Return-Path: Received: from mail-ie0-f179.google.com ([209.85.223.179] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5136713 for AE-List@media-motion.tv; Wed, 10 Jul 2013 20:34:33 +0200 Received: by mail-ie0-f179.google.com with SMTP id c10so16161044ieb.38 for ; Wed, 10 Jul 2013 11:45:17 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:from:date:message-id:subject:to :content-type; bh=cW7NduyVo80OGjc3kjimnrUUNTEGqcri1yF3nQqZnsQ=; b=galogwi2BdzKVXb150LQFIXJXiFiArOQCeRDLJNXSCp6TlD3gEKevVJecGoH9FYYui Qc2IMA79Ow9LFo2zvhy8l0GXQ6sZyTrnciWR+9Vc/5D9cWDlKanovp8/mcSNv73NZ0jp 15BsXh+55+9v9TIAh+xr4+XVYfX4yItoKlkr0si/s/hmUQk6Nysyb/gMU/k8KbImhlFR gyFOVJcQFTptU5Z0l7vfnuacZWeOldFHxQzuc97BlS0ziO1e31zmEs+0G9h49Zo2MB3g Tic7YwHg3bACvoAzzHdNbFrr2gZ0f+JSVMTdkRgw8OOtAIbz4x2MsPt1erLpyzGOVeaL xteA== X-Received: by 10.42.33.129 with SMTP id i1mr10294451icd.95.1373481917568; Wed, 10 Jul 2013 11:45:17 -0700 (PDT) MIME-Version: 1.0 Received: by 10.50.5.201 with HTTP; Wed, 10 Jul 2013 11:44:57 -0700 (PDT) In-Reply-To: References: From: "Mr. Eric D. Kirk" Date: Wed, 10 Jul 2013 14:44:57 -0400 Message-ID: Subject: Re: [AE] Best Render Settings for Color Match To: After Effects Mail List Content-Type: multipart/alternative; boundary=bcaec51018f7cd614f04e12cadde --bcaec51018f7cd614f04e12cadde Content-Type: text/plain; charset=ISO-8859-1 Jayse, Excellent information. Thanks! Where exactly do I go for these Bridge settings? Eric On Wed, Jul 10, 2013 at 2:35 PM, Jayse Hansen wrote: > 'Fool's errand' is kinda right - color is a mess still. > > But there's a few things you can do. > > Keep it as simple as possible - make sure your apps are set to be all the > same via Bridge - choose edit/creative suite color settings. I use north > american web/internet. This is sRGB - which if you keep everything in this > mode - it's kinda no muss no fuss. > > In ae - if you're rendering out h264/ or Prores etc. (mp4/mov) I've found > you'll experience awful gamma/saturation shifts unless you go to project > settings - enable working space set to srgb and check 'Match Legacy AE > Quicktime Gamma Adjustments". Then your renders should match your comp view > pretty dang close. > > Pretty much everything you use will assume sRGB so I've found it's good to > just keep everything in that mode. > > Hope that helps! > > // jayse > > > > > > > -------------------------------- > Jayse Hansen > Fancy Fake UI design for Film > www.jayse.tv > jayse@jayse.tv > 702-321-3449 > > > > On Tue, Jul 9, 2013 at 1:08 PM, Mr. Eric D. Kirk < > kirkproductions@gmail.com> wrote: > >> The gamma differences, I'm sure can play a part but if I get a still that >> suits him, then gamma is no longer a player. So, whatever it looks like on >> his end should still look that way whether I render 1 frame or 4000. I >> mean if I rendered a white frame and sent to him and he saw black but was >> happy with black, then every white frame I send, should be black to him. >> lol If that makes any sense. :) >> >> So, I'm just trying to ensure that the single frame example reflects the >> rest. And just to further clarify, I am also seeing the difference myself >> between a still and a video that I render. >> >> I rendered a still that had the perfect greenish hue that he wanted then >> I rendered full video and the greens were several notches up. >> >> But I will fiddle with it more tonight and see if the DNX codec helps or >> maybe I go to the extreme and try