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I can’t view the source tape – 3000 miles away, so I have no idea. It’s a telecine capture of 35mm print on the D5 but the post house that did says this, and I quote (so I’m not going to get much help on that end): “My first thought and short answer would be RGB, but I’m still building up my color space knowledge. stephen van vuuren 336.202.4777 http://www.insaturnsrings.com/ A film is – or should be – more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later. –Stanley Kubrick From: Steve Oakley [mailto:steveo@practicali.com] yes, what does the source tape look like ? might be nothing wrong with what you are doing and the source itself is messed up which is really common. it sounds like upressed 4:3 SD in which case try NTSC / 609 16-235. given its probably SD, and been thru an analog generation or two who knows whats been really done to it. so you may need to apply some curves to even it out and make it look ok. S On Jul 25, 2013, at 12:03 PM, Stephen van Vuuren <stephen@sv2studios.com> wrote: A client has sent me a file and they are not colorspace savvy. It’s a ProRes 422 HQ file that was captured off D5 tape into Final Cut as “YUV-10” via Kona 3 card SDI.
File is pillarboxed and pillarboxes are RGB 0,0,0. Can’t find much help via google – any ideas? stephen van vuuren 336.202.4777 A film is – or should be – more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later. –Stanley Kubrick From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Peter Mock Thank you all that was a great help Peter On 24 Jul 2013, at 14:54, Todd Kopriva <toddkopriva@gmail.com> wrote: https://support.redgiant.com/entries/21756405-Adobe-After-Effects-CC-support-for-Particular Does trapcode creative Suite work on Adobe After Effects CC ?
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