Return-Path: Received: from mout.perfora.net ([74.208.4.194] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5155439 for AE-List@media-motion.tv; Thu, 25 Jul 2013 19:01:08 +0200 Received: from [10.1.1.207] (71-13-195-18.static.eucl.wi.charter.com [71.13.195.18]) by mrelay.perfora.net (node=mrus4) with ESMTP (Nemesis) id 0M5uD3-1U9B061QlN-00yGV1; Thu, 25 Jul 2013 13:12:21 -0400 From: Steve Oakley Content-Type: multipart/alternative; boundary="Apple-Mail=_EA61A1C5-80D6-4D92-AA22-51CB0779C22D" Message-Id: <9828678C-CEB5-42CF-8007-1AF2B4B613C1@practicali.com> Mime-Version: 1.0 (Mac OS X Mail 6.5 \(1508\)) Subject: Re: [AE] OT: Kona 3 RGB Colorspace Date: Thu, 25 Jul 2013 12:12:19 -0500 References: To: "After Effects Mail List" , In-Reply-To: X-Mailer: Apple Mail (2.1508) X-Provags-ID: V02:K0:Xk85oN83TWgNj8Q4tqii89L4PLPhabNCFdAB/lUj1ow zwxHkHBNhOKeroKk2qOzG7l2woS1ygTEzH6maaZc88EsQ9Ygyq y1aZNTMYBQnMULX/I7ib0RrtgWrXA6moMlS5wDtTED72ClZN4Y 1ZC+HqEZGE1QWjICIOilTWedjcYxBM1Ed2/q0UeQ+jqEis4wBv k1XFvRfHia0wNgy0ErSFX2JrEuuSZrwiWaZr57JjC56xukmG8P FRHcutUHDLYpXj5ZRAeNbumW4vx6B94Z6AuUYuOJjYsO1oIwNF 8JkvqLAOpMRBMWx53FqnzcsQK8IlSGXfyeL1pHT4qxV+8j51pN u5/IvNocOiREqjjvvKe45bUBWyJvl/eRxP6m6/KdP5+cW52WpW IPdLkgds6Wu/w== --Apple-Mail=_EA61A1C5-80D6-4D92-AA22-51CB0779C22D Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 yes, what does the source tape look like ? might be nothing wrong with = what you are doing and the source itself is messed up which is really = common.=20 it sounds like upressed 4:3 SD in which case try NTSC / 609 16-235. = given its probably SD, and been thru an analog generation or two who = knows whats been really done to it. so you may need to apply some curves = to even it out and make it look ok.=20 S On Jul 25, 2013, at 12:03 PM, Stephen van Vuuren = wrote: > A client has sent me a file and they are not colorspace savvy. It=E2=80=99= s a ProRes 422 HQ file that was captured off D5 tape into Final Cut as = =E2=80=9CYUV-10=E2=80=9D via Kona 3 card SDI. >=20 > ProRes is not tagged and having difficult figuring out best colorspace = for it. Rec709 and sRGB looked a little washed out. Rec709 (16-235) = looks better in midtones but gamma a bit dark. P3 looks richer but a = little darker still. > =20 > File is pillarboxed and pillarboxes are RGB 0,0,0. > =20 > Can=E2=80=99t find much help via google =E2=80=93 any ideas? > =20 > stephen van vuuren > 336.202.4777 > =20 > http://www.insaturnsrings.com/ > http://www.sv2dcp.com/ > http://www.sv2studios.com/ > =20 > A film is =E2=80=93 or should be =E2=80=93 more like music than like = fiction. It should be a progression of moods and feelings. The theme, = what=E2=80=99s behind the emotion, the meaning, all that comes later. > =E2=80=93Stanley Kubrick > =20 > From: After Effects Mail List [mailto:AE-List@media-motion.tv] On = Behalf Of Peter Mock > Sent: Thursday, July 25, 2013 11:33 AM > To: After Effects Mail List > Subject: Re: [AE] Does trapcode creative Suite work on Adobe After = Effects CC ? > =20 > Thank you all that was a great help > Peter > =20 > On 24 Jul 2013, at 14:54, Todd Kopriva wrote: >=20 >=20 > = https://support.redgiant.com/entries/21756405-Adobe-After-Effects-CC-suppo= rt-for-Particular >=20 > On Tuesday, July 23, 2013, Peter Mock wrote: > Does trapcode creative Suite work on Adobe After Effects CC ? > Thank you > Peter >=20 >=20 > --=20 > -------------------------------- > Todd Kopriva > 1510 E Alder St > Seattle, WA 98122 > (206)437-2296 > -------------------------------- > "Mobility is more important than motion." > - Gy=C3=B6rgy Seb=C5=91k > =20 --Apple-Mail=_EA61A1C5-80D6-4D92-AA22-51CB0779C22D Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 yes, what does the source tape = look like ? might be nothing wrong with what you are doing and the = source itself is messed up which is really = common. 

it sounds like upressed 4:3 SD in which = case try NTSC / 609 16-235. given its probably SD, and been thru an =  analog generation or two who knows whats been really done to it. = so you may need to apply some curves to even it out and make it look = ok. 


S
<= br>
On Jul 25, 2013, at 12:03 PM, Stephen van Vuuren = <stephen@sv2studios.com> = wrote:

A client has sent me a = file and they are not colorspace savvy. It=E2=80=99s a ProRes 422 HQ = file that was captured off D5 tape into Final Cut as =E2=80=9CYUV-10=E2=80= =9D via Kona 3 card SDI.

ProRes is not tagged and = having difficult figuring out best colorspace for it. Rec709 and sRGB = looked a little washed out. Rec709 (16-235) looks better in midtones but = gamma a bit dark. P3 looks richer but a little darker = still.
 
File is pillarboxed and pillarboxes are RGB = 0,0,0.
 
Can=E2=80=99t find much help via google =E2=80=93= any ideas?
 
From: After Effects Mail List = [mailto:AE-List@media-motion.tv] On Behalf Of Peter = Mock
Sent: Thursday, July 25, 2013 = 11:33 AM
To: After Effects Mail = List
Subject: Re: [AE] Does trapcode = creative Suite work on Adobe After Effects CC = ?
Thank you all = that was a great help
On = 24 Jul 2013, at 14:54, Todd Kopriva <toddkopriva@gmail.com> = wrote:
Does trapcode = creative Suite work on Adobe After Effects CC ?
Thank = you
Peter
 
-------------------------= -------
Todd Kopriva
1510 E Alder St
Seattle, WA = 98122
(206)437-2296
--------------------------------
"Mobility = is more important than motion."
   - Gy=C3=B6rgy = Seb=C5=91k