/CI40rfW8kiebgn74PQ xTdaDd3j9mSfEJ1pEUkTjWmik1SEHV+1awK3lN3rXLnHiqvrN/yBS++hq/Gk7UcGWzF9 w2VtNKIYq0Bn6L05sJYwl8VvozBBLhFF04Gq7lfrj6GyiDNGWwtUAu/lqu7iyof1I1k0 OZYZawH9/IYBHa59dcV+7RJxr5yp1R2IezoJOlMhJuntKkoHIQlrogrB3/A60pHlNMy4 c3FQ== X-Received: by 10.224.164.205 with SMTP id f13mr9230480qay.16.1371740678127; Thu, 20 Jun 2013 08:04:38 -0700 (PDT) MIME-Version: 1.0 Received: by 10.49.35.164 with HTTP; Thu, 20 Jun 2013 08:03:57 -0700 (PDT) In-Reply-To: References: From: Teddy Gage Date: Thu, 20 Jun 2013 11:03:57 -0400 Message-ID: Subject: Re: [AE] Keying technique To: After Effects Mail List Content-Type: multipart/alternative; boundary=089e0158bac2d8228a04df9743a6 --089e0158bac2d8228a04df9743a6 Content-Type: text/plain; charset=windows-1252 Content-Transfer-Encoding: quoted-printable Lachlan, have you turned on Refine matte in the rotobrush options and played with the settings? Even in CS6, refine matte's motion blur compensation and edge decontamination is very good with some smoothing and feathering. It has saved many "impossible" shots for me. On Wed, Jun 19, 2013 at 10:04 PM, Lachlan Westfall wrote: > I=92m certain someone has had a more challenging roto job than the one o= n > which I=92m working... But not by much. > > Four people waving their hands/arms... And often across their own > faces/bodies etc... Need I say more... > > Thankfully Rotobrush has done a GREAT job on the simple-medium stuff. Thi= s > has saved me hours, if not days. > > The last challenge that I have is the hair of a girl in the wind. I canno= t > hand-roto this, I have to find a way to make some kind of matte to catch > the edges. > > The hair goes from brown to blonde and the background is predominantly > gray/neutral. This is the only hope I have of finding some difference > between the fore- and back-grounds. > > Can anyone suggest a technique and combo of plug-ins? I=92m sure many of = you > here have fought this battle before. > > Many thanks. > > -Lachlan Westfall > Quiet Earth Design > > --=20 Animator & Editor www.teddygage.com Brooklyn --089e0158bac2d8228a04df9743a6 Content-Type: text/html; charset=windows-1252 Content-Transfer-Encoding: quoted-printable
Lachlan, have you turned on Refine matte in the rotobrush = options and played with the settings? Even in CS6, refine matte's motio= n blur compensation and edge decontamination is very good with some smoothi= ng and feathering. It has saved many "impossible" shots for me.= =A0


On Wed, Jun 1= 9, 2013 at 10:04 PM, Lachlan Westfall <lachlan@quietearth.net>= wrote:
I=92m certain someone has had a more challenging roto job tha= n the one on which I=92m working... But not by much.

Four people waving their hands/arms... And often across their own faces/bod= ies etc... Need I say more...

Thankfully Rotobrush has done a GREAT job on the simple-medium stuff. This = has saved me hours, if not days.

The last challenge that I have is the hair of a girl in the wind. I cannot = hand-roto this, I have to find a way to make some kind of matte to catch th= e edges.

The hair goes from brown to blonde and the background is predominantly gray= /neutral. This is the only hope I have of finding some difference between t= he fore- and back-grounds.

Can anyone suggest a technique and combo of plug-ins? I=92m sure many of yo= u here have fought this battle before.

Many thanks.

-Lachlan Westfall
Quiet Earth Design




--
Animator & Editor
www.teddygage.com
Brooklyn
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