Return-Path: Received: from moutng.kundenserver.de ([212.227.17.8] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5198417 for AE-List@media-motion.tv; Tue, 03 Sep 2013 09:59:34 +0200 Received: from remote.animares.com (p578bf67e.dip0.t-ipconnect.de [87.139.246.126]) by mrelayeu.kundenserver.de (node=mrbap0) with ESMTP (Nemesis) id 0MMHcb-1VLyFG1qQ9-007zBC; Tue, 03 Sep 2013 10:12:08 +0200 Received: from SERVER.animares.local ([fe80::8533:d097:c65f:118a]) by SERVER.animares.local ([fe80::8533:d097:c65f:118a%14]) with mapi id 14.01.0438.000; Tue, 3 Sep 2013 10:11:07 +0200 From: Rodrigo Olmos | ANIMA RES GmbH To: 'After Effects Mail List' Subject: AW: [AE] stupid time-lapse tricks Thread-Topic: [AE] stupid time-lapse tricks Thread-Index: AQHOpl+EE55uNpCkF0+R4a34qfxM2JmzqsSg Date: Tue, 3 Sep 2013 08:11:06 +0000 Message-ID: References: In-Reply-To: Accept-Language: de-DE, en-US Content-Language: de-DE X-MS-Has-Attach: X-MS-TNEF-Correlator: x-originating-ip: [192.168.0.23] Content-Type: multipart/alternative; boundary="_000_D3E3144481D7374E92C779B8A339FA20A346CDSERVERanimaresloc_" MIME-Version: 1.0 X-Provags-ID: V02:K0:nZuwNh1IvOA9NJ/C4wo5qcEBF6ArIjsZnGvYdpdkFPf nOGr63+wyPQLWAiKzGps8s/VCci1FjlX+ejSlElmCpFaV2ietD 1PuZURYySijqRJuSj+2poJ6rhitY76Dl0UXzlduZwwKVOjsmad IasC4EHk6qSWhGsh4QNgpVZK71320d2H7f47CYgSetWbT0k/89 ZX9ROxFUoD/PdDQvIMTW1bUcOyBBOKGv3WbtO86ziaPEr7vFst Ofb8p4CLQNbs27W8L+yk8FLtw4CZfI2TAkvU8+gzaTn6PL/ohH fP7aNvXec1tXAPRXbLiZtuMxccMoj7xc03ixxaEWyKrR7wdOUw mxHK6wyMVRgE4/U1iTT9Mw5K9L5070uANpdmQzxDbYNPXtiAfQ ytVAlh9gi9oENpK7TQ+gtbxLyq1LrXM1JeycCS+xcKxOD63Tz8 THjmB --_000_D3E3144481D7374E92C779B8A339FA20A346CDSERVERanimaresloc_ Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Hi Jim, this amazing film (from Jun Wah Lee / Evosia) might be interesting for you: https://vimeo.com/72726988 There you will also find a link to his workshops and 'behind the scenes'. Rodrigo _________________________________________ ANIMA RES - Studio for 3D medical animation email rodrigo.olmos@animares.com web http://www.animares.com Von: After Effects Mail List [mailto:AE-List@media-motion.tv] Im Auftrag vo= n Jim Curtis Gesendet: Samstag, 31. August 2013 17:34 An: After Effects Mail List Betreff: Re: [AE] stupid time-lapse tricks I wasn't sure if Ae's stabilization would be adequate. As "walking" and no= t a tripod or even a monopod was mentioned, I would presume that there'd be= some wild fluctuations in registration between shots. I don't think a tri= pod would be permitted or practical in a subway station or car, or progress= ing through a crowd on a sidewalk or foot bridge. Here's another video my client sent, with some interest in doing similar sh= ots (some of these are real-time, and some are time-lapse). You can see th= ere are camera moves where it would be impossible to put down a tripod or u= se a steadicam, due to the uneven, rocky, debris-laden terrain in the "slot= canyon" shots particularly. https://www.youtube.com/watch?feature=3Dplayer_embedded&v=3DR_odAWTEtMQ#t= =3D16 Thanks for all the input. On Aug 31, 2013, at 10:12 AM, Stephen van Vuuren > wrote: Greg B.'s steps are exactly how this is done - I've used this and variation= s of this technique a number of times. Just keep the idea that all motion = is a series of stills and anything you put in an image sequence is motion i= n AE. Some variations you can do with this: 1. For a really smooth move, shoot with a higher model Canon DSLR in = JPEG fine - 5d, 5D Mark III etc with a fast card. You can shoot at a steady= rate 1,2 even 4fps until the card is full. 2. Apply Twixtor to the image - you can get anything from interesting= effects to making it look like you shot motion footage to start depending = on what settings you use. 3. Same for motion blur or any other time based plugs - you can creat= e really interested effects. stephen van vuuren 336.202.4777 http://www.insaturnsrings.com/ http://www.sv2dcp.com/ http://www.sv2studios.com/ A film is - or should be - more like music than like fiction. It should be = a progression of moods and feelings. The theme, what's behind the emotion, = the meaning, all that comes later. -Stanley Kubrick From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Greg Balint Sent: Saturday, August 31, 2013 10:08 AM To: After Effects Mail List Subject: Re: [AE] stupid time-lapse tricks Take a regular still cam, use a dolly or some sort of fixed height rolling = thing to affix the camera to. Take the shots all in progression so that eac= h frame will be a sequentially numbered frame. Walk 5 feet, take another sh= ot, etc. Import the frames into AE as an image sequence. Render out the sha= ky footage. Import that new rendered movie and apply image stabilization vi= a warp stabilizer. Do this per shot. Should be pretty easy, the cumbersome part is shooting it all. ///Greg Balint //Art Director / Motion Graphics Designer /321.514.4839 delRAZOR.com/ On Aug 31, 2013 9:20 AM, "Jim Curtis" > wrote: http://vimeo.com/46106624 A client sent me this link, and said it was shot with a still camera, and h= e called it a "walking time-lapse." He wants to do something similar. I'm wondering how the film maker got all the images to register in successi= on. Seems like you could do this manually in Ae, which would take forever,= unless... there's some software that automates the process. Is anybody aware of such software? ?? Jim . +---End of message---+ To unsubscribe send any message to > --_000_D3E3144481D7374E92C779B8A339FA20A346CDSERVERanimaresloc_ Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Hi Jim,

