Return-Path: Received: from mail-pa0-f42.google.com ([209.85.220.42] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5235621 for AE-List@media-motion.tv; Mon, 30 Sep 2013 21:24:55 +0200 Received: by mail-pa0-f42.google.com with SMTP id lj1so6326385pab.29 for ; Mon, 30 Sep 2013 12:25:15 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=subject:references:from:content-type:in-reply-to:message-id:date:to :content-transfer-encoding:mime-version; bh=EBA1PaU3KG/zlyPtkUkjWIZgMOZhUF8ixXPLYWAV11c=; b=HIKR+km6u13yN9gX+TuogaOzSNqEd+6v9Qc4Xgic6BB0KIoWTSiYtcEP+Na9JCHCQX pwpwL/toqRc5Xw7iJGSlk5B3ymQ+IomvIxWyffeSwWoq7o1HA3Vg+xlpccgmUAteU+lH GuJOgt4SNISO0Ppcj9ws3uA17otxON99ZjaUs/JlJ4NsTcLpZHs7O8QZCTXVlenNu5UE AoLXkAIZeNavh7ymjVaTs4pAYAW6hQXRdb9T8fVPP7CAFUZ9TRhcFeTKC/sVHdbwEM4i AF2bi/GdNoO1KkWa7woK3wQ27DghYeKc8Eb5BTka4C/U44gYWNp1GfUAygdeAQtb4jMb VbTA== X-Received: by 10.68.6.66 with SMTP id y2mr25317545pby.60.1380569115282; Mon, 30 Sep 2013 12:25:15 -0700 (PDT) Return-Path: Received: from [192.168.0.102] (c-98-247-121-190.hsd1.wa.comcast.net. [98.247.121.190]) by mx.google.com with ESMTPSA id xv2sm2270022pbb.39.1969.12.31.16.00.00 (version=TLSv1 cipher=ECDHE-RSA-RC4-SHA bits=128/128); Mon, 30 Sep 2013 12:25:13 -0700 (PDT) Subject: Re: [AE] Please update Mesh Warp! References: From: Christopher Biggs Content-Type: multipart/alternative; boundary=Apple-Mail-BBB82FA8-D465-485A-8DAD-382B8FEFCC99 X-Mailer: iPhone Mail (11A501) In-Reply-To: Message-Id: Date: Mon, 30 Sep 2013 12:24:41 -0700 To: After Effects Mail List Content-Transfer-Encoding: 7bit Mime-Version: 1.0 (1.0) --Apple-Mail-BBB82FA8-D465-485A-8DAD-382B8FEFCC99 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: quoted-printable Tim is right Christie twist is a good=20 Example to shoot for C from Chris's iPhone=F0=9F=93=B1 "Expectations rise at the same rate as capabilities"=20 > On Sep 30, 2013, at 12:04 PM, Tim Sassoon wrote: >=20 > I'd agree with updated sampling. I've disqualified Mesh Warp from projects= because of poor and hard to control resampling. You don't often notice the p= roblems, until you replace the source with a checkerboard and it just looks t= errible. We really needed it to work on another theme park project, but ende= d up doing it in RT using Christie Twist at the projector, which (ahem) did a= fabulous job. >=20 >=20 > Tim Sassoon > SFD > Venice, CA >=20 >=20 >=20 >=20 >=20 >> On Sep 30, 2013, at 11:18 AM, Jayse Hansen wrote: >>=20 >> +2! + more anti-aliasing/supersampling options! >>=20 >> -------------------------------- >> Jayse Hansen >> Film UI/DataViz Nerd Stuff >> www.jayse.tv >>=20 >>=20 >>=20 >>> On Mon, Sep 30, 2013 at 11:06 AM, Brian Maffitt wrote: >>> +1 from me! >>>=20 >>>=20 >>>=20 >>> > On Sep 30, 2013, at 1:27 PM, Chris Biggs = wrote: >>> > >>> > I use mesh warp a lot when I'm working. It's great because I can start= with a >>> > basic corner pin and add more and more control. >>> > Working for Walt Disney Imagineering, I've use it on Many rides (over 5= 0 rides and attractions) >>> > including the new "Mystic Manor" at Hong Kong Disneyland >>> > >>> > But it is also a pain in the tokhes sometimes. >>> > Below is a list of added features that I think would make it a much st= ronger plug-in. >>> > >>> > =E2=80=A2 Arrow nudge selected points (Shift Key depressed 10x) >>> > =E2=80=A2 Use layer mask as warp edge >>> > =E2=80=A2 Lasso Selection of points >>> > =E2=80=A2 Live update when moving a spline(GPU?) >>> > =E2=80=A2 Don't deselect when using the hand tool to navigating in com= p window >>> > =E2=80=A2 Option Command click on a point to Lose or create a spline (= Like with mask points) >>> > =E2=80=A2 Allow user to add a Row or Column where needed (i.e. click o= n an edge and where you click is a new line) >>> > =E2=80=A2 Shift Hold to force move to right angles and Shift option to= for 45=C2=B0 increments >>> > =E2=80=A2 Select whole row or column by option click on a line, Add mo= re wIth shift key >>> > =E2=80=A2 A "reset selected points only" Option >>> > =E2=80=A2 When adding lines or columns to a mesh Don't break splines (= or just implement =E2=80=A2 6) >>> > =E2=80=A2 Add a Photoshop "Free Transform" type selection manipulator >>> > =E2=80=A2 Allow more the 31 lines >>> > =E2=80=A2 a Pref window to turn on or off features (if not in the cont= rol window) >>> > >>> > and yes I've submitted all these to Adobe wish list >>> > >>> > Thanks >>> > Chris >>> > -- >>> > --------------------------------------- >>> > R.Christopher Biggs >>> > Digital Ronin >>>=20 >>> +---End of message---+ >>> To unsubscribe send any message to >=20 --Apple-Mail-BBB82FA8-D465-485A-8DAD-382B8FEFCC99 Content-Type: text/html; charset=utf-8 Content-Transfer-Encoding: quoted-printable
Tim is right Christie twist is a good&= nbsp;
Example to shoot for
C

