Return-Path: Received: from mail-qc0-f170.google.com ([209.85.216.170] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5196405 for AE-List@media-motion.tv; Sat, 31 Aug 2013 15:55:19 +0200 Received: by mail-qc0-f170.google.com with SMTP id i8so1653633qcq.15 for ; Sat, 31 Aug 2013 07:07:47 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; bh=q1KPFcEWoPljDHMRs9JnfFvfRn1Gbwb/NFhcQ5ts/6g=; b=yr7sCLBooti6IS+WXZjd1qMLrRA3eLcT0itlEysNql6g+lCODWcwPVJZgfJxjN7/0q fj7KRB6aytERgnjdMRih6DoiSb1QeYcfN5gOUmRGdTKztQCkYJoivlSC+wJOTWBIdhUe SWtplYXOxW3tbgKk52+cMRQi4pqVBYJXaCJOwu3hcW7g57IyclN8fdlCfr8MtgQbOEIS 7YIakp6eovBsggH2OvAhOWRCuoVr0OJGoVH0gm3VxP0xkfOSADtSkZiouIrwDyPMGnFu aYiZyaBOONQj1f2LbKEtmZ8cqNe8v0d9PMfBv7V9BoN1+8U1f/Xn770S3Y0HL2ihNmkN RU/w== MIME-Version: 1.0 X-Received: by 10.224.8.129 with SMTP id h1mr18926271qah.1.1377958067327; Sat, 31 Aug 2013 07:07:47 -0700 (PDT) Received: by 10.229.97.74 with HTTP; Sat, 31 Aug 2013 07:07:47 -0700 (PDT) Received: by 10.229.97.74 with HTTP; Sat, 31 Aug 2013 07:07:47 -0700 (PDT) In-Reply-To: References: Date: Sat, 31 Aug 2013 10:07:47 -0400 Message-ID: Subject: Re: [AE] stupid time-lapse tricks From: Greg Balint To: After Effects Mail List Content-Type: multipart/alternative; boundary=001a11c2be6c1e57e804e53eddc6 --001a11c2be6c1e57e804e53eddc6 Content-Type: text/plain; charset=windows-1252 Content-Transfer-Encoding: quoted-printable Take a regular still cam, use a dolly or some sort of fixed height rolling thing to affix the camera to. Take the shots all in progression so that each frame will be a sequentially numbered frame. Walk 5 feet, take another shot, etc. Import the frames into AE as an image sequence. Render out the shaky footage. Import that new rendered movie and apply image stabilization via warp stabilizer. Do this per shot. Should be pretty easy, the cumbersome part is shooting it all. ///Greg Balint //Art Director / Motion Graphics Designer /321.514.4839 delRAZOR.com/ On Aug 31, 2013 9:20 AM, "Jim Curtis" wrote: > http://vimeo.com/46106624 > > > A client sent me this link, and said it was shot with a still camera, and > he called it a "walking time-lapse." He wants to do something similar. > > I'm wondering how the film maker got all the images to register in > succession. Seems like you could do this manually in Ae, which would tak= e > forever, unless=85 there's some software that automates the process. > > Is anybody aware of such software? > > > ?? > > Jim > > > > > > . > +---End of message---+ > To unsubscribe send any message to > --001a11c2be6c1e57e804e53eddc6 Content-Type: text/html; charset=windows-1252 Content-Transfer-Encoding: quoted-printable

Take a regular still cam, use a dolly or some sort of fixed = height rolling thing to affix the camera to. Take the shots all in progress= ion so that each frame will be a sequentially numbered frame. Walk 5 feet, = take another shot, etc. Import the frames into AE as an image sequence. Ren= der out the shaky footage. Import that new rendered movie and apply image s= tabilization via warp stabilizer.

Do this per shot.

Should be pretty easy, the cumbersome part is shooting it al= l.

///Greg Balint
//Art Director / Motion Graphics Designer
/321.514.4839
delRAZOR.com/
=A0=A0=A0

On Aug 31, 2013 9:20 AM, "Jim Curtis" = <jpcurtis@me.com> wrote:
http://vimeo.com/46= 106624


A client sent me this link, and said it was shot with a still camera, and h= e called it a "walking time-lapse." =A0He wants to do something s= imilar.

I'm wondering how the film maker got all the images to register in succ= ession. =A0Seems like you could do this manually in Ae, which would take fo= rever, unless=85 there's some software that automates the process.

Is anybody aware of such software?


??

Jim





.
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