Return-Path: Received: from synthetic-ap.com ([192.220.91.245] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5161568 for AE-List@media-motion.tv; Thu, 01 Aug 2013 04:33:00 +0200 Received: from [192.168.1.112] (ip68-5-167-162.oc.oc.cox.net [68.5.167.162]) by synthetic-ap.com (8.12.11.20060614) id r712iRjp054864; Wed, 31 Jul 2013 20:44:28 -0600 (MDT) From: "Bob Currier" To: "After Effects Mail List" Subject: Re: [AE] ASC_SOP & ASC_SAT values Date: Wed, 31 Jul 2013 19:44:18 -0700 Message-Id: <20130801024418.389588797@smtp.synthetic-ap.com> In-Reply-To: References: X-Mailer: CTM PowerMail version 6.1.5 build 4654 English (intel) MIME-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable "SOP" is "Slope, Offset, Power" in ASC CDL speak. We chose different names = because many people calculate lift/gamma/gain in different ways. Slope is gain (multiplication). Offset is lift (addition). Power is gamma = (y^(1/x)). Saturation is saturation. To reverse it, enter the reciprocal of slope as your "gain." Enter the = reciprocal of power as "gamma." And enter the negative of offset as "lift." = Enter saturation as the reciprocal of the CDL value. The gain setting should work regardless of the color correction app. The = gamma value, however, may need to be entered as a reciprocal. The lift value = is the hardest to deal with. Many apps adjust gain along with the lift = setting, while the ASC CDL is a pure offset. Or use Color Finesse within AE which can read ASC CDLs directly, so you'd = just need to invert the values in the .cdl file, then load it in. With all that said, is the CDL really your "viewing LUT" or is it = representation of the color correction that's been done, which is the normal use for = a CDL=3F ----- Bob Currier rcurrier@synthetic-ap.com Synthetic Aperture www.synthetic-ap.com Helping Make Your Work Look Its Best On Thu, Aug 1, 2013 6:41 PM, David Torno wrote: >Curious question to anyone who has done a lot of CDL (Color Descision >List) work. I'm use to using a generic Cineon Log to Lin for viewing and >then doing a reverse process with Cineon Lin to Log for final output. >Not once have I ever gotten a proper LUT on a project in the 13+ years >I've been doing this work. Sad, very sad. Anyways, someone finally has >some CDL values (not an actual LUT file mind you) and I can easily, >manually, input the values into Colorista - Free, but how would I do a >reverse of this properly=3F I'm assuming this CDL is essentially my >"viewing" LUT and I would need it's opposite to reverse it all back with >VFX applied. Did that make sense=3F Thanks for any insight. > >What the editor exported for me, is an EDL that contained these lines as >well as other clip data. > >*ASC=5FSOP (1.0000 1.0000 1.0000)(0.0000 0.0000 0.0000)(1.0000 1.0000 = 1.0000) >*ASC=5FSAT 1 > > >The ASC=5FSOP and ASC=5FSAT data exists, even though they are default >neutral values. I'm hopeful that he will be able to get the actual CDL >values that he is seeing in AVID. > > >-- >David Torno >Visual Effects Artist and Supervisor >http://www.ghosttownmedia.com >david@ghosttownmedia.com >O: 213.739.2290 >C: 818.391.6060 >------------------------------------------------ >http://www.sydefxink.com (main portfolio) >http://aeioweyou.blogspot.com (vfx tutorials and AE scripts blog) >http://mactex.blogspot.com (free textures blog) > > > >+---End of message---+ >To unsubscribe send any message to >