  from Chris's i= Phone=F0=9F=93=B1
"Expectations rise at the same rate as capabilities" 
<= /div>

On Sep 30, 2013, at 12:04 PM, Tim Sassoon <tsassoon@aol.com> wrote:

I'd agree with updated sampling. I've disqualified Me= sh Warp from projects because of poor and hard to control resampling. You do= n't often notice the problems, until you replace the source with a checkerbo= ard and it just looks terrible. We really needed it to work on another theme= park project, but ended up doing it in RT using Christie Twist at the proje= ctor, which (ahem) did a fabulous job.


Tim Sassoon
SFD
Venice, C= A




On Sep 30, 2013, at 11:18 AM, Jayse Hansen <mographer@gmail.com> wrote:

+2! += more anti-aliasing/supersampling options!

--------------------------------
Jayse Hansen
Film UI/D= ataViz Nerd Stuff



On Mon, Sep 30, 2013 at 11:06 AM, Brian M= affitt <brian@totaltraining.com> wrote:
+1 from me!



> On Sep 30, 2013, at 1:27 PM, Chris Biggs <christopher.biggs@gmail.com> wrote:
>
> I use mesh warp a lot when I'm working. It's great because I can start w= ith a
> basic corner pin and add more and more control.
> Working for Walt Disney Imagineering, I've use it on Many rides (over 5= 0 rides and attractions)
> including the new "Mystic Manor" at Hong Kong Disneyland
>
> But it is also a pain in the tokhes sometimes.
> Below is a list of added features that I think would make it a much str= onger plug-in.
>
> =E2=80=A2 Arrow nudge selected points (Shift Key depressed 10x)
> =E2=80=A2 Use layer mask as warp edge
> =E2=80=A2 Lasso Selection of points
> =E2=80=A2 Live update when moving a spline(GPU?)
> =E2=80=A2 Don't deselect when using the hand tool to navigating in comp= window
> =E2=80=A2 Option Command click on a point to Lose or create a spline (L= ike with mask points)
> =E2=80=A2  Allow user to add a Row or Column where needed (i.e. cl= ick on an edge and where you click is a new line)
> =E2=80=A2 Shift Hold to force move to right angles and Shift option to f= or 45=C2=B0 increments
> =E2=80=A2 Select whole row or column by option click on a line, Add mor= e wIth shift key
> =E2=80=A2 A "reset selected points only" Option
> =E2=80=A2 When adding lines or columns to a mesh Don't break splines (o= r just implement =E2=80=A2 6)
> =E2=80=A2 Add a Photoshop "Free Transform" type selection manipulator > =E2=80=A2 Allow more the 31 lines
> =E2=80=A2 a Pref window to turn on or off features (if not in the contr= ol window)
>
> and yes I've submitted all these to Adobe wish list
>
> Thanks
> Chris
> --
> ---------------------------------------
> R.Christopher Biggs
> Digital Ronin

+---End of message---+
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