and press the greens to a lesser degree >> so that it looks good on render. >> >> Eric >> >> >> >> >> On Tue, Jul 9, 2013 at 1:58 PM, rik bogusz wrote: >> >>> well, could it just be simply the mac-pc gamma differences? >>> >>> >>> On Jul 9, 2013, at 10:56 AM, "Mr. Eric D. Kirk" < >>> kirkproductions@gmail.com> wrote: >>> >>> Thanks James. I'm on a PC. >>> >>> I have the cinepac thing to convert to prores though. >>> >>> Eric >>> >>> On Tue, Jul 9, 2013 at 1:46 PM, James Culbertson wrote: >>> >>>> I've had good luck with ProRes to x264 through Episode Pro when played >>>> back on my own system. But the minute you send it anywhere else forget >>>> about it. >>>> >>>> James >>>> >>>> >>>> On Jul 9, 2013, at 10:41 AM, Teddy Gage wrote: >>>> >>>> try out the free avid dnx codec package, it includes a 4444 lossless >>>> codec that has worked well for me in the past >>>> >>>> like Steve said though, unless you have a $5,000 monitor and a $3,000 >>>> calibrator for every monitor good luck ever achieving this. >>>> >>>> at a minimum you'd need a quadro that supports 10bit color output and a >>>> monitor that supports it >>>> >>>> and the codec is going to do all kinds of hell, not to mention codec -> >>>> vimeo servers compression (they do their own compression server-side) it >>>> will be nearly impossible to maintain that exact color. I do seem to think >>>> mp4 has better color support than h264 but the temporal compression is >>>> pretty bad, so it's a trade-off >>>> >>>> >>>> On Mon, Jul 8, 2013 at 9:03 PM, Mr. Eric D. Kirk < >>>> kirkproductions@gmail.com> wrote: >>>> >>>>> Hello All, >>>>> >>>>> I'm working a project where the person has an eye for color like you >>>>> wouldn't believe and any slight change in color after render is presenting >>>>> a problem for me. >>>>> >>>>> What are the best AE render settings to maintain color from my AE CS6 >>>>> project? I'm spending an enormous amount of time rendering so I need this >>>>> to work right. >>>>> >>>>> In one shot, my greens seem to have jumped up a few notches in the >>>>> rendered file. >>>>> >>>>> And just some additional info. The plan is to render out the files >>>>> from AE, then take in to Adobe Premiere to render out an HD file suitable >>>>> for Vimeo. >>>>> >>>>> Appreciate it. >>>>> >>>>> Eric >>>>> >>>>> *Eric D. Kirk | **Kirk Productions* >>>>> *The Night Visitor | VFX* >>>>> *443.206.1347 >>>>> www.kirkproductions.com >>>>> kirkproductions@gmail.com* >>>>> *IMDB: http://www.imdb.com/name/nm3351363/* >>>>> >>>> >>>> >>>> >>>> -- >>>> Animator & Editor >>>> www.teddygage.com >>>> Brooklyn >>>> >>>> >>>> >>> >>> >>> -- >>> *Eric D. Kirk | **Kirk Productions* >>> *The Night Visitor | VFX* >>> *443.206.1347 >>> www.kirkproductions.com >>> kirkproductions@gmail.com* >>> *IMDB: http://www.imdb.com/name/nm3351363/* >>> * * >>> >>> >>> >> >> >> -- >> *Eric D. Kirk | **Kirk Productions* >> *The Night Visitor | VFX* >> *443.206.1347 >> www.kirkproductions.com >> kirkproductions@gmail.com* >> *IMDB: http://www.imdb.com/name/nm3351363/* >> * * >> > > -- *Eric D. Kirk | **Kirk Productions* *The Night Visitor | VFX* *443.206.1347 www.kirkproductions.com kirkproductions@gmail.com* *IMDB: http://www.imdb.com/name/nm3351363/* * * --bcaec51018f7cd614f04e12cadde Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable
Jayse,
=A0
Excellent information.=A0 Thanks!=A0
=A0
Where exactly do I go for these Bridge settings?
=A0
Eric

