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| well, could it just be simply the mac-pc gamma differences?
Thanks James. I'm on a PC. I have the cinepac thing to convert to prores though. Eric
On Tue, Jul 9, 2013 at 1:46 PM, James Culbertson <albion@speakeasy.net> wrote:
I've had good luck with ProRes to x264 through Episode Pro when played back on my own system. But the minute you send it anywhere else forget about it.
James
On Jul 9, 2013, at 10:41 AM, Teddy Gage wrote: try out the free avid dnx codec package, it includes a 4444 lossless codec that has worked well for me in the past
like Steve said though, unless you have a $5,000 monitor and a $3,000 calibrator for every monitor good luck ever achieving this.
at a minimum you'd need a quadro that supports 10bit color output and a monitor that supports it and the codec is going to do all kinds of hell, not to mention codec -> vimeo servers compression (they do their own compression server-side) it will be nearly impossible to maintain that exact color. I do seem to think mp4 has better color support than h264 but the temporal compression is pretty bad, so it's a trade-off
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Eric D. Kirk | Kirk Productions The Night Visitor | VFX
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