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| It's not really pertinent anymore, unless you work for a tv station. 90% of my work goes on air, and is generally mastered at 1080/23.98. Sometimes we add pulldown, and sometimes DG does. I do not miss interlacing and field order issues AT ALL. Funnily enough, many tv stations don't have a way of QC'ing interlaced material anymore. It's why you sometimes see stuff air with reversed fields - something that would've gotten me fired early in my career now warrants indifference. Kinda sad. $.02, Brian Sent from my iPhone On Sep 19, 2013, at 2:52 AM, Perry Mitchell <perry.mitchell@gmail.com> wrote: > Interesting (for me) that nobody mentioned progressive vs interlaced, which of course is pertinent to the two broadcast formats. > > Perry Mitchell > Engineer > Farnham, Surrey > > On 19/09/2013 00:59, Jim Curtis wrote: >> Hey all, >> >> If your client let you make the choice between delivering your spots in 720 or 1080, and they were 30% editing in Pr CC w/CUDA, and 70% moGFX and color-correcting and finishing in Ae, which would you choose, and why? >> >> Thanks for your advice. >> >> Jim C. >> +---End of message---+ >> To unsubscribe send any message to <ae-list-off@media-motion.tv> > > > +---End of message---+ > To unsubscribe send any message to <ae-list-off@media-motion.tv> |
