Return-Path: Received: from mail-qe0-f47.google.com ([209.85.128.47] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5129004 for AE-List@media-motion.tv; Tue, 02 Jul 2013 16:55:15 +0200 Received: by mail-qe0-f47.google.com with SMTP id 1so2416507qec.20 for ; Tue, 02 Jul 2013 08:05:47 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; bh=0eyuqCqv8E6ulbSXjT+ScbDyQu89qV8NaghV9MzJQY4=; b=gq2JsdQ7uL0Yw/WgLWVT7ZBRvlJhZw6D0A4vIx2MIZz5irbjO8jkcSa2IShnOUz0Za JPd+aGuabjNmWBdDcLZe2GIL08LA8TUiVrAiLk4Xcs3DtLZEjmmTQGr8gAfV0mwbgfJB 1dNRYweLJwViw1cllSUkdSIfvHK2ghwLCnGQY2RIwGXjPmWaDfWEKvgze3Z9OrvXZltU Jpj8s6FpZS6vYfIhLRsmS7OYPcDT/aFV+djMsyitO5uTFacf7BrB05i5rLKTfvp9RWze Lalt2HzDylu3e18yo3iwJ31mirn3rWy4qK3fEQ8LtabMtOgS9R5uwoskmK8gz5OUzY3k SpeA== MIME-Version: 1.0 X-Received: by 10.49.130.8 with SMTP id oa8mr38876082qeb.87.1372777547536; Tue, 02 Jul 2013 08:05:47 -0700 (PDT) Received: by 10.229.192.199 with HTTP; Tue, 2 Jul 2013 08:05:47 -0700 (PDT) In-Reply-To: References: Date: Tue, 2 Jul 2013 11:05:47 -0400 Message-ID: Subject: Re: [AE] Vivid - Sydney From: Greg Balint To: After Effects Mail List Content-Type: multipart/alternative; boundary=047d7b873a0a139f3404e088ae1e --047d7b873a0a139f3404e088ae1e Content-Type: text/plain; charset=ISO-8859-1 Really awesome walk-through, Chris. Just finished watching it. It was really cool to see how you tackled each section differently, and learned from previous work how to attack this from a 2 step process, allowing you to focus on timing and colors, etc. then let the computer do the hard work for all of the lights looking separate. There are so many ways to attack this sort of project, and your detailed explanations and reasoning really shows how it can split off in different directions to complete each task. Thanks a ton for doing this, and I can't wait to see part 2. On Tue, Jul 2, 2013 at 9:53 AM, Michael Powers wrote: > Thnx. Can't wait to watch it. > > -----Original Message----- > From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf > Of Chris Zwar > Sent: Tuesday, July 02, 2013 9:31 AM > To: After Effects Mail List > Subject: Re: [AE] Vivid - Sydney > > Hi all, > > For those of you who enjoyed the projections on the Sydney Opera House > that I linked to a month ago, I have just posted a comprehensive video > tutorial on how my section was done: > > http://provideocoalition.com/czwar/story/vegas-visits-vivid-part-1 > > I have tried to concentrate on workflow and give as much insight as > possible into the overall production process. > (my section involved animating neon-style lights in the style of Vegas) > > Enjoy! > > > -Chris > > On 25/05/2013, at 5:18 PM, Chris Zwar wrote: > > > Hi all, > > > > Just wanted to share the latest project I've been working on, for the > "Vivid" festival in Sydney. The centrepiece of the festival is a looping > building projection on the iconic Sydney Opera House. This year the Sydney > company Spinifex were awarded the Opera House gig and I was lucky enough to > be one of the team. > > The 14 minute animation went live yesterday and can be seen here: > > > > http://www.youtube.com/watch?v=O83JmkifJSQ > > > > Hope you enjoy and if you're in Sydney you should check out the festival! > > > > > > -Chris > > > > > > +---End of message---+ > > To unsubscribe send any message to > > > > > +---End of message---+ > To unsubscribe send any message to > > +---End of message---+ > To unsubscribe send any message to > --047d7b873a0a139f3404e088ae1e Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable
Really awesome walk-through, Chris. =A0Just finished watch= ing it.

It was really cool to see how you tackled each s= ection differently, and learned from previous work how to attack this from = a 2 step process, allowing you to focus on timing and colors, etc. then let= the computer do the hard work for all of the lights looking separate. =A0<= /div>

There are so many ways to attack this sort of project, = and your detailed explanations and reasoning really shows how it can split = off in different directions to complete each task.

Thanks a ton for doing this, and I can't wait to see part 2.
=




On Tue, Jul 2, 2013 at 9:53 AM, Michael Powers <MP= owers@cramer.com> wrote:
Thnx. Can't wait to watch it.

-----Original Message-----
From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Chris Zwar
Sent: Tuesday, July 02, 2013 9:31 AM
To: After Effects Mail List
Subject: Re: [AE] Vivid - Sydney

Hi all,

For those of you who enjoyed the projections on the Sydney Opera House that= I linked to a month ago, I have just posted a comprehensive video tutorial= on how my section was done:

http://provideocoalition.com/czwar/story/vegas-visits= -vivid-part-1

I have tried to concentrate on workflow and give as much insight as possibl= e into the overall production process.
(my section involved animating neon-style lights in the style of Vegas)

Enjoy!


-Chris

On 25/05/2013, at 5:18 PM, Chris Zwar <chris@chriszwar.com> wrote:

> Hi all,
>
> Just wanted to share the latest project I've been working on, for = the "Vivid" festival in Sydney. =A0The centrepiece of the festiva= l is a looping building projection on the iconic Sydney Opera House. =A0Thi= s year the Sydney company Spinifex were awarded the Opera House gig and I w= as lucky enough to be one of the team.
> The 14 minute animation went live yesterday and can be seen here:
>
> http://www.youtube.com/watch?v=3DO83JmkifJSQ
>
> Hope you enjoy and if you're in Sydney you should check out the fe= stival!
>
>
> -Chris
>
>
> +---End of message---+
> To unsubscribe send any message to <ae-list-off@media-motion.tv>
>


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