| ||||||||||
| PS… On Jul 25, 2013, at 12:25 PM, Jim Curtis wrote: > If you have a broadcast monitor And scopes. Software scopes are fine, regardless of what naysayers tell you. I've done hundreds of spots, and several broadcast programs, and haven't had any rejected for being out of range. You have a free set with Color Finesse, although it's clunky to use on a sequence of shots, either on every clip, or on an Adjustment Layer. I use Synthetic Aperture's Test Gear (same company), which provides scopes for your workspace and reflects composited output. |