On Wed, J= ul 10, 2013 at 2:35 PM, Jayse Hansen <mographer@gmail.com>= wrote:
'Fool's errand' is kinda righ= t - color is a mess still.=A0

But there's a few things you can do.

Keep it as simple as possible - make sure your apps are set to be all= the same via Bridge - choose edit/creative suite color settings. I use nor= th american web/internet. This is sRGB - which if you keep everything in th= is mode - it's kinda no muss no fuss.

In ae - if you're rendering out h264/ or Prores etc. (mp= 4/mov) I've found you'll experience awful gamma/saturation shifts u= nless you go to project settings - enable working space set to srgb and che= ck 'Match Legacy AE Quicktime Gamma Adjustments". Then your render= s should match your comp view pretty dang close.=A0

Pretty much everything you use will assume sRGB so I= 9;ve found it's good to just keep everything in that mode.=A0

Hope that helps!

// jayse

=A0




--------------------------------
Jayse Hansen
Fancy Fake UI design for Film
jayse@jayse.tv



On Tue, Jul 9, 2013 at 1:08 PM, Mr. Eric= D. Kirk <kirkproductions@gmail.com> wrote:
The gamma differences, I'm sure can=A0play a part but if I get a s= till that suits him, then gamma is no longer a player. So, whatever it look= s like on his end should still look that way whether I render 1 frame or 40= 00.=A0 I mean if I rendered a=A0white frame and sent to him and he saw blac= k but was happy with black, then every white frame I send, should be black = to him. lol=A0 If that makes any sense. :)
=A0
So, I'm just trying to ensure that the single frame = example reflects the rest.=A0 And just to further clarify, I am also seeing= the difference myself between a still and a video that I render.
=A0
I rendered a still that had the perfect greenish hue that he = wanted then I rendered full video and the greens were several notches up.
=A0
But I will fiddle with it more tonight and see if th= e DNX codec helps or maybe I go to the extreme and try and press the greens= to a lesser degree so that it looks good on render.
=A0
Eric
=A0


=A0
On Tue, Jul 9, 2013 at 1:58 PM, rik bog= usz <rik.gaijin@mac.com> wrote:
well, could= it just be simply the mac-pc gamma differences?


On Jul 9, 2013, at 10:56 AM, &= quot;Mr. Eric D. Kirk" <kirkproductions@gmail.com> wrote:

Thanks James.=A0 I'm on a PC.
=A0
I have the c= inepac thing to convert to prores though.

Eric

<= div class=3D"gmail_quote">On Tue, Jul 9, 2013 at 1:46 PM, James Culbertson = <albion@speakeasy.net> wrote:
I've had good= luck with ProRes to x264 through Episode Pro when played back on my own sy= stem. But the minute you send it anywhere else forget about it.

James


On Jul 9, 2013,= at 10:41 AM, Teddy Gage wrote:

try out the free avid dnx codec package, it include= s a 4444 lossless codec that has worked well for me in the past

like Steve said though, unless you have a $5,000 monitor and a $3= ,000 calibrator for every monitor good luck ever achieving this.

at a minimum you'd need a quadro that supports 10bit color ou= tput and a monitor that supports it

and the codec is going to = do all kinds of hell, not to mention codec -> vimeo servers compression = (they do their own compression server-side) it will be nearly impossible to= maintain that exact color. I do seem to think mp4 has better color support= than h264 but the temporal compression is pretty bad, so it's a trade-= off


On Mon,= Jul 8, 2013 at 9:03 PM, Mr. Eric D. Kirk <kirkproductions@gmail.c= om> wrote:
Hello All,

I'm working a project where the person has an eye f= or color like you wouldn't believe and any slight change in color after= render is presenting a problem for me.

What are t= he best AE render settings to maintain color from my AE CS6 project? =A0I&#= 39;m spending an enormous amount of time rendering so I need this to work r= ight.

In one shot, my greens seem to have jumped up a few not= ches in the rendered file. =A0

And just some addit= ional info. =A0The plan is to render out the files from AE, then take in to= Adobe Premiere to render out an HD file suitable for Vimeo.

Appreciate it.

Eric

Eric D. Kirk |=A0Kirk Productions
The Night Vi= sitor | VFX



--
Animator & Editor
= www.teddygage= .com
Brooklyn

<= /span>



--
= Eric D. Kirk |=A0Kirk Productions
The Night Visitor | VFX
=A0

<= /div>



--
Eric D. Kirk |=A0Kirk Productions
<= b>The Night Visitor | VFX
=A0




--
Eric D. Kirk |= =A0Kirk Productions
The Night Visitor | VFX
=A0
--bcaec51018f7cd614f04e12cadde--