Return-Path: Received: from mail-lb0-f172.google.com ([209.85.217.172] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5158306 for AE-List@media-motion.tv; Mon, 29 Jul 2013 03:39:58 +0200 Received: by mail-lb0-f172.google.com with SMTP id o7so1925916lbv.17 for ; Sun, 28 Jul 2013 18:51:23 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:from:date:message-id:subject:to :content-type; bh=HG/kas3DXY8sWrLopng0Qj2uB8pYfLAVciJqUCdnXIc=; b=hWROhClFmiVuJ3l+k8g3PNPKtbYPdsPawkhhg146mI8mgfrY2byTY69+d75zqX/VY4 OoQJ8oX0vOW2unYGZpluYpd0FdLzW0lKhTR3LOF+/NyN9WzNJsg1INBGo+2P4FEmZukF ciklnMGR9+ZPuIrAUP6CrK7LAQiYmXGPf0AnPOFDaIhBrB1q3rSVZiO9xSSrsUqbKZCR ue5Ts2eLI0D02JmTxya/wnKgTh5YO0r1PY1g0+MkLYrekwlV8JLgfg5kVNK5iErdG2aq VXBcSvKt0iH4aIiOTXC0vyFwJxQAINrXmZpL9pREmnwLDWy3hhRW+9itMkARpUeXHEeP J3ZQ== X-Received: by 10.152.30.35 with SMTP id p3mr8393245lah.32.1375062683314; Sun, 28 Jul 2013 18:51:23 -0700 (PDT) MIME-Version: 1.0 Received: by 10.152.133.206 with HTTP; Sun, 28 Jul 2013 18:51:03 -0700 (PDT) In-Reply-To: References: From: Byron Nash Date: Sun, 28 Jul 2013 21:51:03 -0400 Message-ID: Subject: Re: [AE] lossless codec in a container roundup To: After Effects Mail List Content-Type: multipart/alternative; boundary=089e0160a454c871c804e29cbae9 --089e0160a454c871c804e29cbae9 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Seems like Cinema DNG is aimed mainly at capture devices where what we are after is a mastering format to be able to transport video files in one container through the post process. On Sun, Jul 28, 2013 at 2:43 PM, Louai Abu-Osba wrote: > The BMC camera's use Cinema DNG. Stu Maschwitz describes an > interesting workflow with Lightroom to process Cinema DNGs: > http://prolost.com/letscook > > On Sun, Jul 28, 2013 at 2:12 PM, Todd Kopriva > wrote: > > No, it's not dead. It's a standard that has been released for a variety > of > > companies to use, support, maintan, and extend. > > > > See this: > > > http://blogs.adobe.com/aftereffects/2012/09/cinemadng-in-after-effects-cs= 6-and-elsewhere.html > > > > > > On Sunday, July 28, 2013, Jim Curtis wrote: > >> > >> So, Cinema DNG is dead, right? > >> > >> http://www.adobe.com/devnet/cinemadng.html > >> > >> > >> > > > > > > -- > > -------------------------------- > > Todd Kopriva > > 1510 E Alder St > > Seattle, WA 98122 > > (206)437-2296 > > -------------------------------- > > "Mobility is more important than motion." > > - Gy=C3=B6rgy Seb=C5=91k > > +---End of message---+ > To unsubscribe send any message to > --089e0160a454c871c804e29cbae9 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable
Seems like Cinema DNG is aimed mainly at capture devices w= here what we are after is a mastering format to be able to transport video = files in one container through the post process.


On Sun, Jul 28, 2013 at 2:43 PM, Louai A= bu-Osba <me@louai.org> wrote:
The BMC camera's use Cinema DNG. Stu Maschwitz describes an
interesting workflow with Lightroom to process Cinema DNGs:
http://prolost.co= m/letscook

On Sun, Jul 28, 2013 at 2:12 PM, Todd Kopriva <toddkopriva@gmail.com> wrote:
> No, it's not dead. It's a standard that has been released for = a variety of
> companies to use, support, maintan, and extend.
>
> See this:
> http://blogs.adobe.co= m/aftereffects/2012/09/cinemadng-in-after-effects-cs6-and-elsewhere.html
>
>
> On Sunday, July 28, 2013, Jim Curtis wrote:
>>
>> So, Cinema DNG is dead, right?
>>
>> http://www.adobe.com/devnet/cinemadng.html
>>
>>
>>
>
>
> --
> --------------------------------
> Todd Kopriva
> 1510 E Alder St
> Seattle, WA 98122
> (206)437-2296
> --------------------------------
> "Mobility is more important than motion."
> =C2=A0 =C2=A0- Gy=C3=B6rgy Seb=C5=91k

+---End of message---+<= br> To unsubscribe send any message to <ae-list-off@media-motion.tv>

--089e0160a454c871c804e29cbae9--