Thanks Teddy, I have the AVid DNXHD I think it is? I haven't tried it in a while so I will run that one and see what we have. I wasn't too much concerned about the different monitors so much. I mean, if I am able to render 1 frame still that the guy likes and then I render the full video, I would think then that he will like all of the frames. lol
So, one monitor or another, if he is pleased on the monitor that he IS using, I just want to keep that kind of consistency. I'm sure half the time he is looking at the stills on his iPhone or Mac book or something. lol
I use a PC. Since you mentioned the mp4, what codec are you referring to for mp4 over h264? The reason I am asking is because I've been rendering sample videos using the H264 codec outputting an mp4. You are implying I can use something else and output also to mp4. I've been through a ton of varying codecs so always looking for improvement.
Thanks, Eric
On Tue, Jul 9, 2013 at 1:41 PM, Teddy Gage <teddygage@gmail.com> wrote:
try out the free avid dnx codec package, it includes a 4444 lossless codec that has worked well for me in the past
like Steve said though, unless you have a $5,000 monitor and a $3,000 calibrator for every monitor good luck ever achieving this.
at a minimum you'd need a quadro that supports 10bit color output and a monitor that supports it and the codec is going to do all kinds of hell, not to mention codec -> vimeo servers compression (they do their own compression server-side) it will be nearly impossible to maintain that exact color. I do seem to think mp4 has better color support than h264 but the temporal compression is pretty bad, so it's a trade-off
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Eric D. Kirk | Kirk Productions The Night Visitor | VFX
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