A client has sent me a file and they are not colorspace savvy. It’s a ProRes 422 HQ file that was captured off D5 tape into Final Cut as “YUV-10” via Kona 3 card SDI.

ProRes is not tagged and having difficult figuring out best colorspace for it. Rec709 and sRGB looked a little washed out. Rec709 (16-235) looks better in midtones but gamma a bit dark. P3 looks richer but a little darker still.

 

File is pillarboxed and pillarboxes are RGB 0,0,0.

 

Can’t find much help via google – any ideas?

 

stephen van vuuren

336.202.4777

 

http://www.insaturnsrings.com/

http://www.sv2dcp.com/

http://www.sv2studios.com/

 

A film is – or should be – more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later.

–Stanley Kubrick

 

From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Peter Mock
Sent: Thursday, July 25, 2013 11:33 AM
To: After Effects Mail List
Subject: Re: [AE] Does trapcode creative Suite work on Adobe After Effects CC ?

 

Thank you all that was a great help

Peter

 

On 24 Jul 2013, at 14:54, Todd Kopriva <toddkopriva@gmail.com> wrote:

https://support.redgiant.com/entries/21756405-Adobe-After-Effects-CC-support-for-Particular

On Tuesday, July 23, 2013, Peter Mock wrote:

Does trapcode creative Suite work on Adobe After Effects CC ?
Thank you
Peter

-- 
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Todd Kopriva
1510 E Alder St
Seattle, WA 98122
(206)437-2296
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"Mobility is more important than motion."
   - György Sebők