Return-Path: Received: from mail-ie0-f173.google.com ([209.85.223.173] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5129264 for AE-List@media-motion.tv; Tue, 02 Jul 2013 20:37:11 +0200 Received: by mail-ie0-f173.google.com with SMTP id k13so13134573iea.18 for ; Tue, 02 Jul 2013 11:47:44 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; bh=x2R8QNJXwoS9EerOvjU58JRCgvGdWru+cHtICj1LvuQ=; b=ZfmSZSxqh5zG19J3Z6QClnUtMt94FNd1hvOBgYvtIQUfG6Q9mefCauT0GcHNtiNOe2 azccFhhhvK2mDGIOZqKSeDW6Q34UQ9Gt/PMYkxuHdAzUGepviRQ4NqdS6IyCngZwVoxL idUAGQROMP5rN//+r6yX4r0wz1ZjpfG1a6D0f6J7ItzauU8GmbhZNU2Zpy6PUGNC47u2 0UUFc3vBfQASQVQP0GIKzI/5jajaTY1KFHPLwsF59RPCDG2dNegNkw4ni2xNKFTNKx2W DbuyhFjQairrPGmoJzqEurPq/GxsSwJWXqS/oOEx+H9qYuLnc6jcKZe1p+mzy9OLIQFY 90XA== MIME-Version: 1.0 X-Received: by 10.50.112.4 with SMTP id im4mr22756502igb.1.1372790864654; Tue, 02 Jul 2013 11:47:44 -0700 (PDT) Received: by 10.42.238.73 with HTTP; Tue, 2 Jul 2013 11:47:44 -0700 (PDT) In-Reply-To: References: Date: Tue, 2 Jul 2013 11:47:44 -0700 Message-ID: Subject: Re: [AE] Vivid - Sydney From: Todd Kopriva To: After Effects Mail List Content-Type: multipart/alternative; boundary=047d7b2e4320d6bbd604e08bc7f6 --047d7b2e4320d6bbd604e08bc7f6 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: quoted-printable What I like best about Chris's videos and articles is that he talks about the important preparatory work, the planning to make things that can be handed off, and all of the other things outside of which buttons to press in the software. Thanks for another excellent piece, Chris. On Tuesday, July 2, 2013, Greg Balint wrote: > Really awesome walk-through, Chris. Just finished watching it. > > It was really cool to see how you tackled each section differently, and > learned from previous work how to attack this from a 2 step process, > allowing you to focus on timing and colors, etc. then let the computer do > the hard work for all of the lights looking separate. > > There are so many ways to attack this sort of project, and your detailed > explanations and reasoning really shows how it can split off in different > directions to complete each task. > >> >> --=20 -------------------------------- Todd Kopriva 1510 E Alder St Seattle, WA 98122 (206)437-2296 -------------------------------- "Mobility is more important than motion." - Gy=C3=B6rgy Seb=C5=91k --047d7b2e4320d6bbd604e08bc7f6 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable What I like best about Chris's videos and articles is that he talks abo= ut the important=C2=A0preparatory work, the planning to make things that ca= n be handed off, and all of the other things outside of which buttons to pr= ess in the software.

Thanks for another excellent piece, Chris.

On Tuesday= , July 2, 2013, Greg Balint wrote:

Really awesome walk-through, Chris. =C2=A0Just finished watching it.
It was really cool to see how you tackled each section differe= ntly, and learned from previous work how to attack this from a 2 step proce= ss, allowing you to focus on timing and colors, etc. then let the computer = do the hard work for all of the lights looking separate. =C2=A0

There are so many ways to attack this sort of project, = and your detailed explanations and reasoning really shows how it can split = off in different directions to complete each task.

=

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Todd = Kopriva
1510 E Alder St
Seattle, WA 98122
(206)437-2296
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"Mobility is more important than motion.&= quot;
=C2=A0=C2=A0 - Gy=C3=B6rgy Seb=C5=91k
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