 <= /p>

this amazi= ng film (from Jun Wah Lee / Evosia) might be interesting for you:

https://vimeo.com/72726988

 = ;

There you = will also find a link to his workshops and ‘behind the scenes’.=

 = ;

Rodrigo=

 <= /p>

_________________________________________

ANIMA RES – Studio for 3D medical animation

email   rodrigo.olmos@animares.com
web     http:= //www.animares.com =


Von: After Eff= ects Mail List [mailto:AE-List@media-motion.tv] Im Auftrag von Jim Curtis
Gesendet: Samstag, 31. August 2013 17:34
An: After Effects Mail List
Betreff: Re: [AE] stupid time-lapse tricks

 

I wasn't sure if Ae's stabilization would be adequat= e.  As "walking" and not a tripod or even a monopod was ment= ioned, I would presume that there'd be some wild fluctuations in registrati= on between shots.  I don't think a tripod would be permitted or practical in a subway station or car, or progressing through = a crowd on a sidewalk or foot bridge.

 

Here's another video my client sent, with some inter= est in doing similar shots (some of these are real-time, and some are time-= lapse).  You can see there are camera moves where it would be impossib= le to put down a tripod or use a steadicam, due to the uneven, rocky, debris-laden terrain in the "slot canyon&qu= ot; shots particularly. 

 

 

Thanks for all the input.

 

 

 

On Aug 31, 2013, at 10:12 AM, Stephen van Vuuren <= ;stephen@sv2studios.com> w= rote:



Greg B.= 217;s steps are exactly how this is done – I’ve used this and v= ariations of this technique a number of times.  Just keep the idea tha= t all motion is a series of stills and anything you put in an image sequence is = motion in AE. Some variations you can do with this:

 

1.       For a really smooth move, shoot with a higher model Canon DSLR in JPEG fine &#= 8211; 5d, 5D Mark III etc with a fast card. You can shoot at a steady rate&= nbsp; 1,2 even 4fps until the card is full.

2.       Apply Twixtor to the image – you can get anything from interesting effects= to making it look like you shot motion footage to start depending on what = settings you use.

3.       Same for motion blur or any other time based plugs – you can create reall= y interested effects.

 

stephen= van vuuren

336.202.47= 77

 <= /span>

 <= /span>

A film = is – or should be – more like music than like fiction. It shoul= d be a progression of moods and feelings. The theme, what’s behind th= e emotion, the meaning, all that comes later.

–= Stanley Kubrick

 

From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Greg Balint
Sent: Saturday, Au= gust 31, 2013 10:08 AM
To: After Effects = Mail List
Subject: Re: [AE] = stupid time-lapse tricks

 

Take a regular still cam, use a dolly or some sort = of fixed height rolling thing to affix the camera to. Take the shots all in= progression so that each frame will be a sequentially numbered frame. Walk= 5 feet, take another shot, etc. Import the frames into AE as an image sequence. Render out the shaky footage. Imp= ort that new rendered movie and apply image stabilization via warp stabiliz= er.

Do this per shot.

Should be pretty easy, the cumbersome part is shoot= ing it all.

///Greg Balint
//Art Director / Motion Graphics Designer
/321.514.4839
delRAZOR.com/=
   

On Aug 31, 2013 9:20 AM, "= Jim Curtis" <jpcurtis@me.com> wrote:

http://vimeo.com/4610= 6624


A client sent me this link, and said it was shot with a still camera, and h= e called it a "walking time-lapse."  He wants to do somethin= g similar.

I'm wondering how the film maker got all the images to register in successi= on.  Seems like you could do this manually in Ae, which would take for= ever, unless… there's some software that automates the process.

Is anybody aware of such software?


??

Jim





.
+---End of message---+
To unsubscribe send any message to <ae-list-off@media-motion.tv<= /a>>

